RB House
由专筑网刘政和，杨帆编译
这所房子是为满足一个作为收藏家的年轻继承人的雄心和生活需要而建的。场地紧邻Graciosa乡村俱乐部，这是城市中最高档的高尔夫俱乐部。它的特殊性：尺寸、格式、规范、附近建筑的形状和基地条件等都是影响设计的因素。
This house corresponds to the ambitions and life project of a young heir and collector. The site, exhaustively searched, is located beside Graciosa Country Club, the most exclusive club with the golf course most centrally located in the city. Its particularities: dimensions, format, legislation and neighborhood shaped and conditioned several design decisions.
© Alan Weintraub
© Alan Weintraub
房子用于大型聚会和招待会的空间也是整个建筑设计的核心。
The idea of a house for large parties and receptions would also be central in the development of the project.
© Alan Weintraub
用钢筋混凝土来建造房子完全是出于办公室的需要，在这个项目中，建筑师选择展现一个坚实的建筑体量，而不是受传统风格的影响。
The house entirely built with reinforced concrete was a proposal of this office, which saw in this project an alternative to a powerful architecture for its volume and without the conventional stylistic concessions.
Plan/平面图
对于这个项目所需的建筑面积，1200平方米的基地是相对较小的，而且三角形的地形并不利于建筑设计的展开。高尔夫球场的狭长围墙使得房子只有在二楼才能获得较好的视线。由于各种关系，项目在垂直交通方面的布置也比较困难，其中最重要的是客户的要求：创造最大的高尔夫球场的观景点。
在这种条件下，建筑的主要功能只能从二楼开始布置。
The site of 1200m2 was relatively small for the large program to be installed, and the triangular shape with one side in an arch did not facilitate the design of the building. A narrow strip of maintenance sheds of the golf course along a high wall would only allow the desired views from the second floor of the house. The vertical guideline of the project came from the relationship between the difficulties presented by the lot, together with the most important requirement of the client: to make the most out of the views of the golf course.
This way, the main uses only happen from the second floor of the building.
© Alan Weintraub
房子占据了五层，首层和二层的功能包括：接待、中庭、车库、服务、员工公寓和设备间，同样包括一个独立的入口广场连接到住宅和私人收藏画廊。
The house consists of five floors - the groundfloor and four more. The ground and the first floors were intended to: accesses, patio and car shelter, services, staff apartments and facilities, and with an independent entrance from the same square that accesses the house, the gallery for the private collection.
Section/剖面图
画廊空间并不包含在项目的调整范围内。艺术品主要是被安装在不同的空间内。然而，由于第一层有很多功能，包含大型艺术品的收藏，我们认为建立一个画廊是一个很好的建议。因此，展览空间被置入一个“T”形的通高空间内，用“T”形空间的一翼来留给原本用于雕塑展览和水庭院的墙壁之间的小花园。画廊上方覆盖了屋顶花园，重新塑造了这个两层高的建筑基地，也从房间和玻璃盒子内的大厅向外提供了一个草坪区域。
The gallery space was not included in the inicial scope of the project. The main idea was to install the artworks among the different spaces of the residence. However, due to the surplus of areas in the first floors and the inclusion of large scale art pieces to the collection, we thought it would be good to suggest the creation of a gallery, idea that was rapidly absorbed by the client. Thus, the exhibition space was intalled in a "T" shape plan with double-height ceiling, with one leg of the "T" reserved for a garden between walls, planned for sculpture exhibitions, water mirror and water garden. The coverage of this gallery, a roof garden, recreates the site two floors above the ground , providing a grassy area accessible from the floor of the rooms and from the main hall installed in a glass box.
© Alan Weintraub
当代艺术收藏始于20年前，当时甲方要我们来设计他的第一套公寓。我们开始与80年代的当地艺术家展开了一系列合作。第二年，这座房子就已经收藏了一系列享誉全球的艺术品，并成为当地的一个博物馆，其主人也成为巴西重要的艺术家兼商人。
The contemporary art collection began to be formed twenty years ago, when the owner assigned us to design his first apartment. We started with a series of local artists from the 80s generation. In the next years the collection has housed a series of artists with national and international scope, and has became a reference to local museums and important Brazilian artists and marchands.
© Alan Weintraub
这座约1750平方米的房子，是为一对夫妇和他们的两个女儿设计的。
在首层的车辆入口处，一个没有墙壁的玻璃盒子覆盖的大型广场形成了大厅的入口，(也可以作为那些从房子的后面进入的汽车入口)，同时也是私人艺术画廊的入口。有三种不同的方式可以进入更高的楼层：电梯、坡道和楼梯。
The house, of approximately 1750m2, was designed for a couple and two girls.
On the groundfloor, apart of the vehicle access, a large square partially covered by the glass box with no walls and monumental proportions is the access to the main lobby, (also accessible for those who come by car from the back of the house), and to the private art gallery. The four upper floors can be accessed in three different ways: by lift or ramps to the main areas, and by stairs to the service areas.
© Alan Weintraub
© Alan Weintraub
从一楼的大厅，继续去往二楼，我们可以看到铺装着洋红色木制品的房间，且有着观看高尔夫球场第一全景视野的26米长的窗户和进入秘密花园的入口。这其中包含3种檀木，这是一种从大西洋Brazailian运来的原生树。这地板用于儿童房和客房的铺装，满足日常使用的主要厨房还连接其他两个带有货运电梯的厨房，并且有第四个厨房供员工使用。
From the main lobby on the groundfloor, we go up two floors to access the level with the rooms separated by the magenta woodwork, ripped by a ribbon window of 26 meters long with the first views of the golf course and access to the secret garden. This one contains 3 species of Pau-Ferro (Caesalpinia Ferrea), a native tree from the Brazailian Atlantic Forrest. This floor is dedicated to the daughters rooms, the guest room, and the rooms that accomodate daily uses such as the main kitchen of the house, which connects itself with the other two kitchens by a freight elevator . There is still a fourth kitchen for staff use.
