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熟悉的音乐响起,这是一座海拔3000多米上属于007邦德的博物馆第1张图片

奥地利山顶的詹姆斯•邦德博物馆向公众开放
James Bond museum opens at summit of Austrian mountain

由专筑网缕夕,邢子编译

奥地利建筑师Johann Obermoser在奥地利索尔登(Sölden)的悬崖上悬挂了一个类似巢穴的混凝土建筑,这里将举办关于詹姆斯•邦德(James Bond)历史的展览。

这座充满007风格的建筑位于索尔登的Gaislachkogl山顶——这是2015年电影《幽灵党》中的一幕。

Austrian architect Johann Obermoser has cantilevered a lair-like concrete volume from the precipice of a mountain in Sölden, Austria, to house an exhibition exploring the history of James Bond.
The 007-style building can be found at the summit of the Gaislachkogl Mountain in Sölden – the setting for an action-packed snow chase sequence in the 2015 film Spectre.

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这座1300平方米的建筑位于海拔高度超过3000米的地方/The 1,300 square-metre structure stands at an altitude of over 3,000 meters

这座1300平方米的建筑建在在海拔3000多米的山上,高两层,是世界上最高的博物馆之一。

外观和内部设计都源于已故设计师Ken Adam的作品,特别是他对动态角度和几何形状以及材料颜色的使用。

Built within the mountain and arranged over two levels at an altitude of over 3,000 meters, the 1,300 square-metre structure is one of the highest museums in the world.
Both the exterior and interior design take cues from the work of late James Bond production designer Ken Adam, particularly his use of dynamic angles and geometric shapes, and the muted palette of his materials.

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建筑坐落在奥地利滑雪胜地内,山顶展览馆仅限乘客乘坐缆车到达/Situated within an Austrian ski resort, the mountaintop exhibition is only accessible to visitors by cable car

Ken Adam的设计风格应用于21世纪的建筑,山顶建筑就像现代007的僻静隐蔽处。

这座建筑隐藏在奥地利滑雪度假村内,游客仅可通过缆车前往。

Obermoser设计的建筑与周围环境融为一体,使用与山区相呼应的混凝土作为材料。

Applying Adam's design ethos to a 21st-century building, the mountaintop complex could be mistaken for the secluded hideaway of a modern 007 villain.
Tucked away within an Austrian ski resort village, the building is only accessible to visitors by cable car.
Obermoser designed the building to blend in with its surroundings, using concrete that echoes the mountainous terrain.

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展览分布在10个不同的房间,每个房间都展示了007电影的不同元素/The exhibition is stretched over 10 different rooms that each illustrate a different element in the making of a 007 film

内部是007元素展览,有10个不同的房间,让参观者通过一系列的装置来回顾制作詹姆斯•邦德(James Bond)电影的每一步。

虽然展览重点是在索尔登拍摄的《幽灵党》,但它也展览了邦特系列的其他24部电影。

创意总监Neal Callow是最后四部邦德电影的艺术总监,与设计负责人Tino Schaedler共同设计了007元素展览。

“我们希望通过007元素,以超现代的渲染烘托和引人入胜的方式,回顾制作007电影的故事。”Callow解释道。

Callow和Schaedler希望将建筑空间和展览内容结合在一起,创造共生体验,让游客感觉仿佛置身于007电影中。

“我们希望利用这个地理位置,将我们的游客置于邦德的环境中,并以独特而难忘的方式将故事变为现实。”他补充道。

Housed inside is the 007 Elements exhibition, stretched over 10 different rooms to take visitors through a series of installations that illustrate each step in the making of a James Bond film.
While the installation focuses on Spectre, which was shot in Sölden, it also explores other titles in the long-running 24-film Bond franchise.
Creative director Neal Callow – who was artistic director on the last four James Bond films – and head of design Tino Schaedler worked together to design the 007 Elements exhibition concept.
"Our aim with 007 Elements is to tell the story of the making of 007 films in an ultra-modern, emotive and engaging way," explained Callow.
Callow and Schaedler wanted the architectural space and the exhibition content to come together to create a symbiotic experience, to make visitors feel as if they are inside a 007 movie.
"We want to use this incredible location to place our guests into Bond's environment, and bring the stories to life in a unique and unforgettable way," he added.

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露天广场设有倾斜的落地玻璃窗,可以欣赏到远处山脉的全景/The open-air Plaza features an angled floor-to-ceiling glass window that frames the panoramic views of the mountains beyond

设计师的目标是创造一系列房间,像电影中的场景一样展开,每个空间的设计都与他们想要讲述的故事有着不可分割的联系。

“我们研究了Ken Adam的集合设计,具有独特的语言,并且他非常专注于构图。房间内的特定角度和位置,使得设计具有一定的动态性质。”Schaedler告诉Dezeen记者。

“我们采用了相同的技术。由于布局和内容,房间内的区域自然会引起游客的注意——作为空间一个亮点存在。”他继续道。

Their aim was to create a sequence of rooms that unfold like scenes in a movie, with the design of each space integral to the story they want to tell.
"We studied the set designs of Ken Adam, which have a distinct language; he very much designed for the camera. Specific angles and positions in the room make the designs shine as the dynamic nature of his compositions unfold at those points," Schaedler told Dezeen.
"We used the same technique. There are areas in the rooms that visitors are naturally led to – due to the layout and content – where the spaces have a shining presence," he continued.

