Mork-ulnes Architects bring lush foliage into artist studio and home in California

由专筑网Yumi，刘庆新编译

在加利福尼亚的索诺马县，挪威公司Mork-ulnes Architects / SFOSL改造和扩建了一个破旧的谷仓，把它连接到一个“类似变形虫的亭子”上，变成住宅兼艺术家工作室。

Attached to an ‘Ameoba-like pavilion’, Norwegian firm Mork-ulnes Architects / SFOSL have transformed and extended a dilapidated barn in Sonoma county, California, into a residence-cum-artist studio.


image © bruce damonte

独特的建筑经测量有2500平方英尺，以一个倒置的蝴蝶形屋顶为特色，包含一个宽敞的艺术家工作室和办公室。Mork-ulnes Architects开发了一个无缝连接室内外环境的空间。延伸和打断混凝土地面，部分的地面填充肥料，以种植竹子、芦荟和各种奇异的植物。

Measuring at 2,500 square feet, the distinctive property features an inverted butterfly roof which accommodates a spacious artist’s studio and an office. Mork-ulnes Architects developed a space that seamlessly establishes an indoor and outdoor setting. In the extension and interrupting the concrete floor, parts of the floor has been filled with compost and planted with bamboo, aloes and various exotic plants.


倒置的坡屋顶为艺术品制作和储存创造了全面的双层高度空间/The inverted pitch roof creates sweeping double height spaces for art production and storage. image © bruce damonte

该艺术工作室位于当地的谷仓内。传统的山墙屋顶被倒置，创造了双层高的空间，艺术家可以在这里发挥创造力，还可以存储作品。在这里还可以欣赏周围的景观。木材是主要的建筑材料，100年历史的老旧回收木板材被重新使用，作为产生对比的覆盖层，可以在住宅的外表皮上看见。

The art studio is located within the vernacular barn.The traditional gabled roof has been inverted to create a double height space for creativity and storage, with views out towards the surrounding landscape. Wood is the main construction material; the 100-year old reclaimed bar siding has been re-used as the contrasting cladding seen on the home’s external envelope.


屋顶是裸露的木材，剪刀梁屋顶上建有一个大天窗，为空间带来光线/The roof is an exposed wood, scissor-beam roof construction with a large skylight that brings light into the space. image © bruce damonte

“Lars想要一个全年都可以使用的户外厨房和餐厅，”建筑师Casper Mork-ulnes说。“我们的想法是让景观在建筑中流淌。他想象它是一个丛林，有异国情调的植物，如木瓜、香蕉、芒果，有室内盆栽和室外盆栽。”

室外，“变形虫”当代性的扩建在视觉上联系了景观和内部，开放性布局的厨房和餐厅位于S形的曲线混凝土地面之内，保持了夏季和冬季的热质量平衡。室内拥抱户外的自然，捕捉风景，以创造一个繁茂的景观，用芋头、无花果和竹子微妙地把厨房和餐厅分隔开。

‘Lars wanted an outdoor kitchen and dining room that he could use year-round,’says architect Casper Mork-ulnes.‘The idea was to let the landscape bleed in and out of the building. He imagined it as a jungle, with exotic plants, such as papaya, banana, and mango, inside and out.’
On the outside, the contemporary extension ‘the ameoba’ visually reaches out into the landscape and inside, the open-plan kitchen and dining sits within the S-curved cement walls, which keeps the thermal mass balanced during the summer and winter. The interior embraces nature and the outdoors, capturing the landscape to create a lush landscape of taro, fig, and bamboo that softly separates the kitchen from the dining area.


720平方英尺的厨房和餐厅空间的地面是混凝土，从工作室延伸出来/A 720 square feet concrete kitchen and dining space grows out from the studio. image © bruce damonte

在这个项目中，建筑师使用适应性再利用的方案作为大部分的建筑材料，在可能的情况下尽量减少不必要的玻璃材料。热破窗框架、无甲醛绝缘材料、可持续的经过FSC认证的木材被回收和利用，这有利于废物的减少。

For this project the architects used adaptive re-use strategies for most of the building materials, and minimized unnecessary glazing where possible.Thermally broken window frames, formaldehyde-free insulation, sustainable FSC certified milled wood were recycled and used, which resulted in the reduction of waste.


该结构有八英寸厚的S曲线水泥墙，这有助于控制热量/The structure has eight-inch-thick s-curved cement walls which helps in controlling thermal mass. image © bruce damonte


在这个项目里，建筑师使用了适应性再利用的方案，作为大部分的建筑材料/For this project the architects used adaptive re-use strategies for most of the building materials. image © grant harder


这栋变形虫工作室向景观延伸和开放/The ameoba pavilion extends and opens out into the landscape. image © bruce damonte


100年历史的回收木板被用作外立面覆盖层材料/100-year old reclaimed barn siding was used as the exterior cladding material. image © grant harder
  

image © bruce damonte


夜晚的住宅/The residence at night. image © bruce damonte


该住宅在加利福尼亚北部的索诺马县/The home is based in Sonoma county, northern California. image © bruce damonte


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