Narrative expression -Pilgrimage Of Everyday Life

由专筑网吕胜强，李韧编译

该项目旨在恢复Pharping遭受破坏的社区之一，并促进可持续议程。它打算通过“发人深省的绘画”来改变世界，让世界各地的人们对这个面临紧迫问题的美丽国家感兴趣。通过这样做，我们相信我们可以通过全球合作来解决问题。

The project aims to rejuvenate one of the devastated communities in Pharping, as well as promote sustainable agenda. It intends to make a difference through ‘thought-provoking drawings’, getting people around the world interested in the beautiful nation which is facing pressing issues. By doing so, we believe we can combat the problems through global collaboration.



项目：

该项目主要解决与水有关的问题，并探索了一个平等社区中心的理想原型，该中心在2015年尼泊尔大地震袭击该地区后为所有人服务。通过引入雾捕捉技术，它建议创建一个多功能的聚集地。随意互动，知识分享，仪式等。

project
The project mainly tackles water-related issues and explores the ideal prototype of an egalitarian community centre which serves for all people after the massive Nepal earthquake struck this region in 2015. By introducing the fog catcher technique, it proposes to create a multifunctional gathering place for casual interaction, knowledge sharing, rites and so on.



坐落在风景如画的风景中，该地区还充满了文化和宗教的多样性，赋予了极其自然的力量。然而，地形，不断增长的人口和缺乏基础设施导致水资源短缺，需要通过建筑干预来解决。在宗教活动和日常生活方面，水被视为尼泊尔的神圣组成部分。因此，该提案的重点是将传统的社区中心转变为“日常生活的朝圣”。该中心利用当地采购的可持续材料，但寻求以创新的方式使用它们，从而使村民能够保持自己的传统并以自豪和尊严的方式收获水。汲取尼泊尔日常服装的灵感，Doko.

Situated in the absolutely picturesque landscape, the site is also enriched by the diversity of cultures and religions, endowed with supremely natural power. However, the topography, the growing population, and the lack of infrastructure result in water scarcity that needs to be addressed through architectural intervention. Water has been seen as a sacred component in Nepal in terms of religious activities and everyday life. Thus, the proposal focuses on transforming conventional community centre into “pilgrimage of everyday life”. The centre draws on locally sourced, sustainable materials but seeks to use them in innovative ways, thereby allowing the villagers to preserve their traditions and harvesting water with a sense of proud and dignity. Taking inspiration of Nepalese daily outfit, Doko, the bamboo structures are interwoven with meshes to a religiously and locally significant typology, representing and encouraging the villagers to be engaged with the construction of this iconic centre- one they can appreciate and take pride in.


   
由位于地面以上的竹结构中的蜡亚麻制成，雾捕捉器允许潮湿空气通过，然后将其冷凝成液滴，然后沿着漏斗然后向井输送。此外，该系统每天能够产生超过1300升的水，极大地改善了水的低效率，并创造了由闪闪发光的半透明蜡亚麻所形成的不断变化的景观。

Formed from waxed linen held in bamboo structures above ground floor, the fog catchers allow humid air to pass through then condense it into droplets which are transported down the funnel and then the well. Furthermore, the system is capable of generating over 1300 litres of water per day, tremendously ameliorating the inefficiency of water collection, as well as creating ever-changing landscape formed by the glistening, translucent waxed linen.



此外，螺旋结构扩大了该地区丰富的宗教和自然力量，为人们提供了一个供人们崇拜蓝天和庆祝水收获的地方。广场空间可以高度灵活，用于会议，食物准备，调解和节日活动等。石头地板从井中散发出一系列竹柱，加强了社区的概念，加强了从神圣到开放的过渡，并重新整合了令人惊叹的环境。外立面和外部平台装饰有当地人的商品和食物香气。因此，去社区中心成为一个愉快和精神的旅程，人们可以体验个人和社会的转变，并庆祝当地传统，公共聚会和地球母亲的重要性。
  
Also, the spiral structure amplifies the abundance of religious and natural power in this area, providing a place beneath it for people to worship the blue sky and celebrate the harvest of water. The plaza space can be highly flexible, used for meeting, food preparation, mediation and festive activities and so forth. The stone floor radiates out from the well with a series of bamboo columns, reinforcing the notion of community, enhancing the transition from sacredness to openness and re-integrating the stunning surroundings. The façade and exterior platforms are adorned and draped with the locals’ goods and food aroma. Thus, going to the community centre becomes a delightful and spiritual journey which one can experience personal and social transformation and celebrate the importance of local traditions, communal gatherings and Mother Earth.






访问

什么定义了项目的代表语言？

该项目的整体代表性受到尼泊尔艺术的启发。尼泊尔的绘画，雕塑，雕像在视觉上令人印象深刻，让我们感到惊讶，让我们对这个神秘的国家更加好奇。在了解了尼泊尔的宗教，环境和文化情结之后，我们决定利用这种表现技巧来阐述我们在尼泊尔社会所知道的并与全球观众分享。

Interview
1.What defined the language of representation of the project?
The overall representation of the project was inspired by the Nepalese fine art. The Nepalese drawings, sculptures, statues are visually impressive that amazed us and made us more curious about this mysterious nation. After getting to know about the Nepal’s religious, environmental and cultural complex, we decided to use this sort of representation skill to elaborate what we had known in Nepalese society and share it with global audience.



