Onondoga Lakeview Ampi theater
Syracuse, NY, United States

由专筑网李韧，韩平编译

2014年9月，纽约立法通过在Syracuse附近的Onondaga湖畔建造一座新的表演艺术场所。DLR Group设计的根本出发点则来自于游客的心理体验。游客们白天可以享受这里的美景，晚上来到这里可以观看表演。剧场的位置和朝向在最大限度地利用了场地的轮廓和湖景的同时，也尽量减少对湖面的影响。建筑的形式，视角体块、材质以及色彩设计的目的是加强周围的圆形流动空间的感知与变化。从外观上看，剧场的设计运用了简单的符号形式，屋顶轮廓线与区域农业结构相互呼应。甚至从细节上增强视觉感受以及对于湖面的隐喻，其中最美丽的竖向重复构件在逆光时与湖面上的美景形成了一定的几何关系。

Following its designation as a Superfund site, legislation was passed in September 2014 allowing for the construction of a new performing arts venue on the land surrounding Onondaga Lake near Syracuse, New York. DLR Group|Weslake’s design for the Onondaga Lakeview Amphitheater is rooted in an appreciation for the unique patron experience it offers. Visitors arrive for an event during the day and experience the transition of the venue and its performances through twilight, into the evening. The amphitheater's position and orientation maximize natural land contours and lake views while minimizing significant cut and fill. The forms, shaping of views, material and color palette, and lighting are designed to enhance the patron perception of the ever-changing quality of the flow of light and space in and around the amphitheater. Aesthetically, the amphitheater’s design utilizes simple iconic forms, echoing the rooflines and materiality of the agrarian structures of the region. Key details enhance the visual and metaphoric connections to the lake, most notable of which is the pavilion fascia. When backlit, it parallels the fall of light at dusk on the lake waves.

该项目的范围包括79000平方英尺的功能区域、座位下部5000平方英尺的空间，以及草坪上的12500平方英尺的自然步道和室外活动中心。该项目有几个关键的挑战，即困难的地基工程和有限的施工时间，因为这需要在不到一年的时间内完成设计和施工。因此，材料的选择和施工方法都取决于周围随时可用的资源，以满足即将到来的最后期限。流线设计的主要目的是区分开的观众和表演者的流线，同时为人们提供无遮挡的湖景。自行车道路环绕整个湖，让乘客可以直接穿过建筑底部，这样的设计手法强调了剧场在作为观影建筑的同时还作为一个开放的公园。这里的景观设计上运用了原生草地，这十分适合覆盖底层，有利于野生动物的栖息，同时也能控制游客的数量。DLR Group和WRL事务所主要提供建筑工程（MEP和结构）设计服务以及剧场技术、视听、照明、低压设计。

The scope of work for this project included 79,000 square feet of new performance and space with seating for 5,000 under cover and 12,500 on the lawn; nature trails; and an event center. The project had several key challenges including a difficult site (capped industrial waste) and an accelerated schedule that required design and construction be completed in less than one year. As such, material selection and construction methods were developed around readily available resources to meet the aggressive deadline. Site circulation was designed to separate patron and performer support access, while providing unobstructed views of the lake. A bicycle path was added to circumnavigate the entire lake and allow riders to pass directly through the pavilion, underscoring the site’s function as an open park. The use of native meadow grasses, which are physiology suitable for the underlying capped waste material, promote the wildlife habitat and control patron circulation. DLR Group|WRL provided integrated architecture and engineering (MEP and structural) design services as well as theater technical, audiovisual, lighting, and low voltage/IT design.

DLR Group于2016年9月Westlake Reed Leskosky事务所。今天，作为一个全球性的综合设计事务，DLR Group与Westlake Reed Leskosky事务所则共同致力于提升人们心理体验的设计事务。

摄影：Ravette Studio

DLR Group acquired Westlake Reed Leskosky in September 2016. Today, the combined design expertise and resources of Westlake Reed Leskosky and DLR Group serve clients as a global, integrated design firm committed to elevating the human experience through design.
All photos by Ravette Studio Photography.

从照片中可以看出，这个剧院与其说它是一个剧院，倒不如说是一个可供观影的建筑小品，设计手法上建筑的下部由支柱架空，使得建筑像是飞碟一般漂浮在半空中，既不遮挡人们的视线，又具有自身的特有功能属性。游客们可以在草地上观赏湖景，也可以进入建筑二层感受不同的视角，观景视角的错落带来了不同的景观层次，人们有更多的选择性，深刻满足了游客放松玩乐的心理感受。

而由工期的限制造就了建筑材料的就地取材，让建筑既独立于整个场所，又似乎离不开环境的衬托，二者相辅相成。建筑立面的竖向构件与湖面相呼应，远远看去如瀑布般自然轻松，不失为一个处于场地而又独立于场地的成功案例。

设计公司：DLR
类型：文化›会议厅/剧场
现状：建成
年份：2016年
规模：25000——100000平方英尺

FIRM: DLR Group
TYPE: Cultural › Hall/Theater
STATUS: Built
YEAR: 2016
SIZE: 25,000 sqft - 100,000 sqft


出处：本文译自architizer.com/，转载请注明出处。