帕多瓦儿房子
Padival House / Anahata
由专筑网刘彤，韩平编译
来自设计师的描述：来自于印度南方沿海城市芒格洛尔一对年轻的夫妇以及他们的两个孩子，来到我们这里想让我们来设计他们的房子。简要地说就是要一个干净的现代的房子。帕多瓦儿房子是一个坐落于一篇格子状的邻里关系中的一个私密的住所，有着南北通行的道路。场地是长方形的，西侧面临的是一个80英尺的主干道。
From the architect. A young couple and their 2 children, originally from Mangalore, a coastal city of south India, approached us to design their home. The brief was to build a clean modern contemporary house. Padival house is a private dwelling located in the south of Belgaum in a gridiron neighborhood with the streets running north-south. The site is rectangular, west facing with an 80 feet major road.
© Shamanth Patil J
© Shamanth Patil J
草图-剖面图/Sketch / Section
在芒格洛尔，庭院在传统房子中是一个不可分割的部分。我们希望反映记忆中的这个院落，并城市背景下重现具有地域象征主义的房子。项目组织形式基于设计实用基础上形成立体的隔间环绕庭院的形式。每一个隔间又进一步发展了原始的几何体块。想法在于创造一个更加干净的建筑形式—去除了不必要的建筑形式，减少到只剩下基本要素以及空间本身。
In Mangalore, the courtyard was an integral part of a traditional house. We chose to vividly reflect the memories of a courtyard, readapting the vernacular typology to a house in an urban context. The program is organized into spatial compartments around the courtyard based on the function they are designed to serve. Each of these compartments further evolves into primordial geometric masses. The idea was to create a more pure form of architecture - of architecture stripped of its non-essentials, reduced only to its basic elements and the feelings that the space itself evokes.
© Shamanth Patil J
封闭式花园
“内部和外部，地面和天空都附以花园，建筑就是，这样来说，直立于这土地上的体块，在中间形成一个洞状的花园，无边界的天空穿透到花园汇总并纳入其中”
Aben, R., & De Wit, S. (1999).封闭花园，10-11. Rotterdam: 010
Hortus conclusus
“Inside and outside, earth and heaven converge in the enclosed garden. The building is, so to speak, erected out of the mass of the earth, with the garden a cavity in that mass. The boundless space of the sky penetrates the garden and absorbs it. “
Aben, R., & De Wit, S. (1999). The Enclosed Garden, 10-11. Rotterdam: 010
© Shamanth Patil J
© Shamanth Patil J
入口大厅一侧是庭院，另一侧是居住空间。居住空间，是一个一层半的楼层，缩小了单层的高度当人走向庭院的时候，这里也形成了首层的书房空间，在那里一侧可以看到庭院，另一侧则是居住空间。从居中空间到其他私人功能空间需要穿过一个光线良好的餐厅空间。地板上无缝衔接的小溪连接了居住空间和就餐空间和大庭院。
The entrance lobby leads to the courtyard on one side and the living space on the other. The living space, a floor height of one-and–a-half storey, diminishes to single storey height as it flows into the courtyard, and thus resulting in a Library space on the first floor which looks into the courtyard on one side and the living space on the other. The transition from the living to other private functions of the house is through the well-lit dining area. The river finish tandoor flooring seamlessly connects the living and dining spaces to the courtyard.
草图-剖面图/Sketch / Section
祭坛是悬浮在空中的。在外部，这个体块故意与居住房间的墙体脱离开来，给人一种从内部悬浮出来的体块的感觉。减少的楼层高度以及天窗创造出了一种神秘的感觉。楼梯从祭坛导向至图书区与以及家庭空间。这个一层半楼层的居住空间有一个天窗，这也在图书空间内形成了庭院与居住平台之间的对话。庭园周边的私密空间的墙体保持了低矮的姿态，使用了玻璃延伸到屋顶。这样庭院就可以延伸到卧室，模糊了庭院的边界同时建立了一种与内部空间的一种联系。空间策略的设计在视觉上联系空间创造一种交流的感觉。混凝土结构的屋顶保持暴露的姿态以增加一种不拘礼节的感觉并与光滑的抹灰墙面形成对比。
The Altar is a space floating in the air. Externally, the mass deliberately disconnects from the living room wall, giving an impression of a floating cube sliding out from within. The reduced floor height and the clerestory window invokes a mystical feeling. Stairs from the Altar lead to the Library and the family spaces. The one-and-a-half storey height of the living room leaves a clerestory window in the library exhibiting a dialogue between the courtyard and the terrace of the living room. The walls of the private spaces around the courtyard are kept low with glass continuing to touch the ceiling. The courtyard thus flows into the bedrooms, blurring the boundaries of the courtyard while establishing a connection with the internal spaces of the house. The spatial strategy is designed to visually connect spaces to allow a sense of communication. The concrete ceiling is left exposed to add a sense of informality in contrast to the smooth white plastered walls.
© Shamanth Patil J
© Shamanth Patil J
© Shamanth Patil J
一个横飞出来的日光浴楼梯从家庭空间到‘Barsati’，通过过一个半开放阳台到达卧室。‘Barsati’同时作为业主经常使用的食品储藏柜。
A flight of sunbathed stairs from the family room lead to the ‘Barsati’ which transitions into the living room terrace through a semi open verandah. The ‘Barsati’ also acts as a pantry to serve for the terrace parties that the client usually hosts.
