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卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第1张图片

Mohamed Amine Siana combines flat planes and wavy walls at Villa Z in Casablanca

由专筑网Yumi,刘庆新编译

建筑师Mohamed Amine Siana在卡萨布兰卡完成了一栋住宅,它具有雕塑般的外观,作为现代主义建筑的当代更新,被发现在摩洛哥的城市中。

Architect Mohamed Amine Siana has completed a house in Casablanca, featuring a sculptural exterior intended as a contemporary update of the Modernist architecture found across the Moroccan city.

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当地的Siana事务所在紧凑的城市基地上设计了Villa Z,只有15平方米。

该建筑朝西,使它尽可能地暴露在夕阳下,但这个方向也意味着它直接看向大道。

Locally based Siana designed Villa Z for a tight urban plot measuring just 15 square metres.
The building faces west to optimise its exposure to the evening sun, but this orientation also means it looks directly onto a large avenue.

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“在住宅中,客户想获得开敞的感觉,而且免受来自街区人们的视线,”Siana告诉Dezeen。“因此,在一个开放和明亮的建筑中,这是介于客户需要的隐私和自我信仰之间的挑战。”

"The client wanted to have an open feeling in a house that is protected from the sights of neighbourhood," Siana told Dezeen. "So it was a challenge between the client's need for privacy and my belief in an open and light architecture."

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为了实现客户期望的隐私,从街上看到的立面形成了几乎完全不透明的表面。这些曲线内向地形成了一系列的开口,包含隐藏的门窗。

To achieve the desired level of privacy, the elevations that are visible from the street are formed almost entirely of opaque surfaces. These curve inwards to form a series of openings containing concealed doors and windows.

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房屋的总体量其实来自于一个立方体,但是溶解成了围绕着边缘的平坦表面。

“我主要的目的是从立方体的观念中出发去回答客户的规划和习惯,并找到最好的方法来保护其隐私,同时住在该建筑内的人能免受前方大街上繁杂的噪音,”Siana说。

The house's general volume was actually derived from a cube, but dissolves into planar surfaces around the edges.
"My principal intention was to go out from the cube perception to answer the client's programme and routine, and to find the best way to preserve privacy and protect the project from the noise of the prominent front avenue," Siana said.

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简洁的白色表面参考现代主义建筑,这是卡萨布兰卡城市肌理的一个明确特征。

目的是借鉴传统的摩洛哥文化同时带来这些最新的参考,创造更适合当代生活的设计。

The simple white-rendered surfaces reference the Modernist architecture that is a defining feature of Casablanca's urban fabric.
The intention was to draw on traditional Moroccan culture but bring these references up-to-date to create a design more suited to contemporary living.

卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第7张图片

“该项目是一种经验,尝试为摩洛哥新的生活方式开发实用空间,”Siana解释说,“一种文化困境在隐私和当代开放的生活方式之间。”

"The project is an experience which tries to develop practical spaces for the new way of Moroccan life," explained Siana, "a cultural dilemma between privacy and the contemporary opened way of life."

卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第8张图片

从街上望来,大门开向一条小径,通向包含在凹陷的间隙中的入口,它在弯曲的墙壁之间。

入口通向一个开放式的起居空间,以玻璃推拉门为高潮。它们把这间房间与环绕在室外泳池周围的露台区域相连。

From the street, a gate opens onto a pathway leading to an entrance incorporated in a recessed gap between the curving walls.
The entrance leads to an open-plan living space that culminates in glazed sliding doors. These connect this room with a decked area surrounding an outdoor pool.

卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第9张图片

房屋的背立面在两层上都包含大窗户。

这是可调节的,因此这些玻璃表面朝向泳池和花园,而远离周围的街道。

The rear of the property contains large windows on both levels.
It is cranked so these glazed surfaces face inwards towards the pool and garden, and away from the surrounding streets.

卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第10张图片

被动的解决方案被用来提供自然照明和整个建筑中的通风。

这些措施包括添加一个大的圆形天窗,有助于把日光带到房子的中心。

Passive solutions are used to provide natural lighting and ventilation throughout the building.
These include the integration of a large circular skylight that helps to bring daylight into the centre of the house.

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卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第12张图片

屋顶光的形式回应了使用在外表面上圆润的形状。通过其他的圆形开口被补充在天花板上,包含隐藏光源。

摄影:Doublespace Photography

The form of the roof light echoes the rounded shapes used across the external surfaces. It is complemented by other circular openings in the ceilings that contain concealed light sources.
Photography is by Doublespace Photography.  

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卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第17张图片

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卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第20张图片

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卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第22张图片
Ground floor plan/底层平面图

卡萨布兰卡的Villa Z住宅/Mohamed Amine Siana第23张图片
First floor plan/二层平面图


出处:本文译自www.dezeen.com/,转载请注明出处。

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