建筑师：WOW Architects
地点：新加坡
总建筑师：James Tan
设计团队：Fernando Velho, Prabhu Sugumar, Christopher Lee Liang Neng, Yvonne Yung
项目年份：2012
摄影：Aaron Pocock, C3M Studio工作室

WOW Architects事务所 | Warner Wong Design设计团队从4个竞争公司总脱颖而出，负责设计和建造新加坡2012建筑节首个会馆。“奇迹墙”是一个零浪费馆，以其新颖的方式再利用资源从而增添了特别的功能和愉悦感，因此，吸引并鼓舞所有人重新审视新加坡。

该项目选址的特色
在展馆的设计是对于该地二重性的回应。一方面，福康宁，曾以“禁山”著名，现今仍然保留其宁静、安详和几乎神话般的特色。正对面是克拉码头，这里人头攒动、人声鼎沸、活动繁多。

在这两者之间是Foothills，这设有公用泳池和国家大剧院，曾经是一个社会活动聚集地。筹建的展馆旨在通过其半透的外表体现这两个领域之间的双重性。这起伏的网状结构也激发了好奇心和惊讶之情。

从某个角度来讲，其薄膜似的外观看起来几乎像墙一样的坚固。当人们沿着奇迹墙走时，由于周围的双包层结构，产生了 “云纹”的效果。当从垂直视角观看时，其膜结构几乎完全透明，与周围的建筑和景观合为一体。

零废物、可建性和未来的存在形式
零废物和可建性战略的开发是围绕两个高速发展的部署和重复利用的系统。第一个是主结构，由为Formula One Night赛跑和国庆游行开发的箱桁架系统。第二个是网状高分子，这是为斜率控制开发的，具有独特的属性，因此能提高可用性和空间的互动，该膜状物与周围景观系统可以变废为宝构筑福康宁的坡度和防蚀控制。我们的零废物战略考虑到了时间、材料、成本以及这些元素之后的存在形式。

包括屋顶在内的箱桁架系统最多需要7天去实施。膜状结构最多需要3天去安装。完成奇迹墙竖立的整个过程要需要10-15天。网状膜结构一旦卸下来可以在以下途径再利用：

规划的建筑-与公众密切相关
通常情况下用于地下土壤控制技术的膜状结构采用新的方式利用垂直表面，该垂直表面上可与与规划公众生活、介入公众生活、与公众互动并与公众生活密切相关。在有关流行性耕作的研讨会上，零废物战略可以通过利用Versiweb膜作为表面进行实施。该网状系统的网状性质也形成了“口袋”式的私密的空间或开垛口，在这里思想的种子可以繁殖和培育。建筑节的邮票都在入口处分发给游客，并鼓励他们在这“口袋”通过分享和阅读来传递思想、观念和记忆。

展馆的初始灵感之一是公园般的氛围里一个不起眼的草席。卷起建筑节草席都被安插在“口袋”里，以鼓励游客坐下来交谈、讲故事、分享经历。

整个奇迹墙就是城市流行农场，上面有小型观叶植物，它们以土工织物包裹根且以水凝胶种植手段植入网状结构。

WOW事务所的主管James Tan，领导了该馆设计团队，并称，“WOW的设计总是挑战并探索新颖独创的方法来创建具有丰富体验的空间，有利于我们所有的项目的环境保护和可持续发展。

在展馆设计上，一个简单的的材料（Versiweb）用于创建令人兴奋且妙趣横生的空间，满足了所有竞争简章的要求。 Versiweb为展馆创建了通透的表面，可自然通风，同时庇护免受暴晒和雨淋。

当从不同角度观察，展馆似乎消失了，与周围环境融为一体。在另一种情况下，沿着展馆走，双层次感将创建“波纹效应”。展馆设计也打算作为该建筑节一个“高度互动平台”。草席插在Versiweb的“口袋”里，鼓励游客使用它们在展馆周围研讨或野餐。”

