来自专筑编辑罗晓茜的报道。Photoshop的裁剪谨慎地确定动人的图像作为最终的形象，另一方面，所在地的切割可以不断创建巧妙而未定的形象，没有确切的时间、位置、和氛围便生成不了确切的形象。
From the architect. Cropping of Photoshop is careful and determining completion stage of touching up image as a final image, on the other hand, cropping of location can continuously create coincidence and undetermined image which cannot be generated without that exact time, location, and atmosphere.
© Sun Namgoong
由于不同的摄影师需要在同一风景中拍摄不同的照片，同一地点产生不同位置的不同场所感和不同的无意识识别模式。在这一刻，消除个人不必要的部分的裁剪过程，是一个“自我编辑”的过程，可以删除他们想忘记的记忆，也可以保持和延续他们想要的记忆。剪切不必要的元素后，一个人的记忆便首次成为他们自己的故事，并变成图像。就如由火山活动创造新的世界。这个地方与其他位置不同的气氛使我们晕眩，在大自然面前，我们是多么微不足道。当人们沿着散布玄武石的被称为“偶来小径”的海岸线漫步时，或住在如招待所或家外之家一般的新世界，脱离日复一日的无聊生活，带来新鲜灵感，会感到自由。海耶是非常安详、静谧的村庄，但是这也是为数不多的让人感觉时间静止的几个地方之一，因为它是不出名的旅游景点。
As different photographer takes different photos from the same scenery, same location creates different sense of place per each situation and different unconscious recognition mode. At this moment, cropping process which eliminates unnecessary part for individual is a process of 'self editing' that takes out memories they want to forget and delaying the time they want to keep. After cropping out the unnecessary elements, one’s memory connotes their own story for the first time and turn into an image. New world which is created by volcanic activity. This place with different atmosphere from other location makes us feel dizzy by facing the fact how insignificant we are in front of the Mother Nature. People feel freedom when they walk along the shoreline called Olle Route with scattered basalt stone and the experience to upstream the speed of world by staying in nondaily new world like guest house or second house presents fresh inspiration to boring lives. Haye is very quiet and peaceful village, but this is one of the few remaining place where time stands still as it is not famous as tourist attraction yet.
Floor Plan/平面图
© Sun Namgoong
Section/剖面图
建筑平静地坐落在大院子里，为游客提供海耶各个角度的景观视野。除了可以尽情享用从室内可见的自然全景之外，还包括从海滩、Baksugijeong、村庄入口的景观元素。如果这仍然流于平常，基于斜坡稳定性的建筑边界成为一个新的体验，使得济州岛的天空、海洋、高山和田野更别具特色。混凝土框架——通过人工结构构成并固定作为可塑性的屏幕，提供各种由视图框架和空间框架重新生成的不同风景，每个人基于固定物理帧形成捕获时刻的姿态。木材作为一个隐藏的框架,是比混凝土更灵活的天然材料，使得边界模糊并被作为风景的扩展和编辑工具，创造出新的风景概念(道路调整)。
The building calmly sitting on large yard provides various views of Haye. Beyond enjoying nature in one dimensional panoramic view from inside of the building, it is achieved by including landscape elements from beach, Baksugijeong, and village entry. If this is still common, the boundary based on descent solidity of the building become an origin of new experience that makes Jeju’s sky, ocean, mountain, filed more special. Concrete Frame – The landscape scenery that is proposed through artificial structure as a fixed screen with plasticity which provides various views through Scene Frame and Space Frame regenerates different scenery per each individual based on fixed physical frame as a gesture of capturing moments. Wood as a Hidden Frame, which uses more flexible natural material than concrete, makes the boundary vague and utilized as extension and editing tool of the scenery and create new concept of landscapes (Passage Editing).
© Sun Namgoong
仿古砖、石丘、济州石板是一种天然材料，经由手工精制而成，它成为一种人类活动的过程，自然过渡调整和沟通其粗糙的性质，它也成为一个框架，创造了一个适合人类居住的空间，通过创建标准和作为地层的边界，连接到地面。通过使用玻璃和镜子对景观的反射，再现自然风光带来的惊喜，人们可以体验超现实的空间，给济州岛创造一个休憩之地之余还可以补充能量。
Antique brick, stone mound, Jeju flagstone is a natural material that is refined by human hand and it becomes a process of human activity that naturally transfer for adjusting and communicating with rough nature, and also become a frame that creates a space for human living by creating standard and boundary as stratum of the world that connected to the ground. By using the effects of glass and mirror that reflects the scenery, unlimitedly reproduced scenery of ecstasy of nature through the Meditate Frame, people can experience the surrealistic space and create energy beyond deviating rest in Jeju.
© Sun Namgoong
朝向—至于建筑的朝向，我们在讨论非凡的风景和自然之前，海耶最重要的因素是其位置，即海洋和村庄应当被视为主要的本质。通过沿山脊线性定位形成主循环，它成为了村里更自然的一部分，考虑到未来连续扩展的阶段线性布局的结果，度假村的主体建筑位于入口。通过没有墙壁和树木的设计，周围边界模糊地融入到村里，没有差异感，使海耶被解读为一个整体的战略，它成为新的方法，使各种基于乡村的文化不显得枯燥，并使它作为社区基础，不断发展。
Orientation-In terms of building orientation, before discussing about extraordinary scenery and nature, the most important element of Haye is the essence of location that ocean and village should be considered as main. By linearly orienting the main circulation along the ridge, it became part of the village more naturally and as a result of considering continuous future expansion in linear layout of phase type, the main building of resort is located on the entrance. By the strategy of having vague boundary with no wall or perimeter trees to blend in to village without sense of difference and make Haye to be read as a whole, it became new methodology to make a various culture based village where are not boring and made it function as community base that continuously develop.
