Moving Landscapes
由专筑网Brick，韩平编译
移动景观的理念来自偶然发现的一块Bidasar Forest石头，它给人的印象，好像石化在内的热带干旱地区的景观。它的光滑表面与艾哈迈达巴德地区的天然翠绿相得益彰，也模糊了现实与幻觉之间的界线。
The idea for moving landscape germinated from stumbling upon a stone, Bidasar Forest, that possesses an impression, as if, of tropical arid landscape fossilized within itself. Its polished surfaces against the native verdure of the Ahmedabad region made for the perfect setting, blurring the lines between reality and illusion.
© Edmund Sumner
© Edmund Sumner
过去十年印度经济蓬勃发展，使社会上更大部分的人能购买个人住房。加上需要保护个人的独立性，古老传统的大家庭已经分成小的核心家庭。尽管在当前的印度环境中出现这种文化的变化，但是很多受到家族企业束缚和根深蒂固的传统价值观约束的家庭，仍然选择住在一起。虽然这使他们受益于几代同堂的共同责任，但是常常导致在一所住宅中产生独立的套房，甚至在同一屋檐下家庭间的隔离。因此，挑战在于整合这些对立的生活方式的同时 —— 提供公共接触的机会和保证隐私。
The nations booming economy in the last decade has made individual houses accessible to a larger section of society. Coupled with the demand for an independence that protects individuality, the age old tradition of joint family living has disintegrated into small nuclear families. Despite this change of cultural attitude in the present Indian context, a large number of families, bound by family business and obliged by traditional ingrained values, still choose to live together. Whilst this allows them to benefit from shared responsibility across generations, it often leads to the creation of autonomous suites within a house that isolates families even under the same roof. The challenge therefore lies in simultaneously integrating the requirements of these opposing lifestyles - making it equally imperative to provide opportunities for communal collision, while providing privacy.
© Edmund Sumner
该住宅位于艾哈迈达巴德的郊区，居住着该市最多产的房地产开发商之一及其妻子，还有两个儿子的家庭和广大的访客。业主和另外两兄弟的大家庭共用2万平方米的大型地块。
Situated on the outskirts of Ahmedabad, the house is meant to accommodate one of the city’s most prolific real-estate developers and his wife, along with his two sons’ families and extended visiting members. The client also shares the grounds with his two other brothers’ houses and their joint families in a large 20000 m2 plot.
© Edmund Sumner
住宅被规划成直线排列的楼馆，确保室内每个空间用饰面上的玻璃作内衬 —— 第一层外壳。其余结构是200毫米厚的混凝土薄墙，不需要任何梁柱，产生最简洁的室内体量。此外节约了大约3%的建筑死角，使总建筑面积达到18000平方米，节约面积为540平方英尺，相当于普通房间的面积。
The plan of the house is interpreted as a linear pavilion, ensuring that every space in the house is lined with glass on the facing sides - the first enclosure. The rest of the structure is in 200mm thin walls in concrete, eliminating the need for any beams and columns and making for cleanest interior volumes. Additionally, this saves constructed dead space by about 3% and for the 18,000 total covered area, this equals to 540 sq.ft or the size of an average sized room.
© Edmund Sumner
这座楼馆的三个翼房围绕着场地边缘。侧房容纳住宅的私人空间，包含每个儿子的家庭套房，而中间房屋容纳所有公共活动的生活空间。在这组房屋的转弯处的剩余角落，用圆形高墙紧密保护，形成较小的遮蔽空间——一个房屋容纳住宅的设施空间，另一个成为隐秘的庭院。这些也带有楼梯和电梯，呈现的外部空间能没有障碍地呈现Bidasar戏剧。组合房屋定义了场地中心的大型多户庭院。
This pavilion is oriented around the margin of the site as three wings. The flanks holds the house’ private spaces with suites for each of the sons’ families, while the central one hosts the living space for all communal activities. The residual corner voids by the turning of the blocks, are snugly protected by tall circular walls to form smaller sheltered spaces - while one cradles the houses’ utility space, the other acts as a court distant from the joint families gaze. These also carry the staircases and lift, rendering outer spaces clear of all encumbrances for the Bidasar drama to unfold. The composition as a whole footprint defines a large multi family courtyard at the heart of the site.
