Christ & Gantenbein completes new monochrome building for Kunstmuseum Basel
由专筑网Ann，刘庆新编译
瑞士事务所Christ & Gantenbein为巴塞尔艺术博物馆新建了一个画廊，建筑立面材质呈渐变色的青砖，内部设计了一部巨大的大理石楼梯。
Swiss firm Christ & Gantenbein has added a new gallery building to the Kunstmuseum Basel, featuring a graduated grey-brick facade and a monumental marble staircase .
画廊于本周末正式开放，为博物馆增加了逾3000平方米的画廊空间和活动空间，该博物馆承办的展览是瑞士最重要的艺术收藏展会之一。
Opening to the public this weekend, the addition provides over 3,000 square metres of new gallery and events space for the museum, which houses one of the most important art collections in Switzerland.
Christ & Gantenbein——早在2009年，在包括扎哈哈迪德和安藤忠雄在内的建筑大师们之前，就被委托设计这一项目——委托人希望新建建筑充满现代感，同时能够与上世纪30年代所建的主体建筑 “产生对话”，使新老建筑隔街相对，和谐统一。
Christ & Gantenbein – who was selected for the project in 2009, ahead of architects including Zaha Hadid and Tadao Ando – designed the building to be contemporary, but to also "speak the same language" as the main 1930s building, which is located across the street.
为了实现这一点，建筑师在设计中控制建筑尺度，在比例上与周边建筑相互协调。
屋顶高度相同，开窗形式匹配，青砖与石质材料相互补充，相得益彰。
To achieve this, the architects developed a design that mimics the scale and proportions of its neighbour.
The roof level is identical, window heights match, and the grey brickwork complements the monochrome stonework.
新老建筑在细节上有所不同。画廊采用简约光洁的入口空间替代了富于装饰的建筑立面。
主建筑成排的窗户井然有序，而新建建筑开窗较少。
The differences are in the details. Instead of a decorative arcade, a simple glazed wall forms the entrance.
And while windows on the main building form an ordered grid, on the new building they are added more sparingly.
Christ & Gantenbein表示：“我们不认为新建筑是主体建筑的复制品或仿制品，而把它当做一幢真正的现代建筑，一幢具有前瞻性的艺术馆，能够容纳全新的艺术形式并参与其中。”
"We understand it as neither a repetition nor a copy of the main building, but rather as an emphatically contemporary, forward-looking building capable of accommodating completely new forms of art and the engagement with it," said Christ & Gantenbein.
深浅不同的青砖打破了砖砌建筑的单调，整体呈现出柔和的颜色渐变。
自承重墙体凹陷的沟槽中设置了LED灯，能够拼写出馆内正在承办的展览主题并对外展示馆。
Different shades of grey break up the monotony of the brickwork, forming a soft graduation from dark to light.
These self-supporting walls integrate strips of LED lights, sunken into a series of grooves, which can be used to spell out the names of current exhibitions.
建筑师解释道：“雕饰是一种典型的建筑装饰形式，通常出现在传统建筑上，但在这里，它被赋予了新的意义。”
“古朴的砖石建筑表面发出淡淡的光，形成一种视觉上的刺激，充满新奇感。”
"The frieze, in its archetypal form, has always been part of the traditional architectural canon, but in the form it takes here it represents something quite new," explained the architects.
"The result is a visually stimulating effect as the archaic-looking masonry begins to shine or, at a lower power setting, to glow."
入口大厅的休息处，像一个欢迎的手势，同时与主建筑遥相呼应。
建筑共有四层，三层位于地上，另一层为地下空间，各层之间通过中央楼梯彼此相连，这里被建筑师描述为“自由且极具表现力的空间场所”。
Other nods to the old building include a recessed corner, envisioned as a gesture of welcome, that frames the entrance forecourt.
Inside, the building comprises four public floors – three above ground and one below. These are all connected by the central staircase, which the architects describe as a "free and expressive figure in space".
楼梯踏步采用了拥有灰色纹理的卡拉拉大理石， 墙体为粗糙的灰石膏墙，在屋顶部分，设有一个弧形天窗，为四层的室内空间带来自然光线。
把楼梯底层的空间进行延伸，穿过街道与主体建筑相连。
Grey-veined Carrara marble provides the staircase treads, and the walls are finished in roughly scraped plaster. Overhead, a round skylight allows daylight to filter all the way down to the basement.
