建筑师:Denise Macedo Arquitetos Associados
位置:巴西,MG,新利马
项目建筑师:Denise Macedo与Jr Piacesi合作
合作者:Patrlcia Takamatsu, Ana Beatriz Cancado, Renato de Pieri, Bárbara Impelizieri, Alexandre Vasconcelos
面积:1100平方米
年份:2010
摄影:Gustavo Xavier
Architects: Denise Macedo Arquitetos Associados
Location: Nova Lima, MG, Brazil
Project Architects: Denise Macedo, in partnership with Jr Piacesi
Collaborators: Patrlcia Takamatsu, Ana Beatriz Cancado, Renato de Pieri, Bárbara Impelizieri, Alexandre Vasconcelos
Area: 1,100 sqm
Year: 2010
Photographs: Gustavo Xavier
这个项目的概念从房屋的巨大感知趋势开始,这样的趋势会使房屋有一个沉思的空间。
The concept of this project started from the perception of huge tendency that this House would have as a space for CONTEMPLATION.
首先,房屋有庇护的目的,展现了相当多的当代艺术的集合。其次,由山谷和米纳斯吉拉斯州的蓝山勾勒出它的轮廓,环境上有着一种罕见的壮丽景观,这种环境应该被带入到室内的所有居住环境中,卧室,浴室,客厅,办公室,主要是厨房,因为厨房也是主人投入很大资金的地方。
First the House would have the purpose of sheltering and expose a considerable collection of contemporary art, and second, outlined by valleys and blue mountains of Minas Gerais, the environment is surmounted by a rare and spectacular landscape, which should be brought indoors in all their environments, bedrooms, baths, living rooms, Office, and mainly, the kitchen, because the cuisine is also focus of interest of the owner.
因此,这个项目应该参与并协调两个重要的需求:艺术展览所用砌砖墙的大面积,和玻璃外墙,这样可以使人们在房屋内就能看到外面的风景。因此,人们建造了一个画廊,深14米,双高6米,展示面积为190平方米。
Therefore the project should attend and harmonize two important needs: large area in brickwork walls for the exhibition of the arts, and facades with glass so that the external landscape could be seen in the House. Thus was created a gallery of 14 meters deep, and double height of 6 meters high, offering a display area of 190 square meters.
这张画廊照片的左侧墙壁被允许创造一个28米长的斜坡,促使人们可以在宝贵的艺术作品长廊内运动或步行,旨在体现非凡的景观外部框架。
The wall of the left side of this photo gallery 14metros has allowed the creation of a ramp with 28 meters long, promoting a movement and a walk surrounded by valuable works of art aimed at, and the extraordinary landscape external frameworks.
材料和外观的选择旨在体现简单和朴素的特点,对于主人来说很重要的人,主人会试图使其避免受到展览的作品和建筑痕迹的干预,有着这种前景的痕迹已经由铁矿石金属结构的表面颜色而划分出来,在这个附近是一个大的采矿场。为了避免干扰,人们选择了烧过的水泥地板,包括浴室和厨房中有着特殊涂料和被清洗过的白墙是没有涂层的。所有的墙面都刷着可丽耐,它模仿着墙壁,刷着白色漆的木作被构想出的意图不提倡在墙壁上突出显示出来,而是对它们的一个补充。
The choice of materials and finishes aimed at simplicity and plainness, characteristics important to the owner, couple seeking to avoid interference to the exhibition of works and architectural tracing, tracing this with prospects already very well demarcated by the apparent color of the metallic structure of iron ore, beside this region is a large mining site. To evade interference was chosen the burnt cement floor, and the white walls with special paint and cleaned, including baths and kitchen, do not have coatings. All sides are in white Corian, which mimic with the walls, and the carpentry in white lacquer, was conceived with the intention of not promoting the highlight on the walls, but complement them.
家具的定义都遵循着相同的概念,因此,在任何时候都不是和作品的一种竞争,而是在同时对烧过的水泥地面的一种辅助。所有的家具都因为颜色和设计的清新优雅而被选中,伴随着指导了整个项目的连贯性。
The definition of the furniture was guided by the same concept so that at no time does not compete with the work, but at the same time mimetizasse the cement floor burned. The pieces were chosen by the sobriety and elegance of color and design, following the coherence that has guided the entire project.
Plan 平面图
Plan 平面图
Section 局部图
Section 局部图
Section 局部图
Elevation 立视图
Elevation 立视图
Elevation 立视图
Elevation 立视图
特别鸣谢翻译一组4号 李鹤 提供的翻译,译稿版权归译者所有,转载请注出明处。
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