建筑设计:Estudio Fernandez-Vivancos + abalosllopis
地点:西班牙,卡斯特里翁省
设计团队:Enrique Fernandez, Vivancos Gonzalez, Ana Abalos Ramos, Pablo Llopis Fernandez
承包商:PIAF建设公司
发起人:Ajuntament de Benicassim
面积:2340平方米
年份:2009
摄影:Jose Manuel Cutillas
鉴于正在开发的是一个为0—3岁婴幼儿所设的托儿教育项目,这个项目的目的不仅仅是配备一个学习必须的环境。
同时也要保证营造一个庇护下的安静氛围,既可以休闲也适于教学。
组成的基本单位是两个房间一组围绕着服务和公共设施组成的区域,优化了托儿所的运营。这些小组围绕中央空间而建,一个有屋顶的广场,被分散的面对外部的院子的小亭子环绕着,组合形成一个游戏场,作为天井的补充。
环绕有顶广场的亭子的扇形排列将其从严格划分的逻辑之中解放出来,追寻一种与太阳东升西降的关联。
树木的存在和天井中的斜视角,达到可用空间中的最大可能的视觉焦点深度。
托儿所在城市中的设定是公共机构和儿童联合游乐广场,其体量设置,其空间结构和最新材料的运用,使它有可能作为一个受欢迎的室内空间而存在,让它的使用者与阳光、树木和内院景观得到充分接触。
特别鸣谢翻译一组9号 王一宁提供的翻译,译稿版权归译者所有,转载请注明出处。
Architects: Estudio Fernandez-Vivancos + abalosllopis
Location: Benicassim, Castellon, Spain
Design Team: Enrique Fernandez, Vivancos Gonzalez, Ana Abalos Ramos, Pablo Llopis Fernandez
Contractor: Construcciones PIAF
Promotor: Ajuntament de Benicàssim
Area: 2,340 sqm
Year: 2009
Photographs: Jose Manuel Cutillas
Given that a nursery education programme is being developed for children aged 0 – 3, the objective of this project is not only to fit out and equip the necessary space for learning, but also to ensure that a tranquil and protected atmosphere is created, suitable for both recreation and teaching.
The composition cell is defined as the unit made up of two rooms grouped around an area made up of service and communal installations, optimising the running of the nursery. These cells are located around a central space, a covered plaza, surrounded by separate small pavilions that open onto an exterior patio, that combine to form a play area that complements the patio.
The fan-like orientation of the pavilions around the covered plaza is a liberation from the strict logic of parcelling out, and seeks a link with the passing of the sun from east to west, the presence of trees and the oblique view to the patios to achieve the largest possible focal depth in the available space.
The urban setting of the nursery as a public facility and the associated children’s recreational plaza, with its volumetric configuration, its spatial structure and its usage of the latest materials, orientate it to the possibility of being lived as a welcoming domestic space, which puts its users into contact with the sun, the trees and the interior scenery. |
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