奥斯陆新落成的蒙克博物馆属于世界上最大的艺术家文化中心
oslo's new munch museum is one of the world's largest single-artist cultural structures
由专筑网江鹏，小R编译
为一位艺术家而建的大型博物馆
由西班牙建筑公司eStudio Herreros设计的新蒙克博物馆位于奥斯陆海滨地区，于10月向公众开放。设计方案基于一个塔状博物馆的想法，高度为60米。外部覆盖着不同程度的半透明可回收穿孔铝板，而其独特的倾斜顶部标志着建筑从各个方向都是可见的地标。
ONE OF THE LARGEST MUSEUM DEDICATED TO A SINGLE ARTIST
designed by spanish architectural firm estudio herreros, the new munch museum by oslo‘s waterfront opened its doors to the public in october. its design is based on the idea of a tower-shaped museum, measuring 60 meters in height. the exterior is clad in recycled, perforated aluminum panels of varying degrees of translucency, while its distinctively leaning top section marks the building as a highly visible landmark from all sides.
image © ivar kvaal
倾斜的结构就像一堆书
Studio Herreros建筑公司设计的新蒙克博物馆经历了长期的辩论。这个西班牙建筑事务所的创始合伙人Juan Herreros说：“Edvard Munch是一个不接受传统规则、反对对立面、永不放弃的人。建筑就在那里，它有一种强大的存在感，它是城市的一部分。好吧，我来了。我拥有挪威历史上最重要的艺术家遗产，我凝视着奥斯陆和海湾，因为是这座城市和它的集体梦想造就了我。”
博物馆的主要功能沿着60米的高度垂直组织，而其独特的弯曲的玻璃部分使建筑成为该地区的地标。大量的画廊空间要求天花板高度和房间大小能够发生变化，以达到永久展厅和临时展览的最佳空间分配需求。博物馆的藏品包括蒙克遗赠给奥斯陆的2.8万多件作品，其中包括他的表现主义标志性杰作《呐喊》。
A LEANING STRUCTURE AS A PILE OF BOOKS
the foundation stone for estudio herreros’ new munch museum was laid autumn 2016 in oslo’s bjørvika neighborhood, after a long debate on both design and location. ‘edvard munch is about not accepting conventional rules, about fighting against opposition, about never giving up,’ notes juan herreros, founding partner of the spanish architecture practice. ‘the building is there, it has a powerful presence, and it is part of the city. it says, “okay, here I am. I hold the legacy of the most important artist in norway’s history, and I gaze entranced at oslo and the fjord because it is the city and its collective dreams that have built me.”‘
the main functions of the museum are organized vertically along its sixty meters of height, while its distinctively crooked glass section transforms the building into a landmark for the area. the large number of gallery spaces allows for wide variations in ceiling heights and room sizes, enabling optimum spaces to be allocated for both permanent and temporary exhibitions. the museum’s collection consists of more than 28,000 works munch bequeathed to oslo, including his iconic expressionist masterpiece ‘the scream’.
image © ivar kvaal
塔楼坐落在一个三层的平台上，分为两个主要区域，即一个静态区域和一个动态区域。静态区是一个封闭的混凝土结构，达到严格的安全、湿度和日光要求，以保护内部的艺术品。动态区有一个开放、透明的建筑表皮，可以看到城市的景色，游客可以在不同的展览区之间走动。
该项目根据未来建造标准而规划，建筑的温室气体排放量必须比传统现代建筑减少量至少达到一半。其紧凑的形状，高质量的窗户和部分自然通风，使其能够实现所需的能源节约。博物馆采用低碳混凝土和再生钢材建造，其承重结构设计的技术寿命为200年。
Juan Herreros说：“该建筑的概念方法和建造系统，希望成为挪威社会对环境保护集体参与的表达，呼应其当前的挑战和创新的愿望，自信地迈向更美好的未来。”
the tower sits on a three-story podium and is divided into two main zones: one static and one dynamic. the static zone is an enclosed concrete structure, which complies with stringent security, humidity and daylight requirements in order to protect the art within. the dynamic zone, which has an open, transparent façade with views over the city, is where visitors can move between the different exhibition areas.
the project has been planned in accordance with the futurebuilt criteria, where buildings must at least halve their greenhouse gas emissions compared to conventional modern buildings. its compact shape, very high-quality windows and partially natural ventilation allow it to achieve the desired energy savings. the museum is built using low-carbon concrete and recycled steel, and its loadbearing structure has been designed with a technical lifetime of 200 years.
‘the building, its conceptual approach and construction systems, wants to be an expression of the collective engagements of the norwegian society to the environment echoing its present challenges and the desire for innovation that confidently steps forward into a better future,’ adds juan herreros.
image © adrià goula
images © adrià goula
images © adrià goula
image © adrià goula
image © einar aslaksen
image © ivar kvaal
image © einar aslaksen
image © adrià goula
image © einar aslaksen
image © einar aslaksen
image © einar aslaksen
image © einar aslaksen
名称：蒙克博物馆
建筑师：estudio herreros
项目负责人：gonzalo rivas
项目团队：beatriz salinas、carlos canella、andrea molina、paola simone、carlos ramos、Ivan guerrero、ana torrecilla、alberto sánchez、maría franco、Ral garcía、frank müller、víctor lacima、carmen antón、ramón bermúdez、margarita Martinez、luis berríos negr n、spencer leaf、ver nica meléndez、xavier robledo、ricardo robustini、paula vega
顾问：
当地研究：lpo arkitekter
立面：bollinger + grohmann, arup (preliminary draft)
可持续性：asplan viak
一般工程：multiconsult、hjellnes consult、brekke&strand akustikk
ict：rambøll norge
安全：cowi。
表面：26300平方米
地点：挪威，奥斯陆
客户：oslo kommune, kultur- og idrettsbygg
project info:
name: new munch museum
architect: estudio herreros
project responsible: gonzalo rivas
project team: beatriz salinas, carlos canella, andrea molina, paola simone, carlos ramos, iván guerrero, ana torrecilla, alberto sánchez, maría franco, raúl garcía, frank müller, víctor lacima, carmen antón, ramón bermúdez, margarita martínez, luis berríos-negrón, spencer leaf, verónica meléndez, xavier robledo, ricardo robustini, paula vega
consultants:
local study: lpo arkitekter
facades: bollinger + grohmann, arup (preliminary draft)
sustainability: asplan viak
general engineering: multiconsult, hjellnes consult, brekke & strand akustikk
ict: rambøll norge
security: cowi.
surface: 26,300sqm
location: bjørvika, oslo, norway
client: oslo kommune, kultur- og idrettsbygg
|
|
