沙漠住宅的室内研究专题
Desert Abstract Interior Studies

由专筑网李韧，王帅编译

这组图像是沙漠住宅的内部空间，我偏爱极简的色彩与材质的表达，因此我希望通过本次研究来改变一些思维方式。同时，外部空间渲染需要更多的严谨性与细部表达，因此我希望内部的空间构图能够给大家带来一些乐趣。另外，在极简图像的表达中，如果能够增加一些细部纹理，则可以有效地提升画面的质感。以下是图像的分解表达：

I decided to go abstract with this latest post. With this set of illustrations, I have been studying the interior spaces of the Desert House. I tend to prefer interiors with minimal color and material, so I generated these studies as a way to force me out of that way of thinking. Also, the exterior renderings were a little more serious and detailed, so I wanted to switch things up and have a little fun with these. One thing about minimal images is that inserting just a little texture can really change the reading of the illustration. In this case, just a hint of plaster texture on the walls gives the images a painterly quality. Below is a quick break down of one of the images.


1、V-Ray基础渲染

在进行V-Ray基础渲染时，我只是运用了一些简单的色彩，后期，我在PS中还会调整这些色彩。

1. V-Ray Base Rendering
For the V-Ray base rendering, I simply applied some colors close to what I was looking for knowing that I would tweak them later in Photoshop.

V-Ray渲染中的材质ID对我来说非常重要，因为它能够让我进行快速地选择。每个颜色都代表了一个区域，这个区域在后期PS处理中能够呈现出特别的颜色。在这篇文章中我会着重谈论材质ID。

The Material ID that rendered out of V-Ray was crucial for me to make fast selections. Each color represents a zone that will take on a very specific color in Photoshop. I have talked about Material ID in more depth in this POST.


2、添加色彩

接下来，我选中每个不同区域的颜色，然后在PS中为它们单独创建图层蒙版，这样我就能够自由地控制单个色彩。在上图中，我对中央的粉色区域进行了调整，让其亮度和饱和度变得高一些。在这些图像的表达中，我不想过于让图面看上去过于写实，因此我弱化了一些阴影。

2. Add Color
Next, I took each zone of color and created a mask of that specific area in Photoshop so that I could dial in the color. In the image above, I adjusted the center pink zone to be lighter and more saturated. I wasn’t trying to be realistic so I wasn’t concerned about washing out the shadows a little bit.

在我对每个色彩区域都进行适当的调整之后，最终效果如上图所示。

Above, the image shows what the illustration looked like once I had all of the colors adjusted in each zone.


3、肌理

然后，我在墙面上添加一些石膏肌理，这样色彩看上去更有质感。我一般在PS中进行这些处理，因为这样我能够控制肌理的强度。另外需要注意的是，我会将石膏肌理进行一些扭曲调整，这样能更好地适应墙体的角度。这听起来有些复杂，这是因为我并没有使用之前提及的图层蒙版，否则可以让操作速度变得快一些。

3. Texture
I added a simple plaster texture to all of the walls to break up some of the smoothness of the color gradients. I wanted to do this in Photoshop so that I could dial in how strong the texture was. It is important to note that I still distorted the perspective of the plaster texture to match the wall angles. If it sounds like a lot of work, it isn’t because I was able to use the color zone masks used in the previous step to speed this process up.


4、色彩匹配与噪点

然后我对整体图像进行调整，首先我将画面整体提亮，提升色彩饱和度，同时增加了一些噪点，关于噪点的添加我将在稍后说明。

4. Color Adjust and Noise
At this point, I began adjusting the overall image. I first lightened the images and increased the saturation. I also added just a hint of noise. I describe how to add noise in step six of this POST.


5、HDR贴图

最后，我添加了HDR贴图，增大了图像对比度与肌理感，我通常使用Topaz来制作HDR效果。

5. HDR
Finally, I added a slight HDR effect that amplifies the contrast and textures. I used Topaz to generate the HDR effect.


最终成图
Final Images

出处：本文译自visualizingarchitecture.com/，转载请注明出处。