Pachacamac Site Museum
由专筑网Brick，杨帆编译
来自建筑事务所的描述：帕恰卡马克神殿由前西班牙建筑师设计，我们被它的静默和规模所打动。长长的道路由印象深刻的壁结构永久限定，使我们面对着朝拜圣地。它与环境的联系将随时间慢慢推移。建筑师理解建筑是人和神明崇拜之间的媒介，深厚的传统是在场地适应策略之内实施项目的前提。因此，建筑传统定义了建筑体系，并且增加了场地和环境上的创意。
From the architect. The Sanctuary of Pachacamac is a place where the pre-Hispanic architecture moves us by his silence and scale; its long paths confined by impressive wall structures permanently confront us with the worship places. Its relationship with the environment is defined by traces organizing the occupation over time. Pre Hispanic architects understood that architecture was a mediation between man and the worship of gods, with a deep tradition were permitted to operate its projects within territory adaptation strategies. Thus, the building tradition was defining its architecture and adding on innovations upon its territory and circumstances.
© Juan Solano Ojasi
© Juan Solano Ojasi
博物馆浮现于明亮之中，明亮和厚重的西班牙元素形成对照。博物馆的墙体结构界定了踪迹，道路由大规模墙壁界定，和神殿处于持久的张力中。博物馆力图将这片神圣的领土变成博物馆的一部分。
Therefore, the museum emerges from a lightness that contrasts to the massive pre hispanic elements, its wall structures define its trace and its pathways defined by its large scale walls are in constant tension with the Sanctuary. The Museum tries to turn its sacred territory into a museum piece itself.
© Juan Solano Ojasi
这座现代建筑涉及前西班牙建筑式样，采用它的元素，建立另类法则，允许自身栖息于符号景观中，并且界定空间来构建神殿。
Contemporary architecture talks of pre-Hispanic architecture, taking its elements and building an alternative grammar with which it allows itself to inhabit the symbolic landscape and define spaces to frame the Sanctuary.
Floor Plan/平面图
Section 1/剖面
该博物馆项目产生于和场地的联系、地形踪迹和确立神殿媒介的能力。需要外部道路构建史前神庙。建筑本身适应周围环境，并强化和神圣建筑之间的联系。
The museum project was born from his relationship with the Territory, its topographic traceand the ability to establish itself as a mediator with the Sanctuary. The exterior pathway spaces nest in their need to frame the prehistoric temples. The building itself adapts to its surroundings directing their views reinforcing the relationship with sacred buildings.
© Juan Solano Ojasi
帕恰卡马克被称为地震之神，博物馆体量以地震形态褶曲，并且在外部道路坡道裂口之间得到强调，它与前西班牙街道有关，朝圣者从街道上大型墙壁内的线性空间慢慢走近神殿。
Volumes are folded in an earthquake gesture, (Pachacamac was known as the Earthquakes God) and stressed between their external pathway ramp gaps, associated with the pre Hispanic streets where the pilgrims approached their temples in linear spaces within its large scale walls.
© Juan Solano Ojasi
建筑体以粗糙的水泥墙表现，和西班牙土墙结构有关，突出部分力图建造一种遮蔽类型的体量。项目避免开口，并依靠墙壁来界定形状。
Its mass, expressed in their rough concrete walls are associated with the pre Hispanic earth wall structures, the limb in an attempt to build a kind of shadow typology, the project avoids composition perforations. The project defines its form upon the wall.
© Juan Solano Ojasi
建筑将自身置于弱于环境的姿态中。其大小根据地形和地面起伏来处理，避免和场地冲突。只有当你往下到达会议广场时，建筑才显示出整体规模。建筑对它所在的圣地表达了深深敬意，在神殿转变的长期过程中表现为层层递进的关系。
The building places itself in a “weak” attitude towards its environment; the scale is handled in complicity with the topography and the unevenness of the ground to avoid breaking abruptly into the place. It is only when you descend to the meeting Plaza, where the building is revealed in its full scale. The building expresses its deep respect for the sacred territory where it inserts, and manifests as another laminating layer in the long process of transformation of the Sanctuary
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
© Juan Solano Ojasi
Floor Plan/平面图
Floor Plan/平面图
Section 2/剖面
Section 3/剖面
Section 4/剖面
Elevation 1/立面图
Elevation 1/立面图
© Juan Solano Ojasi
建筑设计：Llosa Cortegana Arquitectos
项目位置：秘鲁，Lurín，Santuario Arqueologico de Pachacamac
总建筑师：Llosa Cortegana Arquitectos
设计团队：Patricia Llosa, Rodolfo Cortegana
项目面积：3028.0平方米
项目时间：2015年
摄影：Juan Solano Ojasi
合作：Angelia Piazza, Daniela Chong, Llona / Zamora, Braulio Miki, Jorge Avendaño, Adela Zavala, Jose Ortiz, Solange Avila
建造：Prisma
发起者：Ministerio de Cultura del Perú
Architects：Llosa Cortegana Arquitectos
Location：Santuario Arqueologico de Pachacamac, Lurín, Peru
Architect in Charge：Llosa Cortegana Arquitectos
Design Team：Patricia Llosa, Rodolfo Cortegana
Area：3028.0 sqm
Project Year：2015
Photographs：Juan Solano Ojasi
Collaborators：Angelia Piazza, Daniela Chong, Llona / Zamora, Braulio Miki, Jorge Avendaño, Adela Zavala, Jose Ortiz, Solange Avila
Constructor：Prisma
Promoter：Ministerio de Cultura del Perú
出处：本文译自www.archdaily.com/，转载请注明出处。
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