© Frances Edith Cooper
Explore the potential of the human figure in architectural representation
由专筑网朱王倩，李韧编译
人物是插图、超现实渲染、拼贴和三维表达中明确建筑尺度的基础。然而，与项目本质上有关的人物应该是设计师经过深思熟虑后的决定，因此它也常常成为图像中的点睛之笔。那么，除了尺度，人物还能传递哪些信息呢？
The human figure is fundamental in order to understand scale in illustrations, hyper-realistic renders, collages and three-dimensional representations. However, it often seems to be one of the last elements to be incorporated, when it should be a thoughtful decision, intrinsically related to the project. What do human figures transmit beyond the scale of a project?
© Ignacio Darras - Ceu San Pablo, Madrid, Spain
在轴测图中，这些人物是空间比例中明晰简单的指标。由于对自身个体的熟悉，人们会自然地将建筑与人物的身体进行比较。人们将这些代表人物与身体维度联系，使人们可以直观地感知空间维度。在透视图中，通过合并第三维度，这些图形承担了一个新角色，即增加表现空间的进深。
In orthogonal architectural representations, these figures act as a clear and simple indicator of the proportions of a space. Given its familiarity, the comparison of architecture with our bodies becomes a quite automatic response. We associate the dimensions of our body with those of the represented figures, allowing us to intuitively perceive the dimensions of space. In perspective, by incorporating a third dimension, the figures assume a new role of adding depth to the representation.
Cortesía de Mecanoo, Martinez + Johnson
另一方面，人物的使用让人们更好地表达构建空间的想法，同时它强调了内容、暗示任务、建议用途、功能特色或者是使用者的形象。另外，人物充当一个具有多重含义的元素，其中包含尺度和进深，还利用建筑表现的交流特点区传达其他想法。
On the other hand, the use of the human figure allows us to transmit ideas about how space is conceived; it also highlights contents, indicate tasks, proposed uses, functional characteristics or even user profiles. The figures then act as polysemic elements, which in addition to scale and depth, use the communicative nature of the architectural representation to transmit other ideas.
© Danica Vićanović
在许多时候，人物是图纸中的最后元素。因此，它们只不过是参考元素。很明显，人们需要有意识地选择和考虑放置每个人物的含义。人物因此变得很重要，由于其交流的力量，而这正是设计师想要表达的内容，即使用者是谁？他们在干什么？用什么技巧或美学来表现它？
In many cases, the human figure is one of the last elements to be incorporated into the illustrations. For this reason, they end up being no more than scalar reference elements. It is clear that we need to consciously choose and consider the implications of each placed figure. It becomes necessary, given their communicative power, that the architect interpellates the figures with that which he wants to convey: who is he using? What are they doing what? With what technique or aesthetics will it be represented?
© Fala Atelier
照片合成和插图技术提高了人类形象融入的可能性。从这个意义上讲，数字化生成的抽象人物具有重要的意义。设计师有各种各样的人物表达方式，比如单色表达、手绘轮廓或者数字拼贴的平面人物。
Through the renewed use of photomontage and illustration techniques, the possibilities for the incorporation of the human figure have been broadened. In this sense, digitally generated abstractions represent an important contribution. We have variations such as flat figures with solid colors, hand-drawn silhouettes or digital collages.
© Stef Dingen
在许多项目中，使用人物为生活带来非真实或乌托邦的场景。建筑和居住的市民间出现暂时的分离，建筑的实际使用与建议的人物无关，或者甚至选择具有特色的人物。通过进一步的扩展表现人物的多样性，先前被忽视的少数方面也得以表达。这些方面如真实性、文化或者宗教通过各种人物的使用进行体现，同时这些人物也作为一种声明，从而获得更多的沟通力量。
In many projects, the human figure is used to bring to life unreal or utopian scenes. Temporary dissociations appear between the building and the public that inhabits it; the actual use of the building is not related at all to the proposed figures, or even figures of famous characters are chosen. By further expanding the diversity of represented characters, minorities that previously were ignored are also portrayed. Aspects such as ethnicity, culture or religion are captured through the use of diverse figures that also act as a manifesto and acquire a great deal of communicative force.
© Mariacristina Agnello, Mariarosario Bruno, Massimiliano Cafagna, Inés Martín Roldán, Luca Gnisci, Irene Laulo
© Jisu Choi
© Space Popular
Cortesía de OFFICE Kersten Geers David Van Severen Cortesía
Cortesía de Pedro Livni
© (ab)Normal
© Bakavou Vasiliki
Cortesía de spbr
© Mariacristina Agnello, Mariarosario Bruno, Massimiliano Cafagna, Inés Martín Roldán, Luca Gnisci, Irene Laulo
© Fala Atelier
© (ab)Normal
Cortesía de Izaskun Chinchilla
© Stef Dingen
© Bakavou Vasiliki
© Danica Vićanović
© Ignacio Darras - Ceu San Pablo, Madrid, Spain
Cortesía de PKMN Architectures
Cortesía de PKMN Architectures
|
|
