Saleh Barakat Gallery
由专筑网罗晓茜，刘庆新编译
新艺术画廊是贝鲁特最大、最杰出的画廊，该设计将历史悠久的Masrah al Madina剧院进行再利用，改造成一个专门展示的空间，展品还包括黎巴嫩和阿拉伯的艺术品。改造前的90年代进入剧院，这个地下空间早在1969年就作为中东的第一家影院，放映艺术家费里尼和盖维拉斯的电影以及苏联电影。
The design for the new art gallery, one of the largest and most prominent in Beirut, is an adaptive reuse of a historic theatre, Masrah al Madina, which is converted into a space dedicated to showcasing prominent as well as up and coming Lebanese and Arab artists. Before being transformed in the 90s into a theatre, the underground space was as early as 1969 one of the first cinemas in the Middle East to project art and experimental movies of Fellini and Gavras as well as Soviet films.
© Ieva Saudargaite
Section/剖面图
空间大部分位于地下，设计尝试创建一个从地面到地下展示空间、从人行道到展示天桥的平滑的过渡，同时给地下空间带来自然光。
Located mostly underground, the attempt was to create a smooth transition from the ground level to the lower gallery level, from the sidewalk to the catwalk, while bringing natural light to the buried space.
© Ieva Saudargaite
设计从现有的剧场空间入手，目的是为了保持空间的本质特征元素，并引入新的元素，影射空间的历史同时服务于新的空间。
Starting with the existing theatre space, the intent was to preserve essential characteristic elements of the space, and introduce new elements that allude to the history of the space while serving its new program.
© Ieva Saudargaite
© Ieva Saudargaite
© Ieva Saudargaite
一个新的楼梯，让人联想起戏剧长廊，从地面向下延伸至主要的画廊空间，经过次要的办公空间。串联的空间特性形成了上下两层之间的视觉连续性，使得日光也可以向下穿透到地下室。
A new staircase, reminiscent of theatre promenade staircases, cascades its way down to the underground main gallery space from the ground floor, going through secondary office spaces. The cascading nature allows visual continuity between upper and lower levels, and daylight to pierce its way down to the basement.
Courtesy of L.E.FT Architects
剧院的天花板通过翻新，强调出其钢铁天桥，并改造成为画廊环境照明和重点照明的存储库。新的电动吊链起重机，通常隐藏在房间的后面，需要时作为前建筑正立面首层的天花板，由裸露的I字型梁支撑，延续了画廊天花板到底层天花板的工业式外观。起重机将艺术作品的板条箱降落到主要的画廊空间，展示出房子后面的流线，并把它们置于入口楼层最显眼的位置。
The ceiling of the theatre has been renovated to highlight its steel catwalks, and transforming it into a repository for the gallery lighting, both ambient and accent lighting. A new electric chain hoist, usually hidden in the back of house, is fore fronted in the ceiling of the ground floor when needed, and is supported on exposed I beams that continue the industrial look of the gallery ceiling into the ground floor ceiling. The hoist would carry the art work crates down to the main gallery space, showcasing the back of house logistics and foregrounding them into the entry level.
© Ieva Saudargaite
同时，在主展厅两侧的存储通道变成了私人艺术画廊，房子后面成为了艺术体验最显眼的位置。在地下室的大型档案馆也成为私人客户会议的场所。
Along the same lines, storage aisles on either side of the main gallery space were turned into intimate art galleries, the back of house becoming part of the foregrounded experience of art. A large archive gallery in the lower basement was also introduced for private client meetings.
© Ieva Saudargaite
从夹层的行政办公室、画廊，都可以看到展览空间的全貌。
From the mezzanine floor, the administrative offices, and that of the gallerist, have a full view of the gallery space.
© Ieva Saudargaite
© Ieva Saudargaite
© Ieva Saudargaite
© Ieva Saudargaite
© Ieva Saudargaite
© Ieva Saudargaite
Plan 0/底层平面图
Plan -1/地下一层平面图
Plan -2/地下二层平面图
Plan -3/地下三层平面图
• 建筑设计：L.E.FT Architects
• 地点：黎巴嫩，贝鲁特
• 设计团队：Ana Conchan, Alex Palmer, Valeria Fervorari, Rafah Farhat, Elias Kateb
• 面积：900平方米
• 项目时间：2016年
• 摄影：Ieva Saudargaite, Courtesy of L.E.FT Architects
• 制造商：Lighting
• 主承包商：MEC Consultant
• 制造商：ACID
• 主承包商：MEC Consultant
• 制造商：ACID
• Architects: L.E.FT Architects
• Location: Beirut, Lebanon
• Design Team: Ana Conchan, Alex Palmer, Valeria Fervorari, Rafah Farhat, Elias Kateb
• Area: 900.0 sqm
• Project Year: 2016
• Photographs: Ieva Saudargaite, Courtesy of L.E.FT Architects
• Manufacturers: Lighting
• Main Contractor: MEC Consultant
• Manufacturers: ACID
• Main Contractor: MEC Consultant
• Manufacturers: ACID
出处：本文译自www.archdaily.com/，转载请注明出处。
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