© Edmund Sumner
第二个外壳是一层15'高、9’宽和1’6’毫米厚的巨大Bidaser石墙，它沿着整个周边，是个固若金汤的外壳。一按按钮，沉重的石墙打开，像紫水晶的坚硬外表裂开露出其水晶内核，石墙变成一排围绕中心缓慢旋转的面板，或者拉开石墙显示封闭的室内。需要时能随意使用，不需要的时候不用。
The second enclosure is a layer of massive 15’high, 9’wide and 1’6’ mm thick Bidaser stone walls along the entire perimeter - an impregnable shell. Akin to the amethysts hard exterior cracking open to reveal its crystalline heart, at the push of a button, this imposingly heavy stone wall cracks open, as it becomes an array of panels spinning gently about their centres or sliding away to reveal a transparent cocooned interior. Can be employed at will whenever desired and dissolved when not.
Plan / Elevation 平面图/立面图
这层石板有助于产生内外部之间的缓冲，保护混凝土和玻璃内层免受强烈阳光和45度热量的影响，从而减少总体得热量。此外，这个空间兼作通道、走廊、入口门厅和交通空间，也用来挡雨，18000平方米居住空间之外的8000平方英尺空间不需要空调。这种用提高的生活品质和直接接触自然的方式来发展的节能建筑，我们称为价值建筑。
This layer of stone panels help create a buffer between the inside and the outside, protecting the inner layer shell of concrete and glass from intense sun light and 45o heat, thereby reducing the total heat gain on the air-conditioning. Moreover, this space doubles up as passages, verandahs, entrance vestibule and circulation space, and also as protection from rain, eliminating the need for air-conditioning in 8000sq.ft out of a total of 18000 habitable space. This saving is substituted with enhanced living and direct contact with nature in what we term as value architecture.
© Edmund Sumner
项目节约空调，封闭房屋，然后制造定制的机动轴和巨大的滑动系统。整个层次在建筑和结构上完全脱离内部结构，就像热缓冲，只用滑动和旋转系统的内部隐藏结构来支撑，厚厚的混凝土板浮在移动的石块上，产生壮观惊人的感觉。
Savings from the air-conditioning and sealing the house, is then channelled into making inhouse custom designed motorized pivots and giant sliding systems. Architecturally and structurally both, this entire layer is kept completely detached from the inside structure, almost as a heat buffer, and is only supported on hidden structures within in the sliding and pivoting systems, making for the awe in having thick concrete slabs floating on moving stones.
© Edmund Sumner
灯是用雪花石制作的，产生了最自然的氛围，大多数家具是从意大利各家设计厂商购买的，唯一的吧台是建筑师定制设计的。有一个三维的莫比乌斯带，它用不锈钢在当地制造，也成为酒后讨论和谈话的主题。移动墙壁下的灯光照亮了水面，使沉重的石头似乎漂在水面。
Lights are machined out of alabaster stone providing for the most natural ambience.
Most furniture is bought out from various design houses in Italy and a sole bar table is one custom designed by the Architects. It is a 3 dimensional mobius strip in stainless steel, locally fabricated, that can be subject of discussion and intellectual discourse after a couple of drinks. Lights and water under the moving walls light the water to make the heavy stones appear floating on water.
© Edmund Sumner
厕所也通往相反的两端，马桶、淋浴室和水盆都放在管道的三面，第四面留给维修设施通道，并且用于从管道到外部的通风。混凝土水盆台面是悬臂式的，镜子从地板到天花板，进一步展现了材料和重量方面的惊奇。空调在屋顶上，只在板上开孔用于鼓风机，这符合易于维护和维修的哲学。项目将设施和室内整合在建筑自身，这种方法不仅方便维修，还节省了很多施工时间。从开始到布置，整个建筑在18个月的时间内完工。
Toilets too open on opposite ends and the water closet, the shower and the basin, all three are positioned on 3 side of the duct, the fourth side left for easy service access and ventilation to the duct from outside.To carry on with the material & weight amazement further the thick concrete basin counter is cantilevered from the floor to ceiling mirror. In line with the same philosophy of the easy maintenance and serviceblity AC units have been kept on the roof with just holes cut in slab for blower. This approach of integrating the services and interiors in construction itself doesn’t only make it easy to service; it also saved a lot of time off construction. The entire building was ready in 18 months time from start to furnish.
