TAC！2024 年城市建筑节： 探索西班牙维哥的 Óscar Cruz García 和 Pablo Paradinas Sastre 展馆
TAC! Urban Architecture Festival 2024: Discover the Pavilion by Óscar Cruz García and Pablo Paradinas Sastre in Vigo, Spain

由专筑网王沛儒，小R编译

2024 年 7 月 14 日，美国馆 ¡Qué faena(r)！由Óscar Cruz García 和 Pablo Paradinas Sastre 设计，安装于维戈的太阳门广场，这是第三届 TAC 城市建筑节的两个获奖临时展馆。新一届城市建筑节的主题是公共空间和城市中心的复兴，这个提案将传统与创新相结合，让当地的生产者和工匠参与其中，同时重新利用废弃材料，如渔网、生锈的“bombos”、回收的木材，以及在海洋中完成使命后获得新生的花岗岩石块。

TAC！2024 年城市建筑节以临时展馆“¡Qué faena(r)!”拉开帷幕，它将当地传统、现代建筑和实验联系在一起。本次活动由住房与城市议程部（MIVAU）和 Arquia 基金会赞助，本届建筑节与维戈市政府合作，并得到了加利西亚官方建筑学院的支持。在“¡Qué faena(r)!”展馆项目中，Óscar Cruz García 和 Pablo Paradinas Sastre 从当地的捕鱼传统中汲取灵感，将传统的木制平台安装在海中用于捕鱼，还加入了与当地领土和当地经济相关的元素。

Until July 14, 2024, the pavilion ¡Qué faena(r)! ('What a Task!') by Óscar Cruz García and Pablo Paradinas Sastre will be installed at Puerta del Sol in Vigo, one of the two winning temporary pavilions of the third edition of TAC! Urban Architecture Festival. Reflecting on public spaces and the regeneration of urban centers as the main theme of this new edition, the proposal combines tradition and innovation, involving local producers and artisans during the process and simultaneously reusing materials considered waste, such as fishing nets, rusty 'bombos,' recovered wood from bateas, and granite blocks that gain a second life after fulfilling their mission in the sea.
TAC! Urban Architecture Festival 2024 starts with the temporary pavilion '¡Qué faena(r)!' connecting local tradition, young architecture, and experimentation. Sponsored by the Ministry of Housing and Urban Agenda (MIVAU) and the Arquia Foundation, this edition features a collaboration with the Vigo City Council and support from the Official College of Architects of Galicia. Through the '¡Qué faena(r)!' pavilion, Óscar Cruz García and Pablo Paradinas Sastre draw inspiration from the local fishing tradition of bateas, the traditional wooden platforms installed in the sea for fishing, along with an element related to the territory and its local economy.



展馆展示了建筑连接场地、人和实践的能力，设想了自然与人工、传统与中介之间的交汇。同时结合应用batea 的结构和来源于传统捕鱼系统的网状覆盖物，它既是一个景点，也是活动的临时休息所。Fran Millán 和 Frouma Atlantic Wood 的木工团队利用巴特亚的木材建造了展馆的结构，而由渔网制成的罩子则是由 Amalia Puga 与 A Guarda 的“Atalaia”Redeiras 协会共同制作。

Demonstrating the ability of architecture to connect territories, people, and practices, the pavilion envisions a meeting between nature and artifice, tradition and mediation. This is achieved through the structure of the batea and a net-like covering that references the traditional fishing system, serving as both an attraction and a shelter for activities. The carpentry team of Fran Millán and Frouma Atlantic Wood built the pavilion's structure using wood from the bateas, while the covering, made of fishing nets, was crafted by Amalia Puga along with the 'Atalaia' Redeiras Association of A Guarda (women dedicated to the creation and repair of fishing nets).



“faenar”一词的意思是“需要做的事情”，展馆的名称代表了它的功能性：它的batea结构，还能用作贝类养殖平台，这是维戈最常见的活动。此外，展馆下方的空间是一个长方形，上面有一块粉红色的花岗岩，代表了地质历史演变的自然片段，唤起了陆地与海洋、重力与风之间的对话。

Conceiving the word 'faenar' as 'something that needs to be done,' the pavilion's name represents its functionality: its batea structure and its use as a platform in the sea for shellfish farming, one of Vigo's most common activities. Additionally, the space beneath it comprises a rectangle with a pink granite block, representing a natural fragment of geological history and evoking the dialogue between land and sea, between gravity and wind.



艺术节结束后，“¡Que faena(r)!”就会将展馆迁至科乔海滩，作为一个休闲平台，延长其使用寿命，并循环利用其材料，帮助回收经常被遗弃在海床上的捕鱼工具。正如设计师所说，这个平台“研究传统的乡土建筑，将其重新解读并呈现在这片土地上”，同时 “与新的建筑实践建立了对话，将其作为一个具有新的地形、气候、社会、经济、人口和生产条件的公共空间变化的主要驱动力”。此外，这个提案还试图 “消除 faena（r）一词的负面含义，通过自然和人工，重新标识看不见的事物，并解构场地和城市之间的关系，探索语言作为媒介的局限性及其与记忆和现实的积极信息之间的关系”。

Once the festival concludes, '¡Que faena(r)!' aims to relocate the pavilion to Praia do Cocho as a recreational platform, extending its useful life and recirculating its materials, helping to recycle fishing elements that are often abandoned on the seabed. As its creators state, the pavilion 'studies the vernacular derived from tradition applied to a territory believed to be consolidated' and 'establishes a dialogue with new architectural practices as the main driver of change in a public space with new topographical, climatic, social, economic, demographic, and productive conditions.' Additionally, the proposal seeks to 'remove the negative connotation from the term faena(r), re-signifying the unseen and deconstructing relationships between o Mar de fora (territory) and o Mar de dentro (urban), through nature and artifice, exploring the limitations of the medium as language and its relationship with memory and the optimistic message of reality.'



第三届艺术节让维戈的太阳门广场变得更加热闹，这里举办了各种活动和展览，之后，艺术节将继续发展，在圣费尔南多市建造José Rodríguez和Carlos Montes González设计的临时展馆 La Sal，开放时间为今年 9 月 23 日至 10 月 14 日。此外，2025 年下一届主办城市的征集活动将于 9 月 10 日截止。

Compared to previous editions held in the cities of Granada, Valencia, and San Sebastián, this third edition will transform Puerta del Sol in Vigo into a meeting point for citizens until July 14 with various activities and proposals. Afterward, the festival will continue its reflection with the construction of the temporary pavilion La Sal by José Rodríguez and Carlos Montes González in the city of San Fernando (Cádiz), available from September 23 to October 14 this year. Additionally, until September 10, the call for selecting the next host cities for 2025 will be open.

















图片：Franzisco González