设计师：Anderson Lee
地点：顺德，佛山，广东，中国
设计者：Anderson Lee
设计团队：Yung Sai Chun, Bart Kwok, Ronnie Chui
面积：670平方米
年份：2012
摄影：Hunga Chan
• 中国，佛山，Anderson Lee事务所，住宅类项目
Architects: Anderson Lee
Location: Shunde, Foshan, Guangdong, China
Designer: Anderson Lee
Design Team: Yung Sai Chun, Bart Kwok, Ronnie Chui
Area: 670.0 sqm
Year: 2012
Photographs: Hunga Chan
设计师：Anderson Lee
• HousesSelected WorksAnderson LeeChinaFoshan
内容来自建筑事务所。客户想要在顺德的郊区建设一座小型的度假别墅。户主想用这个房子来展示自己收藏的Bruce Lee的纪念品，这位Bruce Lee的家族历史也可以追溯到顺德。
From the architect. The client wanted to build a small vacation house in the suburb area of Shunde, P.R.C. He would like to display his collection of Bruce Lee memorabilia, whose family history originated from Shunde as well.
这块梯形的地形，自西向东逐渐收小，用地面积是670平方米。这块地皮是唯一的居住社区内最后一块即将建造的土地。在地块的南侧边沿有显著的9米的地形高差，形成一处小型的“悬崖”。除此地外，都是一些两层的当地本土房屋以及现代的高层住宅。基地的北侧正朝着安静的居住小区的背面。
The trapezoidal site tapers out from the west to east totaling 670 square meters. It is the last parcel of land to be built upon for an exclusive residential community. There is a sharp terrain drop of over 9 meters along the south edge of the site, forming a miniature “cliff”. Beyond this point are two-storey vernacular houses and modern residential high-rises. The north side faces back to this tranquil residential community.
考虑到这座建筑既有短期的住宅功能（度假别墅）又有半开放的性质（展示的画廊），设计师将建筑的体量分为既分割开来又相互联系的两个部分。沿着基地的南边布置画廊的空间，形成一视觉上的锚的形态，并在前方设置景观花园的手法定义居住区的边界。考虑到展出的展品，大多都是珍贵的电影海报，这些海报对自然光线非常敏感，我们很小心地沿着深远的画廊布置创库，从而保证阳光能够精准地照入。与此同时，这些窗子也形成深远的视觉效果。
With the short-term accommodation (vacation house) and the semi-public nature (display gallery) in mind, the housing mass is divided into two distinctive yet connected parts. The gallery space is placed along the south to form a visual anchor to define the edge of this community with a landscaped garden in front. Since the displayed items, mostly the first- edition movie poster, are all very sensitive to natural lights, window openings are carefully placed along this telescopic gallery to allow natural light entering discreetly. The windows also frame distant views beyond.
毗邻画廊的部分是生活工作室。主卧能够俯视两层高的起居室，在起居室内可以直接走到花园之中。通过墙体的围合以及延长的混凝土体量形成的私密感使得花园的开放度得到控制。这里，是一处花园同社区的视觉上的缓冲。
Adjacent to the gallery is the living studio. The master bedroom overlooks the double height living room which provides direct access to the garden. The openness of the garden is somewhat balanced by a sense of enclosure and privacy from the elongated concrete mass, It is a visual buffer and back-drop for the garden and the community.
外部采用清水的木板和混凝土来体现Bruce Lee的一个重要思想：“没有规则就是规则，没有限制就是限制。”
Exterior is of raw board-form fair faced concrete to reflect Bruce Lee’s fundamental belief in “being no rule is the rule; being no limit is the limit.”