© Edmund Sumner
这些墙壁与大自然最严酷的方面产生共鸣，融合了内部玻璃和野外景观，第三个外壳有时能瞥见户外，有时反映自身。在空间和隔墙的分层中，房屋的整个外层变成交界面，在内部精巧施工技艺和外面的翠绿场地之间调和。
Resonating with the harshest aspects of nature, in motion, these walls intermingle with the glass inside and the wild landscape outside, the third enclosure, to sometimes allow a glimse of the outdoors, sometimes reflect it and sometimes reflecting themselves. It is in this layering of space and screen, the houses’ entire envelope becomes an interface to mediate between the artifice of the inside and verdant site outside.
© Edmund Sumner
住宅周围能深入看到室内，房屋融入不断移动的景观幻觉中，我们有时发现自己反映在其中，反思存在于我们内外的自然。在房屋的入口通道能找到体验的缩影，这里所有的倒影都结合水面，使景观成为真正移动的景观。
The houses environs look deep inside their interior, as the house merges into an illusion of landscape constantly moving that we sometimes catch ourselves reflecting amongst, reflecting on the nature both within us and outside of us. The epitome of their experience is to be found at the entrance passage of the house, where all of these reflections find the surface of water to make the landscape a truly moving one.
© Edmund Sumner
© Edmund Sumner
© Edmund Sumner
Diagram/图解
建筑设计：Matharoo Associates
项目位置：印度，古吉拉特邦，艾哈迈达巴德
总建筑师：Gurjit Singh Matharoo
项目面积：1900.0平方米
项目时间：2012年
摄影：Edmund Sumner,Matharoo Associates
厂商：Artemide, Casina, EDRA, Flow, MDF Italia
项目团队：Gurjit Singh Matharoo (总建筑师) , Professor MC Gajjar (建筑顾问), Avneesh Tiwari (建筑师) , Mohit Maru(实习生), Irene Giubinni(实习生), Shilpa Sushil (实习生)
委托方：Mr. Trilok Goyal
结构工程：Matharoo Engineers, Rajendra Singh Matharoo (总负责人), Hitesh Rathi
机械工程：Harshad Jhaveri & Associates
室内设计：Matharoo Associates
景观设计：Vagish Naganur
总承建商：Shree Ram Builders, Ahmedabad
结构系统：混凝土墙板, 钢柱占地面积：3500平方米
Architects: Matharoo Associates
Location: Ahmedabad, Gujarat,India
Architect in Charge: Gurjit Singh Matharoo
Area: 1900.0 sqm
Project Year: 2012
Photographs: Edmund Sumner,Matharoo Associates
Manufacturers: Artemide, Casina, EDRA, Flow, MDF Italia
Project Team: Gurjit Singh Matharoo (Principal Architect) , Professor MC Gajjar (Architecural Advisor), Avneesh Tiwari (Architect) , Mohit Maru(Trainee), Irene Giubinni(Trainee), Shilpa Sushil (Trainee)
Client: Mr. Trilok Goyal
Structural Engineers: Matharoo Engineers, Rajendra Singh Matharoo (Principal), Hitesh Rathi
Mechanical engineer: Harshad Jhaveri & Associates
Interior Designer: Matharoo Associates
Landscape Architect: Vagish Naganur
General Contractor: Shree Ram Builders, Ahmedabad
Structural System: Concrete walls and Slabs, Steel columns
Site area: 3500 sq m
出处：本文译自www.archdaily.com/，转载请注明出处。
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