“时间-空间的变迁”
Time – Spatial Distortion / Jocelyn Cueto

由专筑网王沛儒，李韧编译

装置“时间-空间的变迁”是Corriente Alterna School of arts的周年纪念代表项目。“Take the school”是本次项目征集的主题，因此，这对于场所及当代建筑来说，有着很大的撼动作用。

“Time – spatial distortion” installation was selected among other projects for the anniversary of Corriente Alterna School of arts. The call for proposals was announce under the title “Take the school”, so for the author this meant to shake up the dynamics found in the historical architecture of the place and its contemporary extension.

考虑到建筑对于时间有着特殊的“凝固性”，设计师认为，建筑与艺术的结合代表了一种更接近真实的历史与当代的实际动态，因为时间并非线性构成，这个主题鼓励探索建筑与艺术之间的联系，这里主要参考了荷兰版画家M.C. Escher的作品。（参考Escher的“Other World, Relativity and Belvedere”）

Reflecting on the thought of architecture as an act of freezing time, came the idea of using the possibilities in its interaction with art to represent something closer to an actual dynamics between history and the contemporary, since time isn’t really made of linear defined stages. This topic encourage an exploration of the possibilities in the links between architecture and art, with M.C. Escher as a main reference. (See Escher’s Other World, Relativity and Belvedere)

概念：

新兴基地、时间概念和空间观念。

使一个人、一个社会、一个职业、一所学校、一个思想或任何无形的东西成为基础，但这仍然不能等同于一座有形的建筑，建筑的主要载体是其底部空间，或者说，即使其下部空间已经建成，但它仍然将与建筑的未来共同发展。
  
Concept:
Emerging bases, time concepts and space perceptions.
The things that make the foundation of a person, a society, a profession, a school, a thought, or anything intangible, cannot be equivalent to a physical construction: initial supports that stay at the bottom of a space. Or for that matter, even when the stage of a foundation has been well overcome it doesn’t only belong to a past time.

在当代社会中，人们对于时间的普遍概念呈线性，即过去-现在-未来，建筑也是如此，基础—中部—顶部。现在（中部）位于过去（基础）之上，而未来（顶部）也是如此，在这个概念中，任何非物质的东西似乎同样如此发展，然而，抽象的概念更复杂，更像是有生命的有机体，它们由过去发展而来，并且以自己的方式不断呈现着不同形态，并且影响着未来的趋势。

In our society the prevailing concept of time is the linear vision: past – present – future just like an architecture of base – body – top. The present (the body) sits upon the past (the base), and the future (the top) will do the same, in this vision anything immaterial is also thought as a block by block development. Nevertheless, intangible basis are more complex, more like alive organisms that may have started at a foundational past, but will always find a way to be present and influence the contemporary time.

这样，人们对于世界的理念类比来自历史的基础，它并非一成不变，甚至它也在朝着某个既定的目标在发展。庭院的历史建筑就如同学校的基础，现在则是一个动态的中心有机体，它从自身的现代意识继续发展、影响甚至直接塑造了当代空间。因此，对于现代理念的探索不能只是停留在一个僵化的过程，人们应当重新审视与历史的关系，从而感知空间与时间的存在与变化。

In this way, the intervention may then be an analogy for a historical foundation that refuses to be static at the bottom of a space, so it sprouts towards the contemporary architecture that sat down on it before. The historical architecture of the patio represents the foundation of the school, and is now a dynamic central organism that blossoms towards its own contemporary extension, influencing and even shaping the present time space, as it always does. Understanding that our foundations don’t just stay in a rigid past at the bottom of time can rearrange our way of living with history and perceiving time – space.

建筑设计：Jocelyn Cueto
地点：秘鲁，米拉弗洛雷斯
主创建筑师：Jocelyn Cueto
合作者：Equipo de montaje y dirección de la escuela Corriente Alterna.
面积：56.33平方米
项目年份：2017年
摄影：Jocelyn Cueto, Rodolfo Rey

•        Architect: Jocelyn Cueto
•        Location: Avenida de la Aviacion 500, Miraflores 15074, Peru
•        Architect in Charge: Jocelyn Cueto
•        Collaborators: Equipo de montaje y dirección de la escuela Corriente Alterna.
•        Area: 56.33 m2
•        Project Year: 2017
•        Photographs: Jocelyn Cueto, Rodolfo Rey