In Progress: XXI Century National Film Archive
正在建造：21世纪国家电影档案馆

Architects: Rojkind Arquitectos
Location: Mexico City, Mexico
Architects: Michel Rojkind, Gerardo Salinas
Design Team: Alonso de la Fuente Obregón, Rafael Cedillo Sánchez, Phillip Schlauch, Birgit Hammer, Djurdja Milutinovic, Alfredo Hernández Soto, Rodrigo Medina, Juan Manuel Ortuño, David Stalin Vergara, Dolores Robles – Martínez Gómez,Isaac Smeke, Andrea León
Project Year: 2012
Photographs: Courtesy of Guido Torres, Rojkind Arquitectos
Project Area: 20188.0 sqm
Landscape: Ambiente Arquitectos | Fritz Sigg Calderón, Juan Manuel Guerra Villasana
Cinema Consulting: Auerbach Pollock Friedlander Tom Neville, Vene García, Kenneth Fause
Content Editor: Alejandro Hernández Gálvez
Roof Engeneering: Studio NYL | Chris O ́hara, Julian Lineham
Engeneering: CTC INGENIEROS | Carlos Tapia
Interiors: Alberto Villarreal, colaborador: Héctor Esrawe
Client: Conaculta Cineteca Nacional

设计院：Rojkind Arquitectos
位置：墨西哥，墨西哥城
建筑师：Michel Rojkind, Gerardo Salinas
设计团队： Alonso de la Fuente Obregón, Rafael Cedillo Sánchez, Phillip Schlauch, Birgit Hammer, Djurdja Milutinovic, Alfredo Hernández Soto, Rodrigo Medina, Juan Manuel Ortuño, David Stalin Vergara, Dolores Robles – Martínez Gómez,Isaac Smeke, Andrea León
竣工时间：2012年
摄影师： Courtesy of Guido Torres, Rojkind Arquitectos
面积：20188.0平方米
景观设计：Ambiente Arquitectos | Fritz Sigg Calderón, Juan Manuel Guerra Villasana
影视顾问：Auerbach Pollock Friedlander Tom Neville, Vene García, Kenneth Fause
编辑：Alejandro Hernández Gálvez
屋顶工程师：Studio NYL | Chris O ́hara, Julian Lineham
工程师 ：CTC INGENIEROS | Carlos Tapia
室内设计：Alberto Villarreal, colaborador: Héctor Esrawe
顾客：Conaculta Cineteca Nacional
特别鸣谢翻译组1组5号刘政和提供的翻译，译稿版权归译者所有，转载请注明出处

The National Council for Culture and the Arts has announced that the“Cineteca Nacional del Siglo XXI” project has been awarded to RojkindArquitectos. This revovation is part of a bigger project that includes theCinema Museum and a Digital Video Library designed by Mauricio Rocha y GabrielaCarrillo.

国家文化艺术理事会宣布，“21世纪国家电影展馆”的项目由Rojkind Arquitectos事务所负责设计。这个工程是整个大项目的一部分，包括了由Mauricio Rocha y Gabriela Carrillo设计的电影博物馆和数字影像图书馆。

     

“To intervene and expand the National Film Archive involves understanding a substantial change in film, as suggested in the term “moving pictures”.Today, images move not only on a screen, the screens move with us:they go where we go, and the movies, have gone from being a gathering space for the masses, to also reaching us wherever we might be.
将国家电影档案馆的规模进行扩大就要对电影本身变化的有一定理解，正如“电影”两个字所说的一样。今天，图片不仅仅只在屏幕上活动，屏幕会跟着我们而移动：他们到我们所到达的地方，而电影也不再局限于一个拥挤的地方，它跟着我们前行。


The new National Film Archive and Film Institute must understand this condition, both to ensure and protect the wealth of our country’s moving pictures as well as those of the rest of the world and to make them accessible, in all their various forms, to the general public. A place which will have movies, but which will also offer other recreational spaces, taking advantage of the latest technologies. Common spaces and spaces to promote communication. The idea is in part to remove film from its classic exhibition site: movies in the park, in the café, in the square, to transform those spaces to become more than just services related to the experience of the movies, but rather to become part of the experience itself: the park itself as a movie, or the café, or the square.
新的国家电影档案馆和电影设备必须了解现状，一起去保护我们国家电影业的宝贵财富，就像保护我们自己的世界一样，用各种方式，传递给千家万户。一个地区出现电影，就会用最新的技术提供娱乐的场所。用普通的空间来提升交流。这种观点在一定程度上使电影远离了原本的展示场所：电影在公园，在咖啡厅，在广场，将这种原本仅仅提供给电影服务体验转变为体验其本身：作为电影本身的公园，或者咖啡厅，或是广场。
In this way, the National Film Archive becomes a space of physical and virtual connections between media and people. An interface with two key elements: the continuous ground that connects the different elements that make up the National Film Archive and the roof, that connects them in its own way.- Alejandro Hernández
用这种方式，国家电影档案馆不仅变成了一个物理上的空间，更变成了一个媒体和人们之间的枢纽。一个接口包含着两个关键因素：连接组成国家电影档案馆的不同因素的连续场地和用自己的方式来连接他们的顶部。—Alejandro Hernández.

The project includes the total renovation of the complex, originally built as the “Composer’s Square” in 1984 by Manuel Rocha and transformed on several occasions since becoming the Nation’s Film Archive and Film Institute in 1974.
项目包括了复杂的总体翻新，最初要将1974年建成的电影博物馆的很多场所进行转变，并且建造1984年由Manuel Rocha 设计的“音乐家广场”。

In addition to the existing screening rooms, the complex currently has five archive vaults, four of them housing a collection of more than 15,000 film classics of world cinema in 35 and 15 mm formats. The fifth vault houses iconographic material, including posters, photographs, slides, negatives and video. The surface of vaults will increase from 1500 to over 2200 square meters, in order to house 50 000 more reels of film. The space for the gallery and the digital restoration lab will have a surface area of 500 square meters and the offices once reorganized, will be reduced from 1900 to 1800 meters.
除了已有的放映室，5个地下档案储存室，4个收集有15，000部35-15mm格式的世界古典电影收藏室。第五个地下室收藏了拥有图像材料的海报，照片，幻灯片，评论和影像。地下室的面积要增加1500至2200平方米，以此来储存50,000多盘电影放映带。画廊和数字修复实验室将占地500平方米，而办公室一旦被整顿，将会被减少1900到1800米。

In total, the National Film Archives will increase its built area from20,000 to almost 29,000 square meters, of which 7,000 are destined to publicspaces. The purpose is to generate a new comprehensive cinematic experience andmore options in terms of programming.

总计，国家电影档案馆将从20,000平方米扩建至29，000平方米，其中7,000平方米为公共用地。这将带来全新的影视综合体验和更多的规划选择。

First Floor

一层