本文转载自乐居设计师俱乐部

日前，丹麦欧登塞市于作家安徒生211周年诞辰之际发布了由日本建筑师隈研吾设计的方案。



隈研吾设计事务所击败BIG、斯诺赫塔事务所（Snhetta）和Barozzi Veiga等事务所拿下设计权，打造专门展出童话大师安徒生作品的全新博物馆。



隈研吾建筑都市设计事务所 （Kengo Kuma & Associates)， 与 Cornelius+Vöge 事务所及 MASU planning景观规划事务所的合作团队共同参与了位于丹麦(Denmark)欧登塞(Odense)的安徒生(Hans Christian Andersen)博物馆方案。

Kengo Kuma & Associates has won theinternational competition to design the H.C. Andersen’s House of Fairy Tales in Odense in collaboration with Cornelius+Vöge Aps (Associate Architects),MASU Planning (Landscape Architects) and Eduard Troelsgård Engineers.





这个项目会取代曾经的安徒生博物馆。The projects features the creation of a new building and garden for the H.C.



项目位于欧登塞市中心，更为关键的该项目让花园、建筑还有展览设计很好地去承载安徒生精神神和欧登塞的城市文化精髓。

Andersen’s Museum and the Tinderbox cultural center in the heart of the city in which the writerwas born. The site is now in the middle of a large renovation project that iscurrently taking place in Odense based on closing off one of the main thorough fare reconnecting two part of the city previously separated.





提案中，在为了营造浓烈的安徒生童话王国氛围， 博物馆与展览空间形成一个上下承接的混合世界。地面上预留出的空间是被“施了魔法”的大型花园，随坡道而下交织着另外一个丰富迷离的下沉式博物馆世界。

In KKAA proposal the garden, the buildings and the exhibition spaces are mixed and interconnected to form a rich and complex fairy tales world despite its urban setting. Most of the exhibition is located underground to maximize the gardenarea, a central sunken/secret garden visually connects the above and underground worlds and serve as a backdrop for the exhibition space. Using ramps that connect the different level of the museum the visitor descends through tothe sunken garden to reach the fairytales realm underground.







该项目整体被分解为地面的花园和地下的博物馆，博物馆是由一系列可以穿行的圆柱体量组成，挖开的绿色屋顶下面，露出玻璃和木格做成的幕墙，它们包围着下沉的花园。该馆还要举办 Tinderbox (一个关于安徒生童话的儿童主题展览），还有相对应的咖啡馆，将安徒生的背景融入整个设计框架里。

Above ground the program is broken down to match the surrounding buildings’ scale; the various pavilions hosting the Tinderbox cultural center, the café and the foyer that integrates the author’s birthplace and memorial feature a green roof witha distinctive sloped geometry that aims to blends the architecture into thelandscape.







设计手法一贯的采取丹麦传统木质元素与树状结构结合在一起，使纵横交错的树枝密密麻麻的盘踞在一起。

The façade treatment mixes traditional elements of the Danish wooden framed construction with a tree like structure in which the branches become thinner and denser towards the rooftop.



采用丹麦经典的篱笆墙来将花园与不同区域分割开，创造出富有戏剧性的迷宫般空间和隐藏式户外景观。

The traditional element of the Hedge, so often used to divide the properties inDanish countryside, is here used to unify the different areas of the gardenunder the same design language creating labyrinth like spaces and hidden areasfor outdoor scenography.







预计到2020年，安徒生之家将成为KKAA在丹麦的第一个项目。

Expected to becompleted in 2020 the project will be KKAA’s first building in Denmark.



“ “该方案之所以能脱颖而出，是因为它抓住了安徒生和欧登塞的精神，有着一流的国际水准的同时，还能很好的契合当地文化。”—— 欧登塞市市长兼评审员 Anker Boye

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