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詹姆斯•邦德展览在奥地利山峰的顶峰举行。前厅重点关注的是邦德电影众所周知的标题序列和电影音乐/James Bond exhibition opens at the summit of an Austrian mountain The Barrel of the Gun anteroom focuses on the innovative title sequences and dramatic music that the Bond films are known for

展览厅最前面的部分是一个名为Barrel of the Gun的前厅,展览电影系列的标题和电影音乐,这些都是007电影的代名词。

通过前厅后可通往露天广场,该广场设有倾斜的落地玻璃窗,可以欣赏到远处山脉的全景。

The exhibition opens with an atmospheric anteroom called Barrel of the Gun, which focuses on the innovative title sequences and dramatic music that are synonymous with the 007 films.
This entry room leads onto the open-air Plaza, which features an angled floor-to-ceiling glass window that frames the panoramic views of the mountains beyond.

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大堂的设计看起来像是一个007恶棍巢穴的入口/The Lobby was designed to look like the entrance to a 007 villain's lair

隔壁的房间模仿邦德抵达恶棍巢穴时所进入的大厅。它为导演萨姆•门德斯(Sam Mendes)讲述了一部电影,该电影将游客通过邦德电影的历史从1962年的第一部电影Dr.No带到2015年的最新电影《幽灵党》。

与此相邻的是Lair会议室,专注于人物和他们的场景对话,简报室让游客可以深入了解电影的取景选择,而Tech Lab会展示一些最先进的制作技术。

The next room was designed to emulate the type of lobby that Bond would enter upon his arrival at a villain's lair. It screens a film narrated by director Sam Mendes that takes visitors through the history of the Bond movies from the very first film in 1962, Dr.No, to the latest film from 2015, Spectre.
Adjacent to this is the Lair room, focusing on characters and their scene-stealing dialogue, the Briefing room that gives visitors an insight into the movie location choices, and the Tech Lab room that looks into some of the cutting-edge technology featured in the productions.

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简报室让参观者深入了解每部电影的选址方式/The Briefing room gives visitors an insight into how the locations were chosen for each film

动作厅专注于特效和特技部门的工作,屏幕室展示了拍摄于奥地利的《幽灵党》的镜头,重新诠释每一帧每一秒是如何创建的。

最终Legacy Gallery让游客通过交互式触摸屏浏览007的档案。

The Action Hall focuses on the work of the special effects and stunt departments, and the Screening room showcases the Austrian action sequence from Spectre with a renewed understanding of how it was created.
The final Legacy Gallery allows visitors to explore an extensive 007 archive via interactive touch screens.

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科技实验室展示了制作中的一些尖端技术/The Tech Lab room looks into some of the cutting-edge technology featured in the productions

该博物馆于7月12日向公众开放。展览是永久性的,但设计为后续更新留有可能性,以便在007电影系列继续拍摄时,能让展览内容保持相关性。

Obermoser在建筑物的屋顶设计了一个49平方米的开口,可容纳大型的展览物品,例如目前在动作厅房间内展出的飞机,以后可以替换为后续上映电影中的其他大型物品。

The museum opened to the public on July 12. The exhibition is permanent, but has been designed in such a way that makes it possible to update in order to keep it relevant as the 007 franchise continues to release more films.
Obermoser designed a 49-square-metre hatch in the roof of the building so that large items, such as the aeroplane currently on display in the Action Hall room, can be removed and replaced with other large items that feature in upcoming movies.

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这个永久性展览于7月12日向公众开放,并将更新以后拍摄的邦德电影/The permanent exhibition was opened to the public on July 12, and plans to be updated as more Bond films are made

这家位于因斯布鲁克的建筑事务所还设计了缆车站和位于展览大楼旁边的玻璃幕墙ICE Q餐厅,该餐厅曾被用作《幽灵党》中Hoffler Klinik的私人医疗诊所。

詹姆斯•邦德(James Bond)一直是许多建筑项目的设计灵感来源。Studio B29为日内瓦湖附近的一个家庭设计了一个“詹姆斯邦德超级车库”,车主保留了他的经典汽车和摩托车,包括Austin Healey Sprite。


The Innsbruck-based architect also designed the cable car station and the glass-walled ICE Q restaurant located next to the exhibition building, which was used as the private medical clinic, Hoffler Klinik, in Spectre.
James Bond has been an inspiration for many architecture projects. Studio B29 designed a "James Bond super garage" for a home near Lake Geneva, where the owner – an undisclosed royal – keeps his classic cars and motorcycles, including an Austin Healey Sprite.

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