将人体的运动与建筑的静止相结合
创作更有活力的独特的建筑摄影作品
Vital Visions: Why Capturing Movement Will Elevate Your Architectural Photographs

由专筑网郑善廷，小R编译

Architizer一年一度的“一张照片挑战“活动为专业人士和崭露头角的设计专业学生提供契机，展示他们认为最能捕捉建筑设计或特定环境精髓的照片。2021年的活动吸引了一系列精彩的摄影作品，所有这些都展示了参赛者们通过相机镜头捕捉建筑的潜力。

我们对每个作品都进行了专门的分类，但即便在不同的分类的一部分作品中，一个显著、突出的主题浮现了出来。我们注意到，在去年的活动中，许多照片展现并表达了强烈的运动感。我们挑选了来自2021 年活动中的四张照片，这些照片探索了在有趣的建筑中的人的形态，并展现强烈运动感的场景。

Architizer’s annual One Photo Challenge offers professionals and blossoming design students the chance to showcase a photograph that they think best captures the essence of an architectural design or specific surrounding. The 2021 One Photo Challenge brought a wonderful selection of images, all of which demonstrated the potentiality of capturing architecture through a camera lens.
While each entry was remarkably singular and distinctive, a notable overarching theme emerged across a handful of photographs. One will notice that in last year’s One Photo Challenge, many photographs capture a strong sense of movement. Listed below are four photographs from the 2021 One Photo Challenge, all of which explore the human form coupled with interesting architecture to produce movement-heavy imagery.



“Social Bathing”（社交浴场） / Derek Wasylyshen

这张鸟瞰图展示的是一个非常著名且很有特色的Széchenyi药浴。这个大型浴场位于匈牙利布达佩斯，是一个很受欢迎的旅游景点，游客可以在这里体验社交沐浴，并惊叹于该遗址的古罗马历史。

乍一看，映入眼帘的是充满活力的水蓝色，与周围的水泥地面形成鲜明对比。接着，视线转移到遍布整张照片的大量的“点“（人体）。 人在这样的尺度下显得很小，但庞大的数量营造了强烈的社会性和社区感。此外，很多人慵懒地躺在浴池边缘的台阶上，三两成群，形成了围合感，这同样强化了强烈的社交氛围。

大量的水和丰富的人体形态共同创造了一张充满运动感的照片。无论是水的自然韵律还是嬉戏的人群的动作和行为，都产生了活泼的能量，这与古罗马的社会意识形态有异曲同工之妙。

This image captures a bird’s-eye shot of the hugely popular and highly recognizable Széchenyi Medicinal Bath. Located in Budapest, Hungary, this large-scale bath is a popular tourist attraction where visitors can experience social bathing as well as marvel over the site’s ancient Roman history.
At first glance, the eye is caught by the vibrant aqua blue water, which greatly contrasts the surrounding cement floor. Following this, the gaze moves to the abundance of dark spots (human bodies) that span the entire photograph. The moving bodies are small in scale but their abundance creates a strong feeling of sociality and community. Moreover, the gently-sloping staircase that covers the bath’s perimeter is filled with lounging bodies, which equally enforces a strong social atmosphere.
The large presence of water and abundant human form work together to create a movement-heavy photograph. Whether the movement is caused by the natural rhythm of the water or the frolicking bodies, lively energy is produced and the same social ideology of the ancient Romans is presently felt.



“The roofscape of the obscure”（朦胧的屋顶风景） / Venla Rautajoki

这是在2021年的活动中职业组的获奖作品。

这张照片似乎给人一种浩渺太空的氛围，这使它吸引眼球并令人着迷，并且同样具有竞争力。 这张照片是在JKMM建筑事务所设计的Amos Rex艺术博物馆里拍摄的，位于芬兰赫尔辛基。

Amos Rex博物馆以其窗户圆顶而闻名，这些圆顶横跨城市环境，就像一系列山丘一样。 每个圆顶都有一个足够大的窥视孔，供博物馆内的游客向外看。当时，摄影师被一个不断爬上穹顶偷看内部博物馆空间的小男孩吸引了。黑白的画面让小男孩在照片中格外突出。这个男孩在画面中呈现了一个非常活泼的姿势——他的两只手匍匐着，一条腿弯曲，仿佛在爬山。

由于背景黑暗且没有修饰，图像起初看起来是静态和孤零零的。然而，在这样的背景中，保持这样姿势的小男孩脱颖而出，反而给观众一种活泼的形象和运动的感受。

Non-Student Winner, 2021 One Photo Challenge
This photograph has an extra-terrestrial feel, which makes it immediately enthralling and equally challenging to pinpoint. The image was shot at Amos Rex, the famous art museum in Helsinki, Finland designed by JKMM Architects.
Amos Rex is known for its windowed domes that span the urban environment like a series of hills. Each dome has a peephole large enough for visitors inside the museum to see out of. The photographer was immediately captured by a young boy who continuously climbed atop the domes to peep into the interior museum space. The image is captured in monochrome which strengthens the viewer’s gaze on the young boy. The boy is captured in a highly active pose — his two hands perched like a cactus and his leg bent as if he’s climbing.
The image at first appears static and isolated as the background is dark and unembellished. However, the focus on the young boy positioned in such an active stance lends a feeling of lively existence and movement.



