网站地图关于我们

查看相册 View Gallery
将建筑穿在身上,是身体与艺术的结合第1张图片
为了设计这些构筑物,建筑师们构思了多种体量,例如管状结构、球形、木制十字架等等/To create the pavilion, The LADG imagine stacking up a series of objects, like tubes, balls, and wooden cross-shaped structures

LADG为Coachella音乐节设计混凝土小亭
The LADG envisions concrete pavilion for Coachella festival-goers

由专筑网李韧,王帅编译

该项目由洛杉矶设计集团(Los Angeles Design Group)为Coachella音乐节而设计,建筑师运用了混凝土面板,设计成一系列山峰状构筑物。

Undulating "concrete blankets" form a series of mountain-like structures in this conceptual pavilion designed by The Los Angeles Design Group for the Coachella festival.

将建筑穿在身上,是身体与艺术的结合第2张图片
洛杉矶设计集团为Coachella音乐节设计的一系列混凝土构筑物/The Los Angeles Design Group developed a series of iterations for the Coachella pavilion

美国洛杉矶设计集团(LADG)近期公布了为2018年度加利福尼亚州音乐节设计的系列作品,本次音乐节于2018年4月13日正式开幕。

建筑师为Coachella音乐节的主办公司“Goldenvoice”设计了这些作品,但是该项目并没有入选。

US studio The Los Angeles Design Group (The LADG) has released designs of the pavilion it proposed for the 2018 edition of the annual California music festival, which starts today.
The studio developed the concept for Goldenvoice, the company behind Coachella, but the project was not chosen to become part of the festival.

将建筑穿在身上,是身体与艺术的结合第3张图片
在设计方案中,建筑师运用了塔式结构,其上方是混凝土屋面/Among the proposals is a tower structure, with the concrete roof draped on top

在方案中,LADG的建筑师运用混凝土来作为该建筑的主要材料,块状混凝土屋顶刻画出Coachella周围山脉的形状,同时也烘托出人山人海的节日狂欢者。

In the proposal, The LADG suggested creating structures cloaked with lumpy concrete roofs that draw on the shape of the mountains surrounding the site of Coachella, and the bundles of clothes worn by festival revelers.

将建筑穿在身上,是身体与艺术的结合第4张图片

建筑师告诉Dezeen的记者:“在音乐节中,令我们十分惊讶的是许多狂欢者们会把毯子或者披风穿在身上,就像穿着一套简单的房子,狂欢者们可以在里面睡觉。从另一方面来看,这些毯子也重新塑造了身体,使其看起来像科Coachella山谷周围的群山。”

“如果人们能够把建筑穿在身上,或者看上去如同山峰一样,那么我们就像知道是否建筑也能这样来表达,将毛毯披在建筑上,看起来也许更像山峰吧,亦或是更像那些狂欢者们。”

"We were interested in people who wear blankets and ponchos as outfits to music festivals," The LADG told Dezeen. "It struck us that they are wearing a simple kind of house that they can sleep in – and on – but also re-fashioning their bodies to look more like the lumpy mountains around the Coachella Valley."
"If people can wear buildings and look like mountains, we wondered if buildings could get in on the act too," the studio continued. "Could huts wear blankets and look more like mountains? Or even more like the people around them?"

将建筑穿在身上,是身体与艺术的结合第5张图片
在另一个方案中,这些混凝土面板与人字形结构相结合/In a low-lying alternative, the "concrete blankets" are paired with gabled structures

这些构筑物的屋顶通过预制构件建造而成,这些木质结构在场地之外建造生产,其上方是混凝土浇筑而成的波浪形屋顶,最后共同运送至项目场地进行组装。

隐藏在下方的结构由混凝土和人造层压木材胶合板共同构成。

As with the studio's earlier Kid Gets out of the Picture installation, the pavilion's roofs would be prefabricated. A wooden waffle structure, built off-site, would form the undulating shape with the concrete poured on top, before being transported to the festival site.
Hidden underneath, a skeletal structure would be made from concrete blocks and posts made of glulam – a manufactured wood created by layering up multiple slices of wood and gluing them together.

