建筑商：du Besset-Lyon
摄影师：Philippe Ruault

du Besset-Lyon在法国Lons-le-Saunier设计了一个图书馆/电影院建筑。

du Besset-Lyon的描述：
现存的建筑包括教堂、de Balay宾馆、监狱的墙壁，形成了一个由简单的线条、极好的矿物表面，以及大量的民众构成的令人难忘的城市背景。然而，从街道上并不能感觉到这三个建筑间的关系。

显然，为了使城市结构完整，我们需要在北边再建造一个建筑。这个缺失的建筑就是图书馆/电影院。新建筑的设计应留出面向街道开放的公共区域。

在非常密集的建筑背景下，建造一个有宽敞的、有呼吸空间的建筑是非常受欢迎的。像它周围的建筑那样，新建筑的线条也很简单，其建筑材质是矿物质（混凝土），人们并没有过分宣扬它的存在。

它的优点和特点在于它保持了周围建筑间的和谐的关系。因此，它南面的曲度与石板覆盖的教堂屋顶的大坡相呼应；设计图中的曲线为Cordeliers街道、新的中央场所以及教堂后部提供了自然的联系。

如果尊重其自身环境，新建筑也愿意强调去独特的存在。条条曲线的结合使得建筑物充满美感。

在这个过程中出现了一个自主的目标，那就是当人们站在建筑物的面前时，人们可以掌握指导这个建筑的体系，了解这个新建筑是被融入到全部建筑中的，并被视为一个整体。

室内室外建筑风格一致。在入口处，人们可以看到室内的全景。室内构造非常简洁：各种功能分布在一二三层，地下室是电影院。

特别鸣谢翻译一组10号 张晓丽 提供的翻译，译稿版权归译者所有，转载请注明出处。

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Architecture: du Besset-Lyon
Photography: Philippe Ruault
du Besset-Lyon have designed a Library/Cinéma building in Lons-le-Saunier, France.
.Description from du Besset-Lyon
The existing buildings : the church, the Hotel de Balay and the wall of the prison form an impressive urban setting made up of simple lines, great mineral surfaces and imposing masses. Unfortunately, the relation maintained by these three constructions cannot be experienced from the street. Obviously, a fourth element is needed on the north side to complete the urban structure. The missing element is the library/cinemas. The new building has the courtesy to curve itself in order to spare a public place that opens on the street. An urban respiration is created which is welcome in a very dense built context. Like its neighbours, the lines of the new building are simple, its matter is mineral (concrete) and its presence is stated without superfluous arrangements of volumes and materials. It draws its strength and its strangeness owing to the fact that it maintains an active relationship with its neighbors. Thus, the curvature of its southern façade addresses a direct response to the large slope of the slate covered roof of the church ; the curve of its plan constitutes a natural connection between the street of Cordeliers, the new central place and the back of the church. If it is respectful of its environment, the new building is also keen to asserts its unique presence. Its aesthetic is regulated by a combination of curved lines. By this process it appears an autonomous object. Placed in front of one of his façades, one seizes the system that regulates it, understands that it applies to the entire building and perceives the whole. The architectural expression of the exterior is found in the interior. From the entrance, one perceives the entirety of interior volume. The interior organization is of a great clearness: the various functions are distributed on three levels plus a basement for the movie theatres.