At the base of the staircase, the space extends out beneath the road to provide a connection with the main building.
设计团队表示：“事实上，连接新老建筑的空间与其说是地下通道，不如说是一个宽敞的开放空间，引导人们进入主体大厅，把休息厅、画廊、舞台、实验空间、礼堂和各种功能空间融为一体。”
"The actual connection between the main and new buildings beneath the road is not so much an underpass as an ensemble of large open spaces leading into a generous hall that is foyer, gallery, stage, experimental space, auditorium, and function room rolled into one," added the team.
画廊空间大小各不相同，但都是矩形空间。
每层有两个主要空间，都拥有橡木拼花地板和裸露的混凝土天花板横梁。
The galleries themselves vary in size, and are all rectangular in shape.
There are two main spaces on each floor, featuring oak parquet flooring and exposed concrete ceiling beams.
Christ & Gantenbein补充道：“平均而言，新建筑内的画廊空间比起主建筑更加宽敞、更加灵活，但依然符合传统审美对博物馆空间的预期，沉静内敛，比例和谐，材料经久耐用。”
“这些空间均以内部展示的艺术品为中心。”
"On average, the galleries in the new building are a good deal larger and hence more flexible than those in the old building, while still hewing to classical expectations of what museum spaces should be like: serene and restrained, agreeably proportioned, and made of timeless materials," added Christ & Gantenbein.
"These are spaces that allow art to take centre stage."
巴塞尔博物馆主建筑的设计师是斯图加特建筑师Paul Bonatz和巴塞尔建筑师Rudolf Christ，Rudolf Christ也是Christ & Gantenbein事务所联合创始人Emanuel Christ的叔祖父。
The Kunstmuseum Basel's main building was designed by two architects – Paul Bonatz from Stuttgart and Basel-based Rudolf Christ, who is in fact the great-uncle of Christ & Gantenbein co-founder Emanuel Christ.
Christ和搭档Christoph Gantenbein在受到画廊项目的委托时，在国际上还鲜为人知，直至完成了苏黎世国家博物馆扩建项目之后，才渐渐被人所了解。
他们也参加了墨西哥哈利斯科州鲁塔德尔.佩雷休息站项目的建设，该项目的建筑师均为国际建筑设计团队。
Christ and partner Christoph Gantenbein were relatively unknown internationally when they won the commission for the building, but have since completed a new wing for the National Museum Zurich.
They also were part of the star-studded lineup of architects involved in the Ruta del Peregrino project in Jalisco, Mexico.
新建画廊和经过翻修的主建筑将在本周末一起对外开放，展览主题为二战结束至今这段时期的雕塑艺术作品。
Both the new building and the refurbished main building officially open to the public this weekend with the exhibition Sculpture on the Move, dedicated to sculpture from the end of the second world war up to the present day.
基地概况/Site plan
负一层平面图/Basement plan
一层平面图/Ground floor plan
二层平面图/First floor plan
三层平面图/Second floor plan
横剖面图/Cross section
纵剖面图/Long section
项目介绍：
委托人：巴塞尔行政区城市建设与交通部门，Städtebau & Architektur, Hochbauamt
使用者：巴塞尔行政区管辖事务部，巴塞尔博物馆
项目合作：ARGE Generalplaner KME Basel, Christ & Gantenbein/Peter Stocker
建筑设计：Christ & Gantenbein
总承包商：Peter Stocker
施工管理：FS Architekten
结构工程：ZPF Ingenieure
建筑设备：Stokar + Partner
Project credits:
Client: Construction and Transport Department of the Canton of Basel-Stadt, Städtebau & Architektur, Hochbauamt
User: Department of Presidential Affairs of the Canton of Basel-Stadt, Kunstmuseum Basel
Project consortium: ARGE Generalplaner KME Basel, Christ & Gantenbein/Peter Stocker
Architecture: Christ & Gantenbein
General contractor: Peter Stocker
Construction management: FS Architekten
Structural engineering: ZPF Ingenieure
Building services engineering: Stokar + Partner
出处：本文译自www.dezeen.com/，转载请注明出处。
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