Can Lliro Coffee-Concert Refurbishment / Aulets Arquitectes + Carles Oliver

由专筑网小R编译

来自建筑事务所的描述：功能与背景

项目位于Mallorca岛的东侧，在这里，音乐团体、作曲家、新兴艺术家激情澎湃，但是却没有发挥才艺的空间。Lliro家族便想针对这种社会需求做出呼应，将他们经营了30多年的咖啡厅改造为当地的音乐厅。

Text description provided by the architects. Program and context
In Manacor, on the east side of Mallorca island, there is a great effervescence of music groups, songwriters and emerging artists who did not have a space to play. The Lliro family wanted to respond to this social need, and to transform the coffee they have run for more than 30 years, a local institution, into a concert hall.







对于音乐咖啡厅的适应性改造需要根据现行的规范，针对厨房、浴室等设施进行相应的改造，该项目的资源较少，但是希望能够让使用者宾至如归。

The adaptation to a coffee-concert implied modifying the acoustics and the renewal of the kitchen, bathrooms and facilities to the current regulations. The reform was carried out with the least amount of resources possible and with the aim of making possible that the clientele feels at the usual Can Lliro, this is, feels like home.









为了保留空间特质，建筑师希望人们能够感受到场所的历史，因此将这里的各个阶段整合在一起，从20世纪初，这里是Lliro的家，而在上世纪50年代，这里是烘焙场地，而到了80年代，这里是一座酒吧，而到了现在，它成为了音乐咖啡厅。

To preserve this essence, we wanted to make visible the history of the place, bringing together the different stages of the place: at the beginning of the 20th century it was a house (Can Lliro means Lliro’s home). In the 50's, a bread oven. From the 80's, a bar, and now, in 2020, the coffee-concert.





不为/拆除

建筑师遵循了“不为”的原则，保留了古老天花板、墙体中木材和灰泥的痕迹，甚至裸露了古老的地砖，有着30年历史的旧酒吧、大理石桌子、黑色合成皮革椅子、凳子都得以保存。

Not to Do / Undo
We followed the 'Not to do' procedure, so traces of walls, wooden and plaster remains from the old false ceilings, and old hydraulic floor tiles have been exposed. The old bar, the 'macael' marble tables, and black synthetic leather chairs and stools have been also preserved since they have been in service for 30 years.



另外，面包烤箱的砖石和铁板也用于建造全新的卫生间，砂岩内墙经过手工拆除，这些碎片也重新用在了地面层的立面中，从而与一层立面构成对话。

Also, the bread oven bricks and iron plates have been reused to build the new toilettes. The sandstone inner walls demolition has been done by hand-saw, and the pieces have been reused at the ground floor facade, in order to initiate a dialogue within the first-floor facade.







当地材料文化的可能性研究

在当前气候危机的背景下，这个项目调查和表达了解决当地和生态资源的现代项目的可能性，其中则包含了场所的材料文化。

Research on the current possibilities of local material culture
In the current context of the climate crisis, the project investigates and demonstrates the capabilities to solve contemporary programs of local and ecological resources that constitute the material culture of the place.



建筑材料的选择优化了声学效果，减少能源的浪费，提升社会可持续发展。在岛屿环境中，这些元素和当地景观、材料文化结合在一起，舞台天花板通过来源于附近城市海滩的植物而分隔开，这些植物经过了Lliro家族的加工，Posidonia也是一种受保护的海洋植物，已经获得了认证。

The building materials’ selection to improve better acoustics has prioritized self-sufficiency, reduced energy consumption, and social sustainability. In the island context, these quantifiable vectors coincide with the local landscape and the material culture: the stage ceiling has been insulated with dried Neptune-grass coming from nearby urban beaches, self-made by the Lliro family. Posidonia is a protected marine plant and appropriate permits have been requested.



全新的室内声学墙体由km0砖石建造而成，这种砖石也是由当地家庭工作坊制作，并且经过生物策略的加工。这些砖石为梯形，便于拱门的建造使用。就此而言，它们彼此如鱼鳞般叠加在一起，让墙体不那么平整，减少声音混响。

The new interior acoustic walls are made of km0 bricks, produced by a local family workshop and cooked with biomass. Usually, these bricks are made in the shape of a trapezoid to facilitate the construction of arches. In this case, they have been placed upright, such as fish scales, in order to disrupt the flatness of the walls and to prevent the acoustic reverb.





项目所需的材料如果无法在当地生产，那么建筑师就会选择低污染程度的替代品，例如FSC松木制品，亦或是来自西班牙Zaragoza 的“生态黏土”生土面板，这样能够防止铁皮屋面受到火灾的影响，经过研究证明了手工制品的重要性，这也表达了人工在科技时代的价值。

If the product required by the program is not produced locally, the less polluting option has been chosen, such as FSC-label pine woodworks or 'Eco-clay' raw earth-boards from Zaragoza (Spain) to protect the previous iron roof structure from fire. The wide range of construction techniques claims the importance of the handwork of all the people who have been part of the progress. The value of the hand in the age of technology.

















建筑设计：Aulets Arquitectes, Carles Oliver
地点：西班牙
类型：咖啡馆/音乐厅/适应性再利用
时间：2019年
摄影：José Hevia
合作方：Joris Meno
发起者：Familia Lliro

COFFEE SHOP, CONCERT HOUSE, ADAPTIVE REUSE
MANACOR, SPAIN
Architects: Aulets Arquitectes, Carles Oliver
Year: 2019
Photographs: José Hevia
Collaborator: Joris Meno
Promoter: Familia Lliro