首尔层叠覆盖强调混合体块的层叠排列
Layered cladding emphasises stacked arrangement of L'eau Design's mixed-use block in Seoul

由专筑网朱王倩，严越编译

这座多功能建筑由堆叠体块组成，建在首尔江南区，覆盖着各种材料，下至上的体块逐渐缩小，像嵌套的俄罗斯洋娃娃的组合构成。
   
Nonhyun Matryoshka综合体由当地的L'eau Design公司设计，位于江南区的一个住宅区，周围多是三、四层建筑围绕。

The stacked volumes that make up this multipurpose building in Seoul's Gangnam district are clad in various materials and diminish in size like the components of a nested Russian doll.
The Nonhyun Matryoshka complex was designed by local firm L'eau Design for a site in a residential area of Gangnam, where it is surrounded mostly by buildings of three or four storeys.
   

作为对环境的回应，建筑师们制定了一项包含各种设施的方案，内部包括摄影工作室，咖啡厅和餐厅，两个办公室和七层楼的停车场，其中三个是地下停车场。
   
该建筑的设计受到当地的规划限制，包括需要将部分立面从场地的边界线稍撤后。

In response to this context, the architects developed a proposal that accommodates facilities including a photo studio, a cafe and restaurant, two offices and car parking across seven storeys, three of which are below ground.
The building's design is informed by local planning restrictions, including the need for portions of the facade to be set back from the boundary of the plot.
   

“地块是矩形的，有一个金字塔框架，由于后退规定，在顶部逐渐变细。”建筑师解释说，“为使内部空间灵活，建成一个坚硬的外壳。”
   
“这个外壳成为一个包含边界内边界的结构，变得越来越小，在顶部重叠。”

"The site is rectangular with a pyramidal frame, tapering at the top due to setback regulations," explained the architects. "A hard crust has been built here to make the internal space flexible."
"This crust becomes a structure which includes a boundary within a boundary, becoming smaller and overlapping at the top."
     

朝向建筑物顶部的逐渐减少体块的阶梯式布置，让人联想到俄罗斯的Matryoshka嵌套娃娃，该项目名称来源于它。
   
不同的材料处理，包括裸露的混凝土、瓷砖、砖和木质包层应用于体块外表皮，以突出其不断变化的特点。

The stepped arrangement of diminishing blocks towards the top of the building is reminiscent of the Russian Matryoshka nesting doll, from which the project takes its name.
Different material treatments including exposed concrete, tiles, brick and wooden cladding are applied to the exterior of the boxy volumes to accentuate their continuously changing character.
   

“[重复和重叠的形式]创造了保持盒子套盒子和层层叠叠的mise en abyme，就像平行的镜子将我们置于永无止境的无限关系中”，L'eau设计说道。
   
大部分建筑物的立面都是封闭的表面，以防止相邻住宅区块俯瞰。然而，在一处角落开放着，以显现堆叠的内部。

"[The repeating and overlapping forms] creates a mise en abyme that keeps creating a box-in-a-box and a story-in-a-story, as if parallel mirrors place us within an endless infinite relationship," said  L'eau Design.
The majority of the building's elevations feature closed surfaces to prevent overlooking adjacent residential blocks. One corner, however, opens up to reveal the stacked internal configuration.
   

这个裸露的角落还设置了一个通过露天中庭上升的外部楼梯，以连接各个楼层。
   
位于底层的办公室被包裹着玻璃，以增强室内与街景之间的联系。天花板由处在玻璃墙外的柱子支撑，为上部楼层建立一个悬臂式的表演台。

This exposed corner also accommodates an external staircase that ascends through an open-air void to connect the various levels.
An office occupying the ground floor is wrapped in glazing to enhance the connection between the interior and the streetscape. Its ceiling is supported by columns that extend beyond the glazed walls to create a cantilevered podium for the upper storeys.
   

地面上的每一层都有室外的露台，是由减少较高楼层的内部面积产生的空间。
   
这些露台部分地被建筑物的外壳遮蔽，但仍然可以看到周围街道和天际线的景色。

Each of the levels above ground incorporates decked outdoor terraces that occupy the space created by the reduced internal floor areas of the higher storeys.
These terraces are partly screened by the building's external shell, but still provide views out across the surrounding streets and skyline.
   

一间咖啡馆位于第一个地下层，建筑物底层，有一间摄影工作室和机械电梯能到达的的车库。
   
建筑摄影为Kim Yongkwan。

A cafe is situated on the first subterranean level, with a photo studio below and a garage accessed using a mechanical lift at the very base of the building.
Photography is by Kim Yongkwan.
   

出处：本文译自www.dezeen.com/，转载请注明出处。