City in the City
由专筑网Brick，许航编译
来自事务所的描述。Malmö Live是开放的、富有表现力的、动态的大楼，楼内能进行很多活动。该建筑的设计出发点是现代北欧的建筑传统，其专注于清晰实用的功能组织，以及易进入的、开放的一楼布局。大楼将成为马尔默的焦点和地标，提供一个环境来以建筑表现城市精神及其多样性和亲密感。
From the architect. Malmö Live is an open, expressive, dynamic building offering numerous activities within its architecture. The point of departure for the building’s design is the modern Scandinavian architectural tradition, which focuses on clear, functional organisation and an accessible, open ground floor layout. The building will become a focal point and landmark in Malmö, offering a setting in which the spirit of the city and its diversity and intimacy receive an architectonic expression.
© Adam Mørk
Kristian Ahlmark是施密特•哈默•拉森建筑师事务所的资深合伙人，他说：“设计的想法是创建‘城市中的房子’，结合马尔默的建筑表现来开发有助于现有城市生活的建筑，”他补充道：“环境启发我们对材料和颜色的选择以及大楼各区域的不同尺寸的把握，然而建筑设计本身指向未来。”
“The idea was to create a ‘house of the city’ incorporating the architectonic expressions of Malmö to develop a building that will contribute to existing urban life,” says Kristian Ahlmark, Senior Partner at schmidt hammer lassen architects. He adds, “The context inspired our choice of materials and colours as well as the various sizes of the building’s areas, yet the building design itself points to the future.”
© Adam Mørk
Malmö Live位于马尔默的Universitetsholmen。大楼由立体区域组成，它们大小不同，扭曲在一起，匹配城市周边建筑的方位和高度。立面被设计成一个匀质的外观，使该综合体看起来像建筑雕塑。
Malmö Live is situated on Universitetsholmen in Malmö. The building consists of cubic areas that are twisted and given different sizes to match the directions and heights of buildings in the surrounding city. The facades are designed with a homogeneous expression to make the composition appear as one architectonic sculpture.
© Adam Mørk
First Floor Plan/一层平面图
该建筑正门在大楼北部，有一个典型的凉廊，朝向前面的广场。从南侧，游客能直接从沿河漫步道进入大楼。大楼的不同功能被组织成一个个独立的元素，类似一个小城市。大堂变成了街道，贯穿整个一楼，将所有区域联系在一起。像中世纪的城市一样，在购物中心和广场周围有弯曲狭窄的街道，大堂设计成小型聚集地和休息处，游客可以停下来、坐下来欣赏运河和公园的风景。
The main entrance is found at the northern part of the building, which has a classic loggia motif facing the plaza in front. From the south, visitors enter the building directly from the promenade running along the canal. The different functions of the building are organised as separate elements to resemble a small city. The lobby becomes the street, which runs through the entire ground floor and ties everything together. Like medieval cities, which had curved, narrow streets organised around plazas and squares, the lobby is designed to form small gathering places and recesses where visitors can stop, sit and enjoy the view of the canal and the park.
© Adam Mørk
© Adam Mørk
Kristian Ahlmark说：“我们将楼体分解成较小的实体，与环境相互影响。明确定义了功能的这些体量也创造了大楼感知层面的结构层次。外部表现以城市的规模及其颜色和材质作为出发点。在这里，为了和周围的建筑相协调，定性的空间和差异化的空间被安排在建筑周围。这些空间包括一个公共空间，可用于滑冰和观看大屏幕上的足球赛，一条绿色的公园道路，一条沿河向南的新漫步道，还有两个连接运河和大楼的大型木质露天平台。”
“We have broken the building mass down into smaller entities that interact with the context. The clearly defined volumes also create a hierarchy in the way in which the building is perceived. The exterior expression uses the city’s scale and its colour and materiality as a starting point. Here, qualitative and differentiated spaces are created around the building in conjunction with the surrounding buildings. These spaces include a common space for skating or watching football on a big screen, a green park path, a new promenade along the canal to the south and two large wooden decks that connect the water and the building,” says Kristian Ahlmark.
© Adam Mørk
© Adam Mørk
Section/剖面图
在大楼内部，三个空间共同组成了一个大型交响音乐厅、一个可灵活使用的大厅和一个会议厅，这些是清晰界定的元素，通过它们的共同组合，定下了大楼音感的基调。三个建筑体有近乎城市的规模，有力地支持了“城中城”的想法。其内部空间是简洁的，由粗糙的黑色混凝土、石材、木材和黄铜组成。外面的街头生活直接引入室内，以支持大楼的开放性。在音乐厅，氛围发生了变化。大厅用橡木和黄铜来装备，是个亲密的空间。
Inside, three volumes hold a large symphony hall, a flexible hall and a conference hall, which are clearly defined elements that, through their mutual composition, set the tone for the musicality of the building. The three building masses have an almost-urban scale that supports the idea of ‘a city within the city’. The interior is simple, consisting of rough black concrete, stone, wood and brass. The street life outside is drawn directly inside to support the open nature of the building. In the concert hall, the mood changes. The hall is an intimate space outfitted in oak and brass.
© Adam Mørk
“我们通过与Akustikon密切合作完成两件事：一是绝对一流的世界级音响；二是一间用于音乐创作带有音感的房间，就像是坐在乐器里面一样。最终形成了一个立体元素的组合。每个表面都有支持音响效果的功能、角度和尺寸。灯光集成到墙壁里面，因此氛围能根据大厅里的表演内容来变化。” Kristian Ahlmark总结说。
“We worked in very close cooperation with Akustikon to achieve two things: an absolutely world-class sound and a room with a musicality that works with the music, like sitting inside an instrument. The result is a composition of cubic elements. Each surface has a function, angle and size that supports the acoustics. Light is integrated into the walls so the mood can be changed depending on what is being performed in the hall,” concludes Kristian Ahlmark.
© Adam Mørk
© Adam Mørk
© Adam Mørk
© Adam Mørk
© Adam Mørk
Second Floor Plan/二层平面图
Third Floor Plan/三层平面图
Fourth Floor Plan/四层平面图
Site Plan/总平面图
Section/剖面图
Section/剖面图
建筑设计: Schmidt Hammer Lassen Architects
项目位置: 瑞典，马尔默
项目面积: 54000.0平方米
项目时间: 2015年
摄 影: Adam Mørk
音乐厅客户: 马尔默市
酒店和会议中心客户: Skanska Sverige AB
景观设计: SLA
承建商: Skanska Sverige AB Other
合作者: Akustikon
可持续性: LEED白金认证
Architects: Schmidt Hammer Lassen Architects
Location: 211 18 Malmö, Sweden
Area: 54000.0 sqm
Year: 2015
Photographs: Adam Mørk
Concert Hall Client: City of Malmö
Hotel And Congress Client: Skanska Sverige AB
Landscape Architects: SLA
Contractor: Skanska Sverige AB Other
Collaborators: Akustikon
Sustainability: Tagetting LEED Platinum
出处：本文译自www.archdaily.com/，转载请注明出处。
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