建筑师：CUAC建筑师事务所
位置：西班牙，马德里
设计团队：哈维尔•卡斯特利亚诺•普利多，托马斯•加西亚•皮里斯
合作者：旧金山普加奥尔蒂斯
构造者：Aguirre Obras y Construcciones S.L
赞助人：Arena媒体传播西班牙S.A公司
安装： Juan M. Fernández
年份：2007
摄影：哈维尔•卡列哈斯塞维利亚

在管理扩大的破坏性动态面前，定义一种物理上的稳定环境是很困难的，这种情况也出现在Arena传媒公司，这导致我们将建筑转变为一种现象，用它所出现的倾向来提供它的改造并加以排除。

在马德里的Agencia de Medios Arena传媒通讯公司决定对有双倍空间的办公室进行改革：使空间最大化来庇护大量的员工，并对客户和大众媒体建立一个新的商业形象。

解决这个办公室复杂计划的最初策略有大约八十个工作者不断地进行功能上的改变，他们不想成为把Arena变成一个历史建筑的调解员，就像Sand是各公司之间广告商和大众媒体的处理者那样。

这个功能性的计划要求不设置走廊以及infrautilizados的地方，并提供了一个灵活的系统，它可以依赖于空间中负载的现有的墙壁。

对于这个，我们将它组织成围绕着一个多价的房间，我们把它叫做“ARENA房间”。

这是一个空间分配的问题，公司的休息，等待，接待，会议，设计和展览都在这里，咖啡厅和展览室可以根据每一个客户的要求而进行个性化的设计。

在任何时候，这个计划只是一张纸或者说是一个项目的纲要，并且是两个现实的更高层次的设计：活动区和现有的建筑。在办公室中，所有必要的元素都用这种方式解决了：门，窗，天花板，地面，通道，走廊。

活动区是由辅助颜色的人工灯光设计的，它提供了一些空间信息给其他人，并且建筑复古的物理现实——是通过不同的色调或者是隐晦的纹理设计而成的。

由于它们多变的特性，合成空间是很难定义的，它们无死角，并且也没有可以用来定义这个部分的细节。

在墙上，门被认为是一个实实在在的设计，而在另一个时刻，它就变成了一组关于会议的信息，这是在它的背面被操作的。墙的大部分都被隐匿起来了，允许人们看到庭院窗户的阴影，庭院遮住了后面，几秒钟内它会慢慢变黑，给人们提供了一个视频的屏幕。

平面图 Plan


平面图 Plan


局部图 Section


局部图 Section


局部图 Section


剖面图 Cross Section


剖面图 Cross Section


剖面图 Cross Section


细节图 Detail


想法图 Concept

特别鸣谢翻译一组4号 李鹤 提供的翻译，译稿版权归译者所有，转载请注明出处。

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Architects: CUAC Arquitectura
Location: Madrid, Spain
Design Team: Javier Castellano Pulido, Tomás García Píriz
Collaborator: Francisco Puga Ortiz
Constructor: Aguirre Obras y Construcciones S.L.
Promotor: Arena Media Communications España S.A.
Installations: Juan M. Fernández
Year: 2007
Photographs: Javier Callejas Sevilla

The difficulty of defining a physical stable environment before the devastating dynamics of the managerial expansion of ARENA MEDIA company led us to turning the architecture into a phenomenon, providing it with the aptitude to appear, to transform and to be eliminated.
The Agencia de Medios Arena Media Communications in Madrid decided to carry out the reform of its offices with an objective double: to maximize the space to shelter a major number of employees and to establish a new commercial image towards the clients and mass media. The initial strategy to solve a program as complex as that of this office, with about eighty workers in continuous change of functions, departed from the idea of placing as mediators between(among) ARENA into an historical building, in the same way as Sand is the manager of advertisers and mass media happen between(among) companies.
The functional scheme prosecutes the elimination of corridors and places infrautilizados, offering a flexible system that rests(relies) on the existing walls of load as containers of space. For it we organized it round a polyvalent room, which we name ” ARENA ROOM “. It is a question of an space distributor, forrest or wait, for receptions, formeeting, for projection and exhibitions of company, for coffee and for a Show-Room that can be personalized depending on every client.
The project acts at all time as a sheet or a platform of projection and overhead projection of two realities: activity and existing building. All the necessary elements are solved this way in the office: doors, windows, ceilings, soils, accesses, corridors. The activity is projected by artificial light by associate colors, providing information of a few spaces to others, and the physical reality of the building retro – projects across shades or veiled textures. The resultant spaces are difficult to define due to their changeable character, without corners or details that allow to identify the fragments. A door is perceived literally as a projection in the wall, and in another moment it turns into a panel of information about the meeting that is carried out behind it; a chunk of wall transforms in veil, allowing to see the shade of the windows of the court that it conceals behind and in a few seconds it gets dark, offering as screen of video.