“Yoga”（瑜伽）/ Edmund Sumner

这张照片于2020年1月拍摄于泰国曼谷。图片中的是瑜伽大师兼工作室所有者Yogi Konstantin Miachin，他保持着一个瑜伽中伸展的姿势。除了人物本身，这个作品中另一个吸引人的地方在于这个空间内部的结构。

空间感觉亲密而温暖，被一种竹子式的材料包围着，这种材料自然地弯曲包裹着墙壁。墙体材料向上延伸，形成一个非常规的弧形天花板。此外，墙壁上的空隙让光线充满室内，使整个环境变得温暖，并让正在练习瑜伽的人成为视线的焦点。柔和的光线的引入让整个房间感觉就像一个无与伦比的充满禅意的舒适的空间，可以练习瑜伽和冥想。

在这张照片中，人以一种和谐的方式与周围的结构达到了平衡。练习瑜伽的人可能会觉得空间很小，但他强有力的姿态和伸展的手臂让整个场景充满了能量。四周弯曲的线条和充满张力的天花板同样传达了这样的活力。这个项目由建筑公司Enter Projects设计，室内采用了藤条等自然材料，结合Rhino等三维建模工具设计实现的。

This photograph was shot in Bangkok, Thailand in January 2020. The image depicts a yoga master and owner of the studio, Yogi Konstantin Miachin, holding an extended side-angle pose. Immediately what captures the eye is the incredible structure in which the yoga master is practicing.
The space feels intimate and warm and appears to be enclosed by a bamboo-esque material that wraps the walls in a curved manner. The wall material extends upwards to create an unconventional curved ceiling. Moreover, the cavities in the wall allow light to fill the interior, warming the environment and spotlighting the practicing yogi. The light-filled room feels like an incredibly zen and comforting space to practice yoga and meditation.
In this photograph, the human form balances and compliments the pronounced structure in a harmonious manner. The practicing yogi may feel small in scale, but his strong pose and reaching arm fills the photograph with energy. An equal vitality is felt in the structure’s curved and pronounced ceiling. The site was designed by architecture firm Enter Projects and the photograph was realized using low-tech materials such as rattan, with newer high-tech computer modeling such as Rhino.



“Echo”（共鸣）/ Philippe Sarfati

这张照片给人一种神秘、戏剧性和令人难以置信的迷人的感觉。“回声”位于安藤忠雄的画廊，展出了著名古巴裔美国艺术家Félix González-Torres的自传装置。这张照片描绘了一个人走过一个由红白珠子制成的大型窗帘一样的装置的场景。

该装置突出了艾滋病毒感染者的困难和现实。珠帘直接、真实地展现了病毒在血液中的扩散。 当人推开窗帘时，可以感觉到珠子的剧烈晃动。

这张照片感觉就像暴风雨前的平静——正如在这个装置被触动并引发后续强烈的碰撞前的静止。这张照片中人与物体之间的互动展示了从静止到运动的剧烈转变。

This photograph feels mysterious, dramatic and incredibly intriguing. “Echo” is located in Tadao Ando’s gallery and features an autobiographic installation by the famed Cuban-American artist, Félix González-Torres. The photograph depicts an individual walking through the installation, which consists of a large-scale curtain made of red and white beads.
The installation underscores the difficulties and reality of living with HIV. The curtain of beads represents the progression of the virus within the bloodstream in a confronting and honest manner. As the person pushes past the curtain, one can sense the dramatic sway of beads that is to follow.
This photograph feels like the calm before the storm – before the intense movement following a disrupted installation. The interaction between human form and object in this photograph demonstrates a dramatic transition from still to moving.


所有四张照片都突出表现了当在静态环境中完美捕捉人的形态时，就有可能创造出生动活泼的景象，这是一种对生命、对运动的赞美！

All four photographs highlight that when human forms are perfectly captured amongst static surroundings, there is the potential to create lively and active images that celebrate movement! Click here to learn more about this year’s upcoming 2022 One Photo Challenge and to start your entry: