© RYAN MURPHY
交互围墙——SOCIAL WORKS工作室
SOCIAL WORKS
INTERACTING FENCES
由专筑网亚森君，小R编译
Interacting Fences 是一个受“社交距离”启发的雕塑，在澳大利亚珀斯展出。 这是艺术家 Georgia Taylor-Berry和Jesse Taylor的处女作。该雕塑属于年度户外展览“海边雕塑 Cottesloe”，并获得了明德鲁基金会支持的首届海上艺术家雕塑奖。 Interacting Fences 预计将在 2021 年 3 月 5 日至 22 日期间接待 200,000 名游客。
Interacting Fences is a ‘social distance’-inspired sculpture on display in Perth, Australia. It is the debut artwork by artists Georgia Taylor-Berry and Jesse Taylor. The sculpture is a part of the annual outdoor exhibition, Sculpture by the Sea, Cottesloe, and was awarded the inaugural Sculpture by the Sea Artists Award supported by the Minderoo Foundation. Interacting Fences is expected to receive 200,000 visitors between 5-22 March, 2021.
© RYAN MURPHY
Interacting Fences鼓励互动、连接和交流，特别是在冠状病毒感染期间尤其有意义。这个雕塑是对目前存在于文化中的距离和分裂的一种表达，它通过安全的互动提供了一条前进的道路。
Interacting Fences encourages interaction, connection and communication, especially poignant during COVID times. The sculpture is a comment on the distance and division that currently exists within our culture, it offers a way forward through safe interaction and unity.
© RYAN MURPHY
© RYAN MURPHY
艺术家
Georgia Taylor-Berry是阿姆斯特丹Paul de Ruiter建筑事务所的建筑师。她和Jesse都在西澳大利亚的珀斯长大，都在那里学习建筑。Jesse现在住在洛杉矶，在那里他经营着自己的建筑和设计工作室，名为Social Works。他们积累的工作侧重于社会、环境和文化可持续性的交叉点。
The Artists
Georgia Taylor-Berry is an architect practicing in Amsterdam at Paul de Ruiter Architects. Both her and Jesse grew up in Perth, Western Australian where they both studied architecture. Jesse now lives in Los Angeles where he runs his own architecture and design studio called Social Works. Their accumulative work focuses on the intersections of social, environmental, and cultural sustainability.
© RYAN MURPHY
雕塑
由于COVID - 19的旅行限制，Interacting Fences来源于远程构思和执行，包括雕塑的制作和在珀斯开放。COVID – 19的流行和必要的社交距离做法是Interacting Fences的根源。这个雕塑模拟了人们通过手机、电脑或其他媒介所经历的物理距离上的互动。
The Sculpture
Due to COVID travel restrictions, Interacting Fences was conceived and executed remotely, including the sculpture’s fabrication and opening in Perth. The COVID pandemic and required social distancing practices are the geneses of Interacting Fences. The sculpture emulates the physically-distant interactions that we have experienced through our phones, computers, or over our fences.
© RYAN MURPHY
© RYAN MURPHY
© RYAN MURPHY
“通过将传统的刚性栅栏拉伸成一个面向内部的弧形，雕塑创造了一种低语墙的效果。使用者坐在栅栏的两端，虽然距离很远，但听起来很近，因为弧形将声音从雕塑的一端反射到另一端。”Georgia Taylor-Berry说，“作为设计师，关注如何让人们安全地聚在一起是很重要的一件事，尤其是在这样的时期。”
Jesse Taylor 解释说：“Interacting Fences 提供了一种与社会保持距离的交流工具，但这不仅仅是对 COVID 的反应。我们正在寻找方法，保证在独立的环境中促进人际交往。”
“By pulling and stretching traditionally rigid fencing into an arc that faces in on itself, the sculpture creates a whispering wall effect. Users sit at either end of the fence, physically distant, but audibly close, as the arc bounces sound from one end of the sculpture to the other,” says Georgia Taylor-Berry. “As designers it’s important to focus on how we can bring people together, safely, especially during these times.”
Jesse Taylor explains, “Interacting Fences offers a tool for socially-distant communication, but it this isn’t purely a reaction to COVID.
We’re looking at ways to increase human connection in a culture that continues to grow divided through its focus on ownership and privatisation.”
© RYAN MURPHY
© RYAN MURPHY
为此，“Interacting Fences”颠覆了澳大利亚郊区常见的波形围栏。它曾经是一种物理上有毒的产品，因为它含有石棉成分，文化隐喻也是如此，将建筑环境划分为公共区域和私人区域。
To that end, Interacting Fences subverts the iconographic corrugated fencing present across Australian suburbia. What was once a physically toxic product (due to its asbestos makeup), continues to be so culturally, through its demarcation of boundaries that divide stolen land into property, and splits built environments into areas of public versus private.
© JONATHAN MARSHALL
© JONATHAN MARSHALL
我们必须重新思考我们社会的意图，以及它将所有权置于人际联系之上的优先次序。Interacting Fences将熟悉和分裂的围栏转化为统一和共享经验的机制。
We must re-think the intention of our society and its prioritisation of ownership over human connection. Interacting Fences translates the familiar and divisive fence into a mechanism of unification and shared experience.
© JONATHAN MARSHALL
Jesse和Georgia相信我们的物理环境对社会的微妙而深远的影响，并通过他们的工作继续探索这些主题。 Interacting Fences 将在西澳大利亚州珀斯的“海边雕塑”Cottesloe展览中展出。
Jesse and Georgia believe in the subtle but profound effects of our physical environments on society and continue to explore these themes through their work. Interacting Fences will be on display in Western Australia, Perth during the Sculpture by the Sea, Cottesloe exhibition until the 22nd of March.
© BENJAMIN HORGAN
© BENJAMIN HORGAN
© BENJAMIN HORGAN
© BENJAMIN HORGAN
© BENJAMIN HORGAN
© BENJAMIN HORGAN
© BENJAMIN HORGAN
© BENJAMIN HORGAN
© BENJAMIN HORGAN
© BENJAMIN HORGAN
© SOCIAL WORKS
© SOCIAL WORKS
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