© Alan Weintraub
© Alan Weintraub
三楼拥有更大的空间，能用于更大的家庭聚会和大型招待会。通高的玻璃盒子通过大型混凝土砌块挑出，一端面向高尔夫球场，另一端面对城市地平线。这层楼还设有主人套房，提供包含外部楼梯的秘密花园、屋顶游泳池、待客厅与高尔夫球场的观景台。
The third floor contains the larger spaces and it is the floor dedicated to the bigger family interactions and large receptions. It is the floor with the double-height glass box, which runs transversally through the large concrete block, poring over the golf course in one end and facing the city skyline at the other end. This floor also houses the master suite of the house, with access to the secret garden containing the external staircase to the rooftop swimming pool, and access to the side terrace with views of the golf course.
© Alan Weintraub
第四层包含在白天使用的交际和家庭活动场所，如甲板、游泳池、休息室和酒吧，可以尽享高尔夫球场的景观，还可以进行桑拿和烧烤。泳池边缘铺设了由艺术家Ridolfi设计的玻璃马赛克图。它被分解、拆卸再装盒，最后在圣保罗和库里提巴安装。内部空间包含两个玻璃盒子之间的夹层，放置了工作台DJ和舞池。
The fourth floor accomodates the social and family activities for daytime use, such as deck and swimming pool, lounge and bar, all of them with broad prospects of the golf course, plus sauna and kitchen with barbecue grill for lunch. The pool is covered in glass mosaic from an original drawing by the artist Paolo Ridolfi. It was executed, disassembled and boxed in São Paulo and brought to Curitiba for its final installation. The internal space, in the mezzanine between the two voids of the glass box, houses a table for a DJ and a dance floor.
© Alan Weintraub
通过优先采用的钢筋混凝土制成的体块来塑形，以保证其质量，在这里有循环隧道的坡道和主体建筑的垂直楼梯，这些设计使立面表现出一种贯穿建筑物的循环系统。
The plastic language adopted prioritized the volumetry of solid blocks made out of reinforced concrete in a work of additions and subtractions of masses, where the circulation tunnels of the ramps and the vertical circulation volumes of the stairs rip the main body of the building, causing the facades to be represented by the circulations that run through the building.
© Alan Weintraub
有更多的体量和雕塑的正立面用一些开口来应对悬空的透明玻璃盒子，它覆盖了三层楼高的入口广场。这里就是两个不锈钢门的所在地（一个可以进入房子而另一个进入私人美术馆），其后是一个12米高的U型玻璃的外包层。
The front facade, more volumetric and sculptural, has few opennings as opposed to the glass box, aerial and transparent, which covers the triple-height entrance square. This is where the two stainless steel doors are - one to access the house and the other to access the private gallery - with the background of a 12 meters high U-glass cladding.
© Alan Weintraub
体量更灵动的背立面更加外向渗透，它通过基地的形状、比例和城市建筑规范来进行约束，涵盖了几个开口和有着良好景观的平台。
The rear facade, more extroverted and permeable, is volumetrically more stirred, conditioned by the shape and proportions of the site and by the urban legislation. It includes several openings and terraces for a better integration with the landscape.
© Alan Weintraub
被选用的家具包含了从以前的房屋所有者那里得来的国际家具和受巴西版权保护的由二十世纪主要设计师和现代设计师设计的现代主义家具。
The proposed furniture, also understood as a collection, is a mix of international furniture brought from the previous houses of the owners, and a collection of Brazilian copyrighted modernist and contemporarty furniture, created by leading architects and designers of the twentieth century and the present generation.
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
© Alan Weintraub
Plan/平面图
Plan/平面图
Plan/平面图
Plan/平面图
Plan/平面图
Plan/平面图
Plan/平面图
Plan/平面图
Plan/平面图
Plan/平面图
Plan/平面图
Section/剖面图
Section/剖面图
Section/剖面图
© Alan Weintraub
建筑设计：Marcos Bertoldi Arquitetos
地点：巴西
建筑面积：1750㎡
项目年份：2012年
摄影：Alan Weintraub
结构：Tramo Sociedade Civil Estruturas
建造：Construtora Greenwood
基金：Escoll Engenharia de Solos e Concreto
电力：Promeki Projetos Eletricos
水利：Barsch Engenheiros Associados
空调设备：IMPERPAR (ar condicionado DAIKIN)
场地面积：1233㎡
建筑面积：1750㎡
Architects: Marcos Bertoldi Arquitetos
Location: Cabral, Curitiba - State of Paraná, Brazil
Area: 1750.0 sqm
Project Year: 2012
Photographs: Alan Weintraub
Structure: Tramo Sociedade Civil Estruturas
Construction: Construtora Greenwood
Foundations: Escoll Engenharia de Solos e Concreto
Electrical: Promeki Projetos Eletricos
Hydraulics: Barsch Engenheiros Associados
Conditioning: IMPERPAR (ar condicionado DAIKIN)
Site area: 1233 m²
Project area: 1750 m²
出处：本文译自www.archdaily.com/，转载请注明出处。
|
|
