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会发光的盒子装着满满的艺术品,这个设计了不起|巴西São Paulo画廊第1张图片

半透明面板创建发光立面的São Paulo画廊
Translucent panels create glowing facade for São Paulo gallery by Metro

由专筑网朱王倩,韩平编译

由当地建筑师Metro设计的圣保罗画廊的基础部分覆盖着一圈聚碳酸酯板,白天自然光充满空间,夜间内部也传出灯光。

Polycarbonate panels run along the base of this gallery in São Paulo by local architects Metro, flooding the space with natural light during the day and transmitting light from within at night.
     
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CasaTriangulo以一个单一的巨大的体块存在:其混凝土的厚重感通过基座上的一圈镶板窗口进行消解。
   
Metro与画廊合作寻找一个合适的场地,重新安置散落在城市其他地方的现代藏品。

Casa Triangulo exists as a single, large volume: a big white box with the weight of the concrete visually relieved by the panelled window at the base.
Metro collaborated with the gallerists on the hunt for a suitable site to rehouse its contemporary collection, which had been located elsewhere in the city prior to the move.
   
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因为业主要求设计简洁的,但也是“城里最漂亮的画廊”,团队决定将现有建筑转换为简单的结构,创造出500平方米的空间。这样可以快速完成,建筑师只花了11个月的时间创建画廊。

With a design brief asking for "the prettiest gallery in town," the team decided to convert an existing building with a simple structure to create the 500-square-metre space. This allowed for a speedy completion, with the architects taking just 11 months to create the gallery.
   
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会发光的盒子装着满满的艺术品,这个设计了不起|巴西São Paulo画廊第6张图片

画廊后退于街道,有一个升高的混凝土平台——与画廊内部一样,延伸到绿树成荫的Rua Cristóvão Diniz,在建筑物入口处形成一个庭院。
   
第二个沥青和砾石室外区域可以作为艺术品和活动空间的举办处。这里的预制混凝土工作台为公众提供了一个坐下来欣赏立面的空间。
   
聚碳酸酯面板内的大型旋转开口,可在画廊和这些室外空间之间建立直接联系。

The gallery is set back from the street and a raised concrete platform – the same as the gallery's interior – extends out towards the tree-lined Rua Cristóvão Diniz, forming a courtyard at the entrance of the building.
A second asphalt and gravel outdoor area doubles as a loading bay for artworks and an event space. A pre-cast concrete bench here provides a space for the public to sit and admire the facade.
Large pivoting openings within the polycarbonate panels offer a direct link between the gallery and these outdoor spaces.
   
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Metro合作伙伴Martin Corullon告诉Dezeen,“我们希望将画廊向街道拓展,并将街道扩展到画廊,公共空间与画廊空间之间没有围墙和明确界限。”
   
“即使有这样的联系,外部区域主要是聚会和事件的发生地,保持画廊内部的平静,更适合观赏展览。”

"We wanted to extend the gallery towards the street and the street into the gallery with no walls or clear boundaries between the public space and the gallery's space," Metro partner Martin Corullon told Dezeen.
"Even with this connection, the external areas are mainly where the gatherings and events occur, preserving the interior of the gallery for a more calm atmosphere, that is better for viewing the exhibitions," he added.
   
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建筑物有两个展览空间,画廊三层楼上的仓储,行政和后勤区域。几乎五米高的主要展览空间是圣保罗最大的画廊之一。
   
建筑物的立面在画廊内重复,灰色水泥地板平衡其他全白的内饰。
   
极简主义的室内装饰为画廊里当代年轻艺术家的动态藏品,提供白色的立方体环境。
   
摄影由Leonardo Finotti拍摄。

The building houses two exhibition spaces, and the gallery's storage, administration and support areas over its three storeys. At almost five-metres high, the main exhibition space is one of the largest galleries in São Paulo.
The building's facade is replicated inside the gallery with the grey cement floor balancing the otherwise all-white interior.
The minimalist interior provides a white cube environment for the gallery's dynamic collection from its younger contemporary artists.
Photography is by Leonardo Finotti.
   
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项目信息:
建筑师:Metro
项目组:Martin Corullon,Gustavo Cedroni,Helena Cavalheiro,Marina Ioshii,Renata Mori,Luis Tavares,Isadora Marchi,Rafael de Sousa,Juliana Ziebell,Gabriela Santana,MarinaPereiraProspecçãoestrutural:Marcondes Ferraz Engenharia
结构设计:INNER Engenharia e Gerenciamento
服务设计:L2C Engenharia
照明:Design da Luz, Fernanda Carvalho
景观设计:Bonsai Paisagismo
建造商:Lock Engenharia

Project credits:
Architects: Metro
Project team: Martin Corullon, Gustavo Cedroni, Helena Cavalheiro, Marina Ioshii, Renata Mori, Luis Tavares, Isadora Marchi, Rafael de Sousa, Juliana Ziebell, Gabriela Santana, Marina Pereira
Prospecção estrutural: Marcondes Ferraz Engenharia
Structural design: INNER Engenharia e Gerenciamento
Service design: L2C Engenharia
Lighting: Design da Luz, Fernanda Carvalho
Landscaping: Bonsai Paisagismo
Contractor: Lock Engenharia


出处:本文译自www.dezeen.com/,转载请注明出处。

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