平面图 Plan


截面图 Section

特别鸣谢翻译一组10号 张晓丽 提供的翻译，译稿版权归译者所有，转载请注明出处。

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Architects: WOW Architects
Location: Singapore
Architect In Charge: James Tan
Design Team: Fernando Velho, Prabhu Sugumar, Christopher Lee Liang Neng, Yvonne Yung
Year: 2012
Photographs: Aaron Pocock, C3M Studio


WOW Architects | Warner Wong Design was selected over four shortlisted firms in a competition to design and build the first-ever Pavilion for Singapore’s Archifest 2012. The “Wonder|Wall” is a zero waste pavilion that reuses materials in a new way to extraordinary functions and delight thus engaging and inspiring the hearts and minds of all to Rethink Singapore”.

Specificity Of The Site
The design of the pavilion was a response to the duality of the site. On the one hand, FortCanning, once know as the “Forbidden Hill” still retains its quiet, reposeful and almost mythical character. Directly opposite is Clarke Quay, vibrant and bustling with people and activities. In between is the Foothills that once was a hive for social activities with the public swimming pool and the National Theatre. The proposed pavilion seeks to embody the duality between the two realms, with its permeable skin. The undulating web inspires curiosity and amazement as well. At certain angles, the membrane looks almost solid like a wall, and when one moves along Wonder|Wall, a “moire” effect is created due to the double cladding around the structure. When viewed on the perpendicular, the membrane seems totally transparent and merges with the surrounding buildings and landscape.

Zero Waste, Buildability and After Life
The zero waste and buildability strategy was developed around two highly rapid deployable and re-useable systems. The first is the main structure, composed of box-truss systems developed for the Formula One Night race and the National Day Parade. The second is a polymer mesh developed for slope control that has unique attributes that enhance the usability and interaction of the space, the membrane and its landscape system can be reutilized around Fort Canning for slope and erosion control. Our zero waste strategy considered time, materials, cost and the after life of the elements.

The box-truss system, including the rooftakes a maximum of approximately 7 days to delpoy. The membrane takes a maximum of approximately 3 days to install. Overall time frame to complete Wonder|Wall erection would be 10-15 days. The cellular membrane once taken down can be re-used for the following:

Architecture as Program – Engaging the Public
Normally used as a subterranean soil control technology, the membrane is given a new use asa vertical surface onto which to project, insert, interact and engage with the public. Seminars on Pop Up Farming, and Zero Waste Strategies can be conducted using the Versiweb membrane as a display surface. The cellular nature of the mesh system also forms “pockets” of intimate space or crenellations in which seeds of thought are propagated and nurtured.

Archifest “post” cards are distributed to visitors at the entrance and they are encouraged to post thoughts, ideas and memories in the “pockets” to be shared and read by all.

One of the initial inspirations for the pavilion was the humble straw mat for a park-like atmosphere. Rolled up Archifest straw mats are inserted into the “pockets” to encourage visitors to sit and converse, tell stories and share experiences.

The entire Wonder|Wall is the Urban Pop Up farm with small foliage plants with geo-textile wrapped roots and a hydro-gel planting medium inserted into the cells.


WOW director, James Tan, who led the Pavilion design team comments, “WOW’s design ethosh as always been to challenge and explore new and innovative ways to create experientially rich spaces that are environmentally as well as economically sustainable for all our projects. In the pavilion design, a simple material (Versiweb) was used to create exciting and intriguing spaces that met all the requirements of the competition brief. The Versiweb forms a permeable skin for the pavilion, allowing natural ventilation whilst providing shelter from the sun and rain.

When viewed at different angles, the Pavilion seems to disappear and merged with the surroundings. In another instance, while walking alongside the Pavilion, a “moire effect” is created due to the double layering effect. The Pavilion design is also intended to be a “highly interactive platform” for the activities of the Archifest. Straw mats are inserted in the Versiweb “pockets” to encourage visitors to use them for seminars or picnics around the Pavilion.”