Giles Miller和Forbes Massie用相互抵消的砖墙设想了这座高耸的纪念碑
Giles Miller and Forbes Massie imagine towering monument with walls of offset bricks

由专筑网朱王倩，韩平编译

设计师Giles Miller与视觉学家Forbes Massie合作，为一个巨大的纪念碑设计了一个十字形的平面和有纹理的砖墙。
   
Miller和Massie的14层纪念碑设计完全空心，还允许游客居住。
   
Miller的工作室与来自Arup的结构工程师一起工作设计了这个概念性项目，“将我们的创意学科作为材料的组成，推向新的尺度”。

Designer Giles Miller has worked with visualiser Forbes Massie to draw up designs for a huge monument with a cross-shaped plan and textured brick walls.
Miller and Massie's 14-storey Monument is designed to be completely hollow, allowing visitors to inhabit it.
Working alongside structural engineers from Arup, Miller's studio took on the conceptual project to "push our creative discipline as composers of materials to a new scale".
   

从上面看，该结构呈现为十字形，其中点指向周围景观的北，南，东和西方向。
   
建筑物的交叉墙将一起工作，将风荷载传递到基础，使其在内部保持中空。
   
“纪念碑在其设计和实现中表现出纯粹主义”，米勒说。“简单而巨大的相交墙赋予了平衡的对称性，但也意味着结构具有14层高建筑物的高度，具有完全空心的核心。

From above, the structure appears as a cross – with the points directing towards the north, south, east and west of the surrounding landscape.
The building's crossed walls would work together to spread and carry wind load to the foundation, allowing it to remain hollow on the inside.
"Monument manifests purism in its design and realisation," said Miller. "Simple and enormous intersecting walls give a balanced symmetry but are also the means by which the structure stands at the height of a 14-storey building, with an entirely hollow core."
   

“每个墙壁垂直向下承载着自己的重量，但墙面部分也水平横跨到其相邻的垂直墙面上，因此风力负载在剪力墙处传到地基上。”
   
东部和西部的入口将欢迎游客进入该空间。显示的单光束在作为纪念碑内唯一的自然光源，通过建筑中心渗入内部空间。

"Each wall carries its own weight vertically downwards, but the wall segments also span horizontally onto their neighbouring perpendicular wall, thus wind load descends to the foundation in shear," he added.
Entrances on the eastern and western points would welcome visitors into the space. A single shaft of daylight shown permeating through the centre of the building is intended as the only natural light source within the monument.
   

Miller在表面设计上保持了背景的真实，设想纪念碑将有一个由楔形砖组成的外墙，砖块成不同的角度以捕捉一天不同时间的光。
   
“它的组件，它的砖，通过挤压和其特殊的楔形面，再通过不同的排列组合在不同光照下可以变化色调，并在表面上创建光动力的像素化”，他说。
   
“这个创新是通过技术手段对与立面和光的一种美丽的表现。”

Staying true to his background in surface design, Miller envisioned that the monument would feature a facade composed of wedged bricks, angled to catch the light at different times of day.
"The components of the piece, its bricks, are formed by extrusion with wedged faces, and are specifically composed to vary tone and create a kind of light-powered pixelation on the surface," he said.
"This innovation is the antithesis of technology, a beautifully simple celebration of light."
   

虽然纪念碑只是一个概念设计，但在Miller先前的设计中，就已经实现了一些户外，特定场地的项目。
   
此前，他为Devon的Broomhill雕塑公园创造了一个球形雕塑，由数以百计的反射“便士”组成，以及最近的一个由木瓦覆盖的英国乡村馆。
   
这个项目标志着Miller第一次与Massie一起工作，他们以前在伦敦东部画廊展出了一系列建筑效果图，但之前的风格并不追求写实主义。

While Monument is just a concept, Miller has previously designed and realised a number of outdoor, site-specific projects.
Previously, he created a spherical sculpture formed from hundreds of reflective "pennies" for Devon's Broomhill Sculpture Park, and more recently a shingle-covered pavilion for the English countryside.
The project marks the first time Miller has worked alongside Massie, who previously exhibited a series of architectural renderings with a painterly rather than photorealistic aesthetic at an east London gallery.
   

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