建筑师: Archi-Union Architects
位置: 中国上海徐汇区
总建筑师: Philip F. Yuan
设计小组: Alex Han, Fuzi He
客户: Jade Museum
用地面积: 1,000 sqm
年份: 2013
摄影: Xia Zhi

该建筑位于上海高密度的徐汇区，Jade Museum是一个办公建筑的革新。在这个项目中，我们被要求对一成不变的办公空间进行改造，在不改变原有建筑的情况下将空间进行多样化处理。面对建筑用途的改变，我们首先解析了空间的直接逻辑性并且模糊了功能定义。我们早期使用了数字化设计工具，来帮助我们重建空间逻辑和解析扭曲空间中的扭曲流线。
Located in the high-density Xuhui District, in downtown Shanghai, Jade Museum is a renovation from an office building. For this project we were commissioned to convert the noncomplex office space into a multi-functional communication art museum on the premise of keeping the original building structure. Faced with the change in the use of the building, we first deconstruct the straightforward logic of the space and blur the functions’ interface. We implement the tools of digital design early in the conceptual phase, to help us rebuild the logic of space and translate the folding of the circulation flows into a folding of space itself.

不同的功能层被组织包围着主要的流通空间，面朝中央天井。简单的单层模式被重新定义成用来接引的非线性空间。单独的垂线和水平线流动影响了每个其他的内嵌空间，模糊的连接和界限使得空间更有整体性和包容性。整体流线切合了空间体自身的切口。倾斜和平衡，连续和隔断之间的对立使得元素简单的共存变的更具有几何性。
Different layers of functions are organized around the main circulation space, facing the central courtyard. The simple single-layer mode was redefined with the introduction of a non-linear space. The simple vertical and horizontal circulation movements influence each other in the inserted space, the blur of the interface and boundaries make the space fold and integrated. The circulation flow adapts itself to this incision in the body of space. The antithesis between sloping and balance, continuity and boundary turns the simple coexistence of elements into a discussion of geometry.

这个逻辑关系复杂的楼梯是来自于打破了传统的二维空间关系，但它也不是随机而失控的：台阶，们的开口，扶手，梁和屋顶是这个建筑的不同组成部分，他们之间有着微妙而又合理的内在联系。每条被感知到的线条都有其逻辑存在的意义，但是曲面又使得逻辑性变得模糊，它给了参观者一种在随机和控制之间徘徊的感觉，在矛盾的边缘创造了一个令人激动的空间感知。
The complex logic of the staircase form breaks the traditional two dimensional layer relations, but it’s not an arbitrary treatment out of control: steps, door openings, handrails, beams and roof are distinguished components of the building structure that have a delicate and reasonable interconnecting relation. Every perceived line has its logical necessity; but the curving surface softens this logic, it gives the visitor a feeling between rationale and randomness, creates an exciting spatial feeling at the edge of conflicting ideas.

弯曲的环形流线和内部空间的扭曲在第一层创造了一个入口，正对着中央天井。固定的展厅位于入口前方，看看展厅旁边的楼梯，一个是通向VIP展览空间的。曲线的墙体将空间分割成了几个微型空间，也让参观者的感觉变得模糊。艺术品被放置在曲线墙内。休息交流区在这些墙的后面。在VIP展厅的前方是一个茶吧，连接了外面的草坪。
The folding of circulation lines and the twisted form of the inserted space create an entrance on the first floor, which faces the central courtyard. The permanent exhibition hall is located in front of the entrance. Via the stairs near the exhibition hall, one reaches the VIP exhibition space. The curving walls divide space into several micro spaces and also guide the visitors’ flow. The artworks are placed into the curving walls. Resting and communication space peer from behind these walls. In front of the VIP exhibition space is the teahouse, which is connected to the outdoors terrace.

数字化建设，作为一种方法论，是贯穿整个设计和建造的过程的。非线性形式和几何学是整个建造的核心。抽象的复合几何学表面是在电脑上用可以控制和改变的CNC面板创作的，他们的确切位置由3D组装控制。曲线的形式从线性机械逻辑紧密的贴合几何学原则。三维空间无法由二维绘图表达的缺陷也在逻辑性建造的条件下解决了。这个数字化建造和CNC建造的整合减少了建造预算并且改善了施工质量，节约了施工时间，而且没有在建筑完整性上做出妥协。
Digital fabrication, as a methodology, is implemented throughout the design and construction process. Non-linear form and geometrical decomposition lie in the core of fabrication. The abstract multi-dimensional surface generated by the computer is decomposed into workable and controllable CNC panels; their exact position controls the 3D assembly. The curving form is transferred into linear machine logic closely following the geometrical principles. The three-dimensional space that the traditional two-dimensional drawings cannot express is eloquently expressed through the fabrication logic. This combination of digital lofting and CNC fabrication reduced the construction budget and at the same time improved construction quality and speed without compromising the design integrity.

作为几何学和建造学的补充，光线，是和整体性，不规则空间模型相并列的第三关键元素，模糊的展厅设计是为了突出这个多维度的感官体验。
In addition to geometry and fabrication, light, as a third key-element in design coordinates with the folding, irregular spatial module and the flowing exhibition hall design to enhance this multi-dimensional experience.

                  
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