Aesop品牌全球第100家分店于2014年12月13日在挪威奥斯陆开张。新店面积为66平方米，设计师以“少就是多”的理念来进行设计，仅采用两种主材料和一种基调色。以极简体现出现代与传统的精髓。特别是天花板上的交叉圆顶天花，具有东正教的遗风。该动态的造型再结合灯光设计，最终创造出具有层次的丰富视觉效果。放在商店中心的产品展示台和洗手槽也采用了与顶部天花相一致的语言。

　　墙砖被粉刷上白色，与磨砂的天花石膏形成表面机理丰富的协同色调。在此基础上，货架上的产品与洗手台上的黄铜水龙头格外引人注意。
　　form the architect : Aesop's store no. 100 - Aesop's first Norwegian signature store On Saturday, December 13th, Aesop’s very first signature store in Norway was opened in Prinsensgate in Oslo. The store, designed in collaboration with Snøhetta, is the 100th Aesop store to be opened worldwide. Inspired by the sensory experience of the Aesop consultation process, the architectural exploration began by revealing materials and surfaces that have been hidden and covered within the space, some dating back to the 1800s – a process of archeology. Once revealed in the renovation process, the cosmetic of the new materiality was added to the interior’s existing surfaces, contemporizing the old.In this intimate 66 square meter space, our goal was to do a lot with little; to play with contrasts in both material and form – with the contemporary and the traditional. The interior has been reshaped most dramatically where there was most freedom to do so – on the ceiling plane. Here, a traditional form reminiscent of Orthodox churches and monasteries has been contemporized in ten imposing, intersecting domes, finished with matte gypsum plaster to accentuate their varying proportions.This dynamic surface not only creates a sense of depth and wonder, it also allows for playful experimentation with lighting and acoustics.The movement through the space is directed by the centrally located sink. This is where the customers wash their hands, products can be tested, and demonstrations can be made. Its form replicates those of the ceiling domes almost in reverse. The multiple domes in the ceiling function to de-focus the space, while the single wash basin focuses the activities.

　　Original floor tiles are treated with a warm, pale finish to effect a cloudy surface that compliments restored and whitewashed walls. The products themselves are evenly exhibited on simple shelves and discreet horizontal niches. The products play the part of supporting actors where the customer is the lead. Brass taps and fixtures contrast the predominantly monochromatic palette.

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