Bruce博物馆
Bruce Museum / Eskew+Dumez+Ripple

由专筑网小R编译

Bruce博物馆位于美国康涅狄格州格林威治，这是一个区域文化场所，结合了艺术、科学、自然的多学科展览空间，在2014年的设计竞赛之后，Bruce博物馆开始了振兴之旅，目的是让建筑朝向未来发展，竞赛结束之后，设计团队进行了严格的初步设计，深入挖掘使用者的需求，促进其成为区域资源。

Text description provided by the architects. The Bruce Museum is a regional cultural institution located in Greenwich, Connecticut with a multi-disciplinary collection and exhibition program bringing together art, science, and natural history. In 2014, following a national design competition, the Bruce Museum embarked on a journey to revitalize its campus to carry the institution into the future. Following the competition, the design team led a rigorous initial programming study to dig deep into the needs of the museum and support its ability to serve as a community resource.









因此这座博物馆现有的32500平方英尺的结构进行了全面的翻新改造，同时增加了42000平方英尺的扩建部分，构成了永久展厅和藏品区域，还有一个全新的入口大厅和报告厅，扩建的部分让现有空间面积增加一倍多，同时带来了更加受欢迎的使用感受，建筑流线清晰，空间宽敞，还有着明亮的展览区域，用于容纳不断增加的展品。

The resulting project is a comprehensive renovation of the existing museum’s 32,500-square-foot structure along with a 42,000-square-foot addition, providing permanent and changing gallery space, expanded collection storage, and a new public entrance lobby and lecture hall for the museum. Comprising three floors, the expansion more than doubles the existing area of the facility and creates a welcoming visitor experience with clear circulation, generous galleries, and sufficient exhibition, storage, and archival spaces for the Museum’s growing collection.





全新的设计方案解决了曾经博物馆存在的问题，在此之前，建筑的入口朝向北侧公路，人们的流线较为复杂，而新方案则将入口面向Bruce公园，让人们在进入博物馆的同时也感受到公园的景观气息，扩建部分和现有空间需要分隔开，因此设计团队在两个部分之间构思了一个院落空间，将公园景观延伸至博物馆之中，引导游客的游览流线。

The new design addresses the problematic visitor wayfinding of the previous museum design. Before this expansion, the museum entry faced north towards noisy Interstate 95, located at the top of a hill and hidden from the view of visitors arriving at the site. The new design reorientates the entrance to face the adjoining Bruce Park, providing visitors with an immersive landscape experience before their entrance into the museum. Because the addition primarily stands apart from the existing house, the design team worked to develop a courtyard space between the two structures, one that serves to extend the park into the footprint of the museum to orient visitors as they move throughout the space.









博物馆在开放之后，全新的空间迅速成为了多种多样的活动的举办场地，通高大厅、咖啡厅、礼品商店相互结合，构成了开放自由的公共场所，全新的报告厅几乎成为了活动核心，在这里人们可以举办社区节目、聚会、公共讲坛，以及发布会等等。

Since opening, the museum’s new spaces have quickly become a catalyst for diverse forms of engagement. The double-height lobby, café, and gift shop seamlessly merge to create an open and free-flowing public space. The new lecture hall has become a hub for community programming, celebratory gatherings, and public lectures and receptions.







永久展厅和改造区域让博物馆能够举办更多展览，并且提供教育机会，博物馆的执行负责人Robert Wolterstorff说：“我们能够通过前所未有的方式接待游客，以前我们没有永久展厅。”这些空间能够展示当地收藏家的捐赠藏品，调动了收藏家的积极性。

New changing and permanent galleries enable the museum to host new, ambitious exhibitions and provide opportunities for engagement and education. “We can host the community in a way we’ve never been able to before,” Bruce Museum Executive Director Robert Wolterstorff says. “In the past, we had no permanent collections galleries.” By adding these spaces, the museum can showcase works that local collectors have generously donated, providing the impetus for other collectors to do the same.





自然采光是设计的根本元素，立面上的开口让室内空间充满了光线，当人们进入收藏空间时，光线的强度逐渐减弱，设计团队的灵感来源于周边海岸的采石场，从而设计了由石材和玻璃共同构成的线条立面，建筑的外部空间阴影关系能够随着阳光角度的变化而变化。

Natural daylighting was fundamental to the design concept. Openings in the façade suffuse the interior spaces with light, gradually receding in intensity as one moves into the collection galleries. Drawing inspiration from the unique geology of its site and surrounding region, the design team developed a delicately striated façade of cast stone and glass inspired by stone quarries found along the Connecticut coast. This exterior, animated by the play of light across the façade, dramatically changes appearance as the sun traverses the sky over the course of the day and time of year.



















建筑设计：Eskew+Dumez+Ripple
类型：文化建筑 翻新 博物馆
面积：74500平方英尺
摄影：Tim Hursley ; Michael Biondo
总承包商：Turner Construction
岩土工程：Melick-Tully and Associates
景观设计：Reed Hilderbrand
灯光设计：Fisher Marantz Stone
主要负责人：Steve Dumez, AIA
主要设计人：Noah Marble, AIA
项目管理：Shawn Preau, AIA
项目建筑师：Haley Allen
团队成员：Vanessa Smith-Torres, Kyle Digby, Sam Levison, Mark Thorburn, Max Katz | AIA, Guan Wang
声学工程：Jaffe Holden
剧院：Jaffe Holden
安全保障：Ducibella Venter Santore
食品服务：Futch Design Associates
博物馆规划：M. Goodwin Associates Inc.
立面设计：Simpson Gumpertz & Heger
工程造价：Stuart-Lynn Company
规范顾问：Bruce J. Spiewak
业主代表：Stone Harbor Land Company
委托方：The Stone House Group
城市：格林威治
国家：美国

CULTURAL ARCHITECTURE, MUSEUM, RENOVATION
GREENWICH, UNITED STATES
Architects: Eskew+Dumez+Ripple
Area: 74500 ft²
Photographs:Tim Hursley ; Michael Biondo
Main Contractor: Turner Construction
Geotechnical Engineer: Melick-Tully and Associates
Landscape Desgin: Reed Hilderbrand
Lighting Design: Fisher Marantz Stone
Principal In Charge: Steve Dumez, AIA
Design Principal: Noah Marble, AIA
Project Manager: Shawn Preau, AIA
Project Architect: Haley Allen
Team Members: Vanessa Smith-Torres, Kyle Digby, Sam Levison, Mark Thorburn, Max Katz | AIA, Guan Wang
Acoustical Engineer: Jaffe Holden
Theatrical/Av: Jaffe Holden
Security: Ducibella Venter Santore
Food Service: Futch Design Associates
Museum Programming: M. Goodwin Associates Inc.
Envelope: Simpson Gumpertz & Heger
Cost Estimating: Stuart-Lynn Company
Code Consultant: Bruce J. Spiewak
Owner’s Representative: Stone Harbor Land Company
Commissioning: The Stone House Group
City: Greenwich
Country: United States