叙事扮演什么角色？

叙事在以简洁的方式表现尼泊尔社会的特征中起着至关重要的作用。我们对他们的日常生活特别感兴趣。这对他们来说似乎有些平凡，但当我们看到他们的日常服装以及他们与附近的周围环境和动植物相互作用的方式时，它确实引起了我们的注意。此外，我们希望该项目像尼泊尔的一本书，保留当地的传统，并促进迷人的文化。

2.What role does narrative play?
The narrative plays an absolutely vital part in manifesting Nepalese society’s characteristics in a concise way. We are particularly intrigued by their daily life. It might seem a bit mundane to them, but it did raise our eyebrows when we saw their daily outfit and the way they interact with the surroundings and fauna & flora in the vicinity. Also, we want the project to be like one of Nepalese books, preserving the local traditions and promoting the fascinating culture.


  
什么定义了计划和部分的使用，然后选择了观点？每个观点如何以及在多大程度上被定义为defi

我们认为建筑图纸应该是有效和高效地向读者传达信息。例如，剖面图和系统图显示了该提案中水的重要性，以及它在实际情况下的工作方式。并且，拟议的社区中心不是一个幻想建设; 我们已经考虑了构建图中所示社区中心真实复制品的实际因素。因此，这个提议可以描述为社区中心的理论研究和实际应用。

3.What define the use of the plan and section and then the selection of views? how and to what extent has each view been framed to defi
We think the architectural drawings are supposed to be to convey the messages to readers effectively and efficiently.For instance, the sectional drawing and systematic drawing demonstrate how important water is in this proposal, as well as the way it works in real condition. And, the proposed community centre is not a fantasy to build; we have taken into account the practical factors of building a real replica of the community centre presented in the figures. Thus, this proposal can be described as a theoretical research and practical applications of community centres.



每个透视图都突出了项目的概念。我们打算让人们能够在不同时期可视化活动，同时展示他们日常生活中令人陶醉的场景。

Every perspective drawing highlights the notion of project. We intend to make people able to visualise the activities during different periods of time, showing the intoxicating scenes in their everyday life simultaneously.
   


您在整个项目中使用了哪些工具？这些图像是如何制作的？

我们在初步绘图方面手工绘制。在粗略讨论了社区中心的类型之后，我们开始使用像Rhinoceros，Grasshopper这样的软件来构建3D模型。此外，通过使用诸如Grasshopper之类的数字工具，我们能够计算出雾捕集器系统可以产生多少水。

这些图像主要由Adobe插画家和Rhinoceros制作。在最后阶段，我们对图像进行了一些设置，以添加一些细节。

4.What tools did you use throughout the project? How were the images crafted?
We drew by hand in terms of rudimentary drawing. After roughly discussing about the typology of the community centre, we started using software like Rhinoceros, Grasshopper to build the 3D model. Furthermore, by using digital tools such as Grasshopper, we were able to calculate how much water the fog catcher system can generate.
The images were mainly crafted by Adobe illustrator and Rhinoceros. At final stage, we photoshopped the images a bit to add some details.


  
绘图在项目开发中起到了什么作用？

图纸可以看作讲故事的手段。我们认为它们足够强大，可以充当另一种媒体，如海报，让人们意识到这个项目真的是为了重建这个受灾地区并获得更多关注来帮助该地区。

此外，他们的图纸一直告诉我们在项目开发过程中我们可以在当地利用的一些基本要素。我们认为这座建筑必须成为生活各个方面的关键中心，包括成为娱乐中心和精神之地。并且，它还将在可预见的未来创造归属感并增强社会凝聚力。

5.What role did the drawing play in the development of the project itself
The drawings can be seen as a means of storytelling. We suppose they are powerful enough to act as another kind of media such as poster, letting people realise that this project is really about regenerating this devastated area and getting more attention to help the area.
Also, they drawings kept informing us about some essential elements we could utilise locally during the development of the project. We thought this building must be the centre playing a crucial role in every aspect of life, including being a recreation centre and a spiritual place. And, it will also create a sense of belonging and boost social cohesion in the foreseeable future.



轮廓在图像中扮演什么角色？

他们能够为读者提供更多关于尼泊尔社会的背景信息。因此，在尼泊尔文化的启发下，人们可能就像我们一样。

实际上，这个提案的最终目标是让人们意识到一些需要紧急解决的问题。通过全球协作，我们可以找到更好的解决方案。

6.What role do the silhouettes play within the images
They are capable of giving the readers more background information about Nepalese society. Thus, people might be like us, inspired by the Nepalese culture.
Actually, the ultimate goal of this proposal is getting people aware of some issues which need to be addressed urgently. Through global collaboration, we can figure out better solutions to them.



作者：Tzu-Jung Huang，Chia-Wei Chang，Mu-Hwai Liou
大学：逢甲大学建筑学院

关于

Chia-Wei Chang @ B.ARCH逢甲大学建筑学院
本科生Mu-Hwai Liou @ B.ARCH逢甲大学建筑学院
本科生黄子贞@B.ARCH本科生逢甲大学建筑学院
顾问：Po-jen Cheng @逢甲大学建筑学院兼职讲师兼导师

Interviewee: Tzu-Jung Huang，Chia-Wei Chang，Mu-Hwai Liou
University: [Po-jen Cheng Studio]

About
Chia-Wei Chang @ B.ARCH undergraduate student at the Feng Chia University, School of Architecture
Mu-Hwai Liou @ B.ARCH undergraduate student at the Feng Chia University, School of Architecture
Tzu-Jung Huang @ B.ARCH undergraduate student at the Feng Chia University, School of Architecture
Advisor: Po-jen Cheng @ part-time lecturer and tutor at the Feng Chia University, School of Architecture