“The Sun does not realize how wonderful it is until after a room is made.” - Louis Kahn
© Shamanth Patil J
© Shamanth Patil J
通过了有策略的进行开窗，光线可以渗透到建筑里边，在某些空间你可以触摸到天花顶部，但是还是看向外面的视线还是畅通无阻的。在房子楼梯以及天井与天窗之间的两个主要的光线墙，扮演了一个精巧的、永久的提供光线的角色，并且创造了一种强烈的秩序感与视觉感受。光纤作为一种材料被细心的雕刻进了空间中并定义了他们的功能。所有的太阳光线全天都在变化，这样在全年中住宅空间也是动态的千变万化的。随着你位置的移动，你所体会到的空间和光线的感受都不尽相同。
Light percolates into the building through strategically placed fenestration, in some places touching the roof, allowing an unobstructed flow of view to the outside. Two major light wells, the courtyard and the skylight above the stairs in the family space display a subtle, perpetual play of light and shadow creating a high sense of order and visual impression. Light as a building material is sculpted carefully to define spaces and their functionalities. As the sunlight changes throughout the day, the shadows make the space dynamic and ever-changing across all seasons. The perception of space varies depending on where one is standing in relation to the light wells.
© Shamanth Patil J
来源于艺术家的灵感
内部空间以及家具设计大部分受启发于印度当代艺术家SH Raza。他专研颜色，线条，空间与光线，以及几何学。在他的画中，显示出一种深层次的关于情绪的理解。混凝土，白色石膏，黄铜，木头以及自然石头成为了内部空间的调色板。一种来源于“Tanava”绘画的抽象提取，应用在了地板上，即使用着色的石头，装饰所有居住空间。它上升到三维结构利用悬浮的凌锥工具以及咖啡桌都形成了一种和谐的感觉。通过庭院天窗形成的阴影重新解释了Raza的绘画模式。图书区的三角形的书架，与反映光影变化的墙面融为一体。绘画“催泪剂”以木材形式雕刻形成衣柜，增加了卧室内部的温暖感。
Inspiration from the artist
The interiors and furniture designs are heavily inspired by contemporary Indian artist SH Raza. His approach to color, line, space and light, the geometries in his paintings, all reveal a deeper understanding of emotions. Concrete, white plaster, brass, wood and natural stone became the color palette for the interiors. An abstraction of the painting ‘Tanava’ on the floor using colored stone, adorns the living room. It rises into the third dimension with the floating pyramid stools and coffee table set in harmony. The shadows formed by the courtyard skylight empirically reinterpret the patterns of Raza paintings. The triangular book shelf in the Library, indulges in an amicable conversation with the light each time the sun renders the wall behind. The painting, ‘White crosses’ is sculpted in wood to form the wardrobes adding warmth to the bedroom interiors.
© Shamanth Patil J
这个房子是一个抽象的体块构成物，它与西方的太阳遥相呼应。尖锐的阴影在外观上跟随着一天阳光的变化而变化。组合墙体被设计成一个织网，非常轻快并呈现出一种不被打扰的姿态，也让这个房子成为画中的一部分。
The house is an abstract composition of masses responding to the west sun. The sharp shadows move as the day progresses giving life to the facade. The compound wall is designed to resemble a fabric, very light and absent keeping the composition undisturbed. The house attempts to stand as a piece of art.
© Shamanth Patil J
© Shamanth Patil J
底层平面图/Ground Plan
一层平面图/1st Floor
阳台/Terrace
立面图/Elevation
立面图/Elevation
建筑师：Anahata
区位：印度，卡纳塔克邦
设计团队：Puneeth Hegde, Mithila Manolkar
面积：2290.0 ft2
项目时间：2017
图片：Shamanth Patil J
制造商：Saint Gobain, LG Hausys, Jaquar
结构顾问：Vinay Behre Associates, Belgaum
Fabrication”Bharat industries, Belgaum, SAM engineers and fabricators, Belgaum
木工：Dharmendra Jangid, Belgaum
粉刷：Ravindra Chauhan, Belgaum
铺装：Tejpal Deegwal, Belgaum
Architects:Anahata
Location:Plot No. 19,Sy. No. 323, Majgaon Industrial Area, G.I.T. College Road,, Udyambag,, Udyambag Industrial Area, Udyambag, Belagavi, Karnataka 590008, India
Design Team:Puneeth Hegde, Mithila Manolkar
Area:2290.0 ft2
Project Year:2017
Photographs:Shamanth Patil J
Manufacturers:Saint Gobain, LG Hausys, Jaquar
Structural Consultant:Vinay Behre Associates, Belgaum
Fabrication”Bharat industries, Belgaum, SAM engineers and fabricators, Belgaum
Carpentry:Dharmendra Jangid, Belgaum
Painting:Ravindra Chauhan, Belgaum
Tiling:Tejpal Deegwal, Belgaum
出处：本文译自www.archdaily.com/，转载请注明出处。
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