Fondazione Luigi Rovati / Mario Cucinella Architects

由专筑网小R编译

Luigi Rovati基金会项目历经七年，代表着Mario Cucinella建筑事务所对米兰19世纪 Bocconi-Rizzoli-Carraro宫殿翻新与改造的完成，基金会Etruscan藏品的全新地下展厅是整个空间的核心部分，这里也代表着城市文化与民众的生活。除了Etruscan展厅之外，Luigi Rovati基金会艺术博物馆还包含有两个楼层的展览空间、保护设施、档案馆，还有连接着Luigi Rovati基金会图书馆的书房，以及活动室、书店、咖啡厅，和顶部的餐厅。

Text description provided by the architects. The seven-year project for the Fondazione Luigi Rovati marks the completion of the renovation and remodeling of Milan’s 19th Century Palazzo Bocconi-Rizzoli-Carraro by Mario Cucinella Architects. The wholly new underground galleries of the Foundation’s Etruscan collection are at the core of this innovative addition to the city’s cultural and civic life at 52 Corso Venezia. In addition to the Etruscan galleries, the Fondazione Luigi Rovati’s art museum houses two floors of exhibition space, conservation facilities, an archive, a study room connected with the Luigi Rovati Foundation Library in Monza, and event rooms, a bookshop, a café as well as a restaurant on its top floor.





基金会收藏了大约200件来自古代Etruscan文物，它们也得以展出，展陈部分也由Mario Cucinella建筑事务所设计，位于宫殿下方地下大空间中的石灰岩展厅之中，其中包含有花瓶、珠宝、铜器，还有著名的Cernuschi Warrior，它可以追溯至6世纪晚期至公元前5世纪，除此之外还有当代艺术家作品，比如Alberto Giacometti、Pablo Picasso、Arturo Martini、Lucio Fontana，以及William Kentridge，他们的作品也一起展出。

Two hundred highlights from the Foundation’s collection of ancient Etruscan artifacts are displayed in custom-made cases, designed by Mario Cucinella Architects, within the limestone-lined galleries of the otherworldly spaces located in the “Hypogeum Floor” directly beneath the palazzo. On display are cinerary urns, vases, jewelry, and bronzes including the celebrated Cernuschi Warrior, a votive warrior god dating from the late-6th century to early-5th century BC. Works by contemporary artists – like Alberto Giacometti, Pablo Picasso, Arturo Martini, Lucio Fontana, and William Kentridge are shown alongside artifacts created between two and three thousand years ago. 







地下空间由三个圆形和一个椭圆形圆顶构成，这种形式来源于Cerveteri的Etruscan陵墓形态，这也受到了Firenzuola采石场的形态影响，蓝灰色石灰岩结合了闪闪发光的云母片排列其中，重新定义了新时代的展览建筑。

Comprising three circular and one elliptical domed “caverns”, the Hypogeum Floor’s form and materiality are rooted in those of the Etruscan tombs of Cerveteri (in modern-day Lazio) and shaped, too, by the physical characteristics of the quarries of Firenzuola, the Tuscan source of the blue-grey pietra forte fiorentina limestone inset with sparkling mica flakes that arranged in overlapping strata defines the architecture of Etruscan tombs and the 21st-century galleries.





人们通过一个神秘的石头楼梯可以从基金会的街道层进入到地下空间，其中还包含有一个售票厅、咖啡厅、书店，然后进入由米兰Greencure Marilena Baggio工作室设计的院落花园，在这里人们能够看到展厅的圆顶，其中的夹层则是Luigi Rovati基金会的办公场所。

An enigmatic stone stair serves as an entry point to the Hypogeum Floor from the Foundation’s street-level entrance hall.  This comprises a ticket office, café bistro, and bookshop with access to a courtyard garden designed by Greencure Marilena Baggio Studio (Milan) in which the outline of the museum’s domes is visible. A mezzanine houses the offices of the Luigi Rovati Foundation. 



Mario Cucinella建筑事务所经过了慎重思考，在空间中进行了重新布局，空间的二层用于举办临时活动，三层则是Andrea Aprea餐厅，目的是纪念这位米兰厨师，基金会的研究藏品则存放于地下空间。

The piano nobile has been rearranged and restored sensitively with considered contemporary interventions by Mario Cucinella Architects. The second floor is home to temporary events and exhibitions. The third floor houses the Andrea Aprea restaurant named after the celebrated Milanese chef. The Foundation’s study collection is held in the sub-basement below the Hypogeum Floor.







这场建筑旅程跨越了时间与文化，连接了生命与未来，并且还包含了大胆的工程挑战，建筑师Mario Cucinella说：“有一次，这座建筑甚至悬浮在空中。”他的意思是在挖掘博物馆的下方空间时，建筑的上层区域需要在临时基础上保持平衡，Cucinella说：“巧妙的是，悬浮的主题在Etruscan考古展厅的概念中也很明确，我们需要创造一种悬浮的氛围，因此Etruscan花瓶放在几乎消失的底座上，让人感觉它们漂浮在空中。”

This architectural journey through time and culture, connecting life and afterlife, past, present, and future over seven stories has involved a bold engineering challenge. “At one point, the building was virtually suspended in mid-air”, says Mario Cucinella, referencing the period during which the superstructure of the palazzo was balanced on slim temporary foundations as the volume for the underground museum and the service floor beneath it was excavated.   “Coincidentally”, adds Cucinella, “this theme of suspension is also apparent in the concept for the Etruscan archaeology galleries. We wanted to create a suspended ambiance. That’s why the Etruscan vases rest on almost invisible bases giving the impression that they are floating in mid-air.”















































建筑设计：Mario Cucinella Architects
类型：博物馆
面积：4000 m2
时间：2022年
摄影：Duccio Malagamba
城市：米兰
国家：意大利

MUSEUM
MILAN, ITALY
Architects: Mario Cucinella Architects
Area: 4000 m2
Year: 2022
Photographs:Duccio Malagamba
City: Milan
Country: Italy