In Denmark, the city of Odense has revealed plans drawn up by Japanese architect Kengo Kuma for a entirely new museum dedicated to the work of Hans christian Andersen. The competition-winning design, which was developed alongside Cornelius+Vöge architects, was chosen ahead of proposals by Bjarke Ingels group, Snøhetta, and Barozzi Veiga. The project was revealed on the 211th anniversary of the author’s birth, and is strongly influenced by Andersen’s much-loved fairy tales.
郁郁葱葱的草木覆盖,曲线展馆的总体效果占据了该基地/Covered in lush greenery, an ensemble of curving pavilions occupy the site
The 9,000 square meter scheme forms part of the city’s ongoing regeneration, and includes a cultural center for children within the ‘enchanted gardens’ of the Lotzes have park. Covered in lush greenery, an ensemble of curving pavilions occupy the site, their form mimicked by spiraling hedgerows that form immersive mazes. The building itself has a floor space of 5,600 square meters, two-thirds of which is underground, creating a series of sunken fairy tale-inspired spaces.
‘We have found a unique winning project,’ says Odense’s mayor Anker Boye, who was also the jury chairman for the competition. ‘the fact that Kengo Kuma is from japan only goes to show that sometimes you have to travel abroad to find home. the proposal has a unique quality that captures the spirit of both Hans christian Andersen and Odense, has striking international caliber and is locally embedded at the same time. it is a project that I can only imagine taking place here in Odense. but at the same time, it points far beyond anything local or national.’
螺旋状的灌木形成了身临其境的迷宫序列/Spiraling hedgerows form immersive maze sequences
A competition for a combined exhibition-design concept based on the world view of Hans christian Andersen was won by British group Event Communications. According to Jane Jegind, Odense’s alderwoman for urban and cultural affairs, the winning concept formed the basis of Kengo Kuma’s proposal. ‘In planning the project, it was important to us that gardens, building and exhibition design were envisaged as an interconnected whole that clearly captures the spirit of Andersen and brings out the essence of the city of Odense at the same time,’ explains Jegind. ‘This is another reason why it is brilliant to have found such a well-integrated and well-designed project that is both ingenious and magical. Kengo Kuma and the danish partners Cornelius+Vöge and MASU planning have created the perfect setting for the future presentation of Hans christian Andersen where we need a keener focus on his enchanting universe than on his personal life.’
The museum is now in the process of securing funding for the project, with further announcements expected later this year.
该建筑以隈研吾独具风格的木材的使用为特色/The building features Kuma’s distinct use of timber
地下领域形成童话故事的灵感空间/Underground areas form fairy tale-inspired spaces
场地平面图/site plan
穿越场地/movement across the site
概念图/concept diagram
施工剖面图sectional drawings illustrating the project’s construction