M'ARS Centre for Multimedia Arts in Abrau-Durso

由专筑网朱王倩，韩平编译

来自建筑事务所的描述：该项目的设计灵感是为了还原建筑历史的真正有趣之处，通过一系列光线设计或者艺术材料的空间介入方式实现的辉煌的旧酒厂的部分改造。

From the architect. This project of transforming part of a former sparkling wine factory into a multimedia art center was inspired by a genuine interest in the history of the building and executed through a series of light — both in terms of the artwork material and the manner — interventions into the space.
     

© Pavel Seldemirov

MARS，是前苏联莫斯科建立的第一个当代艺术画廊，现在作为一个创新的多媒体艺术机构。2016年5月，一个新的MARS中心出现在Abrau-Durso田园般的风景里，这是俄罗斯南部的一个风景如画的地方。画廊位于石材覆盖的工厂的一楼。

MARS, the first contemporary art gallery to be founded in post-Soviet Moscow, now functions as an innovative multimedia art institution. In May 2016, a new MARS center was opened amidst Abrau-Durso’s idyllic scenery — a picturesque locale in the South of Russia. The gallery spans the entire first floor of the stone-clad champagne factory.
   

© Pavel Seldemirov

现在团队决定保持其工业过去的特征，比如工厂内的开关和断路器箱，以微妙和尊重的方式进行所有的干预，保留建筑的历史元素。由莫斯科MANEGE开发部门设计的导航元素，在当代多媒体艺术中使用了“本土”材料，即不同尺寸的LED管和薄黑色金属片材。

The Nowadays team decided to keep the hallmarks of its industrial past — factory switches and breaker boxes — intact and execute all the interventions in a delicate and respectful way, preserving the historical layers. All the navigation elements designed by a Moscow based MANEGE development department are put together using materials “native” to contemporary multimedia art — differently sized LED-tubes and thin black metal sheets.
     

© Pavel Seldemirov

轴测图/Axonometric

虽然白盒子长期以来被认为是“低科技”艺术的传统形式的默认设置，但是高科技多媒体艺术通常需要一个黑盒子来呈现其所有的特征。但单调的黑色空间会让人厌倦，疲劳和迷惑访客。现在办公室决定将画廊项目打造为一个“黑色”（黑暗的）和“白色”（光线充足的）空间的序列，大多数艺术品存储在房间内（基本上为盒子），即精心安装在现有室内空间。这种方式也契合了将新的元素融入旧建筑中的目标。

While the white box has long been established as a default setting for traditional forms of ‘low-tech’ art, high-tech multimedia art usually requires a black box to bring out all of its features. But the monotonous black space can bore, tire and disorient the visitor. The Nowadays office decided to execute the gallery project as a sequence of ‘black’ (dark) and ‘white’ (well-lit) spaces, where most of the artworks are stored inside the rooms (boxes, essentially) which are carefully installed within the existing interior. This approach also serves the goal of delicately incorporating the new into the old.
   

© Pavel Seldemirov

一些作为艺术品容器的房间，比如以化学方式处理的彩虹钢制成的箱子，这既强调空间的工业精神，同时也是基于光的艺术性辅助。

Some of the rooms functioning as artwork containers are boxed-off with chemically treated rainbow steel — a aid to emphasise both the industrial spirit of the space and the ephemerality of the light-based artwork.
     

© Pavel Seldemirov

  

© Pavel Seldemirov

新的混凝土地面与墙面脱开，与建筑历史元素保持礼貌性的距离。这个缺口填满了从湖岸收集的砾石，也是温和的LED灯的隐匿处。

The new concrete floor doesn’t touch the walls, but keeps it’s polite distance from the historical elements of the building. This gap that is filled with gravel-stones collected from the lakeshore is also creating nests for the soft LED-lighting.
   

© Pavel Seldemirov

设计的最大干预是在走廊，其中登记桌和储物柜被合并成一个坚固的钢雕塑，带来了一个令人兴奋的前言展览。

The biggest intervention is in the corridor, where the registration desk and lockers are merged into one solid steel sculpture, providing an exciting preface to the exhibition.
   

© Pavel Seldemirov

在相反的一侧——展览的末端，有一个秘密的房间，由于其地理位置，美丽的光线创造诗意的气氛。没有艺术品，但游客被鼓励穿上提供的VR头盔，并模拟参观莫斯科MARS中心，让人身临其境。

On the opposite side  — at the end of the exhibition — there is a secret room where, due to its geographic orientation, beautiful rays of light create a poetic atmosphere almost all-day-round. There is no artwork but visitors are encouraged to put on one of the VR-helmets that are offered and take a simulated tour of the Moscow MARS center. Not a teleportation hall, but close enough.
     

© Pavel Seldemirov

项目描述：这个项目最美观的主要材料之一是镀锌钢。在金属表面上产生彩虹效应的镀锌通常用于处理小金属元件，例如框架钉，滚动角等，以使其耐用并防锈。我们真正受到那些多色斑点的启发，决定使用相同的技术和材料，并更大的表面上实验——与镀锌浴的尺寸一样大。因此，我们的合作伙伴，莫斯科的多功能生产公司Macrofabrica在1800 x 900厘米的钢板上使用镀锌。结果被用来制作多色金属盒展示个人艺术品——强调空间的工业精神和光基艺术品的短暂性。

Product Description. One of the most aesthetically prominent materials of this project is galvanized steel. Galvanization that produces a rainbow effect on the metal surface is normally used to treat small metal elements, such as framing nails, rolled angles, etc., to make them durable and rust-resistant. We were genuinely inspired by those multicolor blotches and decided to experiment with the same technology and material but on a larger surface — as large as the size of galvanizing bath allows. So our partners, Moscow based multi-functional production company Macrofabrica used galvanization on 1800 x 900 cm steel sheets. The outcome was used to make polychromatic metal boxes for exhibiting individual artworks - to emphasize both the industrial spirit of the space and the epheme-rality of the light-based artwork.
   

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

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© Pavel Seldemirov

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© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

© Pavel Seldemirov

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© Pavel Seldemirov

建筑设计：NOWADAYS office
地址：俄罗斯（353995），Krasnodar Krai，Abrau-Dyurso
主要建筑师：Anna Kopeina, Natalia Mastalerzh, Ilona Povilenayte, Nata Tatunashvili
面积：1000.0 m2
项目时间：2016年
建筑摄影：Pavel Seldemirov

Architects: NOWADAYS office
Location: Abrau-Dyurso, Krasnodar Krai, Russia, 353995
Architects in Charge: Anna Kopeina, Natalia Mastalerzh, Ilona Povilenayte, Nata Tatunashvili
Area: 1000.0 m2
Project Year: 2016
Photographs: Pavel Seldemirov


出处：本文译自www.archdaily.com/，转载请注明出处。