© Sun Namgoong
令人印象深刻的对称建筑综合体A、B和C聚集布局，与利用了地形和曲折复杂形式的D的功能元素融合。不同于别墅综合体B、C、D，综合体A是一个酒店综合体。基于有效的流通服务区域，我们意识到视野会根据不同的高度和每个平台接地系统的区分而改变，每个房间和阳台有各种各样的颜色。通过这种方法，形成了该度假村的形象。
Impressive symmetrical building of complex A, B and C with congregated layout which utilize topography and zigzag form of complex D are created by the fusion of role and functional element of each complexes. Different from Villa Complex B, C, and D, complex A is a Hotel Complex. Based on effective circulation of service area, we realized that views are different depending on the height and by differentiating the grounding system of each terrace which accepts views to layout the block (Block Housing), it allows each room and terrace have various colors. Through this method, it determined the impression of the resort.
© Sun Namgoong
综合体B是叠加式的别墅，它使用叠加的方法，体现了倾斜的地形特征。它是一种可以持续在一个方向布局延续或迂回的形式，像韩国象棋。它也可以有多种形式和应用。2个单位相结合，可以创建出1个综合体，2个单元的其中一个含有2个房间，另外的单元则包含有三户。
Complex B as a Stacking Villa format, it uses stacking method that reflects the characteristics of sloped topography. It is a form that is possible to continuously layout in one direction like Go or checkmate move of Korean Chess. It also allows to have various forms and application of congregating. 2 units are combined to create 1 complex and one of the 2 units are allows to use 2 rooms and as a result, 1 complex can have maximum 3 households.
© Sun Namgoong
© Sun Namgoong
综合体C有着和综合体B相同的环境背景，综合体C的特点是其利用了坡度，与邻居共享元素，因此隔壁的屋顶可以作为别墅的院子。这可以从济州岛的私人住宅的聚集布局推断，该项目重新诠释了济州私人住宅共生和谐的主题，别墅住宅的矮石墙围合形成院子的边界并与邻居共享。
Complex C shares the same context as complex B which utilizes the slope, and the characteristics of complex C is having shared element that the roof of next door can be used as my courtyard (Clipping Villa). This can be inferred from the gathered layout of Jeju's private houses, this project is reinterpreting the motif of Jeju’s private houses as symbiosis an harmony was the matrix of Jeju's private houses which has low stone mound for house and courtyard boundary to share neighbor's and my properties.
© Sun Namgoong
不同于综合体A、B和C，综合体D是一个独立的建筑，并基于类似画廊般松散的空间布局，z形循环和形式是由具有斜坡式和通过利用道路和地形特征进行定位的许多庭院组成。所谓的锯齿形别墅利用水平和垂直之间错位形成每个不同的特性的空间，保证每个房间的独立性，从而诱发视野的交叉，形成丰富的风景框。
Different from complex A, B, and C, complex D is an independent building and based on loose spatial layout like gallery, z shaped circulation and forms is derived from having ramp format and locating many courtyards by utilizing the characteristics of road and topography. So-called Zigzag Villa utilizes horizontal and vertical dislocation to grant distinct characteristics on each in between spaces, secure each room’s independency, and induce accidental cross of gaze to allow experiencing abundant scenery frame. Written by Kim Dong-jin
© Sun Namgoong
Diagram/图解
Diagram/图解
Diagram/图解
Diagram/图解
Elevation/立面图
© Sun Namgoong
建筑设计：Kim Dong-jin, L'EAU Design
地点：韩国，济州
设计团队：Lee sang-hak, Lee young-sun, Park hae-in, Park Jong-beom , Jung Dong-hui, Ju Ik-hyeon, Yoon Ji-hye
时间：2013
摄影：Sun Namgoong
施工：daean，jehyo，BMB
结构工程：SDM结构工程
机电工程：HANA工程咨询有限公司
施工监理： L’EAU设计有限公司
占地面积：9989㎡
建筑用地面积：1978.70㎡
总建筑面积：4854.02㎡
委托方：贝希尔池别墅
Architects: Kim Dong-jin, L'EAU Design
Location: Yeraehaean-ro, Jeju-do, South Korea
Design Team: Lee sang-hak, Lee young-sun, Park hae-in, Park Jong-beom , Jung Dong-hui, Ju Ik-hyeon, Yoon Ji-hye
Project Year: 2013
Photographs: Sun Namgoong
Construction: DAEAN, JEHYO, BMB
Structure Engineer: SDM Structural Engineering
Mechanical & Electrical Engineer: HANA Consulting Engineers Co.,LTD.
Construction Supervision: L’EAU design Co., Ltd., GAU Co., Ltd
Site Area: 9,989㎡
Building Area: 1,978.70㎡
Gross Floor Area: 4,854.02㎡
Client: BAYHILL POOL&VILLA
出处：本文译自www.archdaily.com/，转载请注明出处。
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