将建筑穿在身上,是身体与艺术的结合第6张图片
另外一座构筑物的上部则是凹凸起伏的屋面,下方有着多个入口/While another iteration is covered entirely by the lumpy roof, which lifts up to create a number of different entrances

建筑师说:“我们详细地研究了建筑施工的过程后,发现了这种运用预制混凝土面板的方法,将它们先预制完成,然后通过起重机将其进行组装。”

起伏的屋顶下方形成多个入口通道,这样参观者能够从不同的方向进入建筑。而其他如管状形态的元素也会运用于其中。

LADG建筑师为本次音乐节设计了5种不同的建筑,每个方案都尽量简化,但却具有极高的场地适应性。

建筑师说:“我们通过无数的混凝土面板进行不断地调试,最后将五六个体量堆叠在一起形成50英尺(约15米)高的作品。”

"We studied the construction process in detail and had found a way to pre-fabricate the concrete blankets and assemble them onsite in huge sections hoisted on cranes," said the studio.
As the roof lifts up at the sides it would create a number of ways to enter the pavilion that the visitors would have to "amble" through. Other elements, like tubes for revelers to clamber, would also be arranged underneath.
The LADG created five iterations of the pavilions – simplifying the design with each adaptation.
"What you'll see in the evolution of the work is that we began working with hundreds of objects at the scale of concrete block details, and ended working on just five or six objects stacking into a simple tower 50 feet tall," the studio explained.

将建筑穿在身上,是身体与艺术的结合第7张图片
在屋顶下方的结构框架由混凝土面板和木制支柱构成/Underneath the roof, the main skeletal structure comprises concrete blocks and wooden columns

在接下来的Coachella音乐节中,人们将会看到许多优秀的艺术装置及雕塑,其中有使用纸浆作成的橙紫相间的艺术作品,还有一系列镜面霓虹灯。

今年的活动时间为2018年4月13日至15日,以及4月20日至22日,美国艺术家Phillip K Smith III向Dezeen的记者描述了本次音乐盛典的影响,他认为这些艺术作品让狂欢者们看到了艺术之外的展览空间,同时也让艺术家们获得了与粉丝沟通的机会。

Along with its line-up of music concerts Coachella, or the Coachella Valley Music and Arts Festival, has become known for its art installations and sculptures, with previous projects including a sinuous orange and purple design built using a tonne of paper pulp and a set of neon mirrors.
Ahead of this year's event, which takes place 13-15 and 20-22 April 2018, American artist Phillip K Smith III described the impact of the music venue to Dezeen as enabling artwork enabled revelers to see art beyond typical exhibition spaces, and artists to reach a wider audience.

将建筑穿在身上,是身体与艺术的结合第8张图片

将建筑穿在身上,是身体与艺术的结合第9张图片

将建筑穿在身上,是身体与艺术的结合第10张图片

将建筑穿在身上,是身体与艺术的结合第11张图片

将建筑穿在身上,是身体与艺术的结合第12张图片

将建筑穿在身上,是身体与艺术的结合第13张图片

将建筑穿在身上,是身体与艺术的结合第14张图片

将建筑穿在身上,是身体与艺术的结合第15张图片
将建筑穿在身上,是身体与艺术的结合第16张图片

将建筑穿在身上,是身体与艺术的结合第17张图片

将建筑穿在身上,是身体与艺术的结合第18张图片

将建筑穿在身上,是身体与艺术的结合第19张图片

将建筑穿在身上,是身体与艺术的结合第20张图片

将建筑穿在身上,是身体与艺术的结合第21张图片

将建筑穿在身上,是身体与艺术的结合第22张图片

将建筑穿在身上,是身体与艺术的结合第23张图片

将建筑穿在身上,是身体与艺术的结合第24张图片

将建筑穿在身上,是身体与艺术的结合第25张图片

将建筑穿在身上,是身体与艺术的结合第26张图片

将建筑穿在身上,是身体与艺术的结合第27张图片

将建筑穿在身上,是身体与艺术的结合第28张图片

将建筑穿在身上,是身体与艺术的结合第29张图片


出处:本文译自www.dezeen.com/,转载请注明出处。

【专筑网版权与免责声明】:本网站注明“来源:专筑网”的所有内容版权属专筑网所有,如需转载,请注明出处

专于设计,筑就未来

无论您身在何方;无论您作品规模大小;无论您是否已在设计等相关领域小有名气;无论您是否已成功求学、步入职业设计师队伍;只要你有想法、有创意、有能力,专筑网都愿为您提供一个展示自己的舞台

投稿邮箱:submit@iarch.cn         如何向专筑投稿?

扫描二维码即可订阅『专筑

微信号:iarch-cn

登录专筑网  |  社交账号登录:

 匿名

没有了...
评论加载中,请稍后!

建筑 (13403 articles)


构筑物 (109 articles)


美国 (1533 articles)


音乐节 (7 articles)


混凝土 (2847 articles)


木材 (3120 articles)


2018 (970 articles)