Politeama Theatre
由专筑网李梦婷，韩平编译
目标
由于需要创建新的建筑（自助餐厅、行政管理、厕所、员工区域等等）和改变交通布局以提供普遍可达性，并将狭小的公共区域的空间感扩大一倍。新大楼与现存的建筑以复杂的方式相关联。首先，它承认剧院建筑的主体地位，并采用其设计形式：材料和颜色、 建筑高度和周边组件的高度，建筑外立面和虚实关系都与原建筑保持一致。然而，新老建筑之间还是产生了对立的关系：老建筑的厚重与新建筑的轻盈对比强烈。前者以石头为特色，后者是以纸为特色。新建筑的基地被延续了剧场材料和剧场美学的墙包围着。
OBJECTIVES
As a result of the need to build a new front of house (cafeteria, administration, restrooms, staff areas, etc.) and to change the circulation layout to provide for universal accessibility, the spatial perception of constricted public areas was doubled. The new building associates with the existing one in a complex manner. First, it acknowledges the primary role of the theater building, and takes from it its design guidelines: material and color, its own height and the height of its formal components, how its façade aligns, and the leading role of solid over hollow. However, this relationship is strained by opposites: the weight of the older building contrasts with a light construction that disregards massiveness while choosing planes that join together following the logic of an origami. While the former’s genetic memory features stone, the latter’s one features paper. The plot of land for the new building had been surrounded by a wall that replicated the material and the esthetics of the theater. What ensued shows a contemporary sensitivity that – as expressed by Solá-Morales - waves from resemblance to analogy.
© Diego Villar
Courtesy of Estudio Lorieto-Pintos-Santellán & © Pablo Pintos
背景
巴勒莫剧院是卡内洛内斯（人口为100000的同名首都城市）的主要文化中心。它始建于 1921 年，60 年来，这里不仅仅有艺术和体育赛事，也是马戏团表演的场地。由于正常磨损以及一些不明智的建筑干预，在经过多年的逐步恶化后，巴勒莫剧院在 2012年关闭了。为了恢复和促使剧院能变成了一个文化综合体，当地政府即剧场的业主决定进行招标。因此，不仅要恢复建筑围护结构，还要完成关于舞台，观众和服务等服务设施的设计。相对原始项目增加了的多功能空间（用于排练和规模较小戏剧、或者音乐表演） 、 教室、 行政、 指导和工作人员辅助办公室，以及一个自助餐厅。此外，这些改造还包括重新设计交通布局和服务设施的位置，以保证整个综合体的可达性。巴勒莫文化综合体在2014 年 9 月 19 日重新开放，总共建设了八个月。
CONTEXT
Teatro Politeama is the main cultural center in the City of Canelones (Capital City of the homonymous Department, pop. 100 000). It was built in 1921 to become, for 60 years, the venue not only of arts and sports events, but also of circus performances. Teatro Politeama was closed in 2012, after years of progressive deterioration caused by normal wear-and-tear added to some ill-advised architectural interventions. The local government, owner of the building, then decided to call for tenders in order to recuperate and complement the theater for it to turn into a cultural complex. Therefore, not only was the building envelope restored, but several requalification operations were performed concerning stage, audience and services. The original project was supplemented with a multi-purpose area (for rehearsals and smaller-scale drama or musical performances), classrooms, administrative, direction and staff support offices, as well as a cafeteria. Furthermore, these actions included redesigning the circulation layout and the services location, in order to provide for universal accessibility in the whole complex. The Politeama Cultural Complex reopened on September 19, 2014. Construction took eight months.
© Diego Villar
Sketch/草图
Courtesy of Estudio Lorieto-Pintos-Santellán & Pablo Pintos
表现
重新开放以来，巴勒莫文化综合体表现了强大的活力。各种活动设计不同的领域 ︰ 音乐、 舞蹈、 戏剧、 学术和社交活动等等，常常满员。至于教育，它主要依靠国家舞蹈学校这个机构（一个永久的剧团和一所音乐学校的一个分支）。随同剧场建筑的改造带来了一些公共领域的改进，例如街道成为了半步行道路，作为周边广场延伸。在综合体的对面是另一个处于危险情况的历史建筑，虽然如此然就也主办了音乐会，例如器乐或抒情音乐会。基于巴勒莫剧院的成功，已经宣布这座建筑将进行翻新。一旦这成为现实，卡内洛内斯将会有一个在同一维度与区域范围内保持一致的文化中心。
PERFORMANCE
Since it was reopened, the Politeama Cultural Complex has shown great vitality. Programming has been very busy in all its different areas: music, dance, theater, academic and social activities, etc., most often filled to capacity. As to education, it hosts a branch of the National Dance School, a permanent theater troupe, and a music school. Along with reclaiming the theater building came the improvement of some public areas, e.g. the street became semi-pedestrian, as an extension of the neighboring square. Opposite the Complex stands another historical building in precarious conditions, which nonetheless hosts music classes, both instrumental and lyrical. Based on the success of Teatro Politeama, it has been announced that this building will be refurbished. Once this becomes a reality,Canelones will have a Cultural Center of a dimension consistent with regional scale.
© Diego Villar
Courtesy of Estudio Lorieto-Pintos-Santellán
© Pablo Pintos
Courtesy of Estudio Lorieto-Pintos-Santellán
Courtesy of Estudio Lorieto-Pintos-Santellán
Sketch/草图
Sketch/草图
Plan/平面图
Plan/平面图
Plan-Section/平面图-剖面图
Plan-Section/平面图-剖面图
建筑师：Lorieto-Pintos-Santellan 建筑师研究所
地点：乌拉圭, 卡内洛内斯省,托马斯•贝雷塔
总建筑师：Conrado Pintos, Victor Lorieto, Luis Santellán
创始人：卡内洛内斯省的市政监政区
面积：600㎡
摄影：Pablo Pintos, Diego Villar,由Estudio Lorieto-Pintos-Santellán提供
结构工程师：Ing. Carlos Scoseria
空调和消防工程师：Ing. Luis Lagomarsino
卫浴工程师：Pablo Richero
MEPF工程师：Walter Riveiro
声学：Arch. Gonzalo Fernandez
Architects: Estudio Lorieto-Pintos-Santellán arquitectos
Location: Tomás Berreta, Canelones, Canelones, Uruguay
Architects in Charge: Conrado Pintos, Victor Lorieto, Luis Santellán
Author: Intendencia Municipal de Canelones
Area: 600.0 sqm
Photographs: Pablo Pintos, Diego Villar, Courtesy of Estudio Lorieto-Pintos-Santellán
Structural Engineer: Ing. Carlos Scoseria
Air Conditioning and Fire Protection Engineers: Ing. Luis Lagomarsino
Sanitary engineer: Pablo Richero
MEPF engineer: Walter Riveiro
Acoustics: Arch. Gonzalo Fernandez
出处：本文译自www.archdaily.com/，转载请注明出处。
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