CarmodyGroarke的182椅子向经典的小酒馆座椅致敬
Carmody Groarke's Chair 182 nods to classic bistro seating

由专筑网王帅，李韧编译

总部位于伦敦的建筑工作室Carmody Groarke与设计师Joe Pipal合作设计了一款椅子，其灵感来自于20世纪早期用弯曲木材制成的小酒馆座椅。

London-based architecture studio Carmody Groarke has teamed up with designer Joe Pipal to produce a seat inspired by early 20th-century bentwood bistro chairs.

受二十世纪初由Thonet、Mundus和JJ Kohn生产的曲木小酒馆座椅的启发，Pipal和Carmody Groarke着手创造这种简单、舒适和轻巧的椅子。

Pipal and Carmody Groarke set out to create a chair with a simple, comfortable and lightweight form inspired by the early twentieth-century bentwood bistro chairs produced by Thonet, Mundus and JJ Kohn.

在设计师确定最终设计结果之前，他们先在Carmody Groarke工作室制作了一系列的样品。

A series of wooden prototypes were produced in Carmody Groarke's studio workshop before the designers arrived at the final form.

最终的设计名为“182”，椅子完全由着色的蜡制数控剪裁胶合板制成，并有红色和黑色两种版本，它们都有着自然光洁的完成面。结实的软木衬里柔性接头代替了螺丝钉将各个部分锚固。

设计人员解释说：“制作材料的选用会影响到椅子的形状设计、表现方式，甚至会影响作品的整体视觉效果和舒适程度。”

The resulting design, named Chair 182, is constructed entirely from stained and waxed CNC-cut plywood, and is available red and black stains as well as a natural finish. Robust, flexible cork lined joints are used in place of screw fixings.
"Choosing a material to work with affected the form that the chair has taken, how it performs and even the visual signals it offers as to how comfortable it is," explained the designers.

在推出作品182之前，Carmody Groarke成功完成了一系列餐厅项目，包括Studio East Dining和The Filling Station。

The launch of Chair 182 follows the completion of a series of successful restaurant projects by Carmody Groarke, including Studio East Dining and The Filling Station.

这个40多人的工作室今年完成的其他设计作品有Victoria & Albert博物馆的员工宿舍，这里也运用了这种椅子，以及为设计博物馆的年度设计展览所完成的室内设计，这是一个由喷水纸浆制成的洞穴状内部空间。

最近，该公司获得了伦敦帕丁顿的一座20层酒店大楼的规划许可，并透露了正在设计的两项工作：谢菲尔德公园山庄园的艺术中心，以及在苏格兰海伦斯堡的Charles Rennie Mackintosh的Hill House的玻璃装置。

摄影：Luke Hayes

Other designs completed by the 40-strong studio this year, include a top-lit members' room at the Victoria & Albert Museum – where the chair is used – and a cave-like interior made from sprayed paper pulp for this year's Designs of the Year exhibition at the Design Museum.
Most recently, the firm won planning permission for a 20-storey hotel tower in London's Paddington, and revealed that an art centre in Sheffield's Park Hill Estate, and a see-through hood over Charles Rennie Mackintosh's Hill House in Helensburgh, Scotland, are both in the works.
Photography is by Luke Hayes.

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