Chybik + Kristof用900个塑料椅子制作了一个家具展厅
Chybik + Kristof uses 900 plastic chairs to clad Czech furniture showroom

由专筑网李韧，杨帆编译

几百个黑色塑料椅子覆盖于建筑的外立面，Chybik + Kristof事务所在捷克市中心的一家汽车展览馆运用了这种奇特的手法。

Hundreds of used black plastic chairs cover the facade of this furniture shop, which architecture studio Chybik + Kristof has created inside a former car showroom in the Czech city of Brno.

由于整体建筑物的外观缺乏视觉吸引点，这样的建筑造型不符合该公司及其产品的展销需求，因此整个展厅需要重新设计。

家具公司MY DVA Group要求Chybik + Kristof事务所尽量降低造价，“便宜，最好是免费的”。因此，设计师的策略是创建一个雕塑感十足的立面，并且尽可能地减少对于原有建筑的影响。

Chybik和Kristof使用了900多个黑色塑料椅——耗资80克朗（每个为2.50英镑）——创建了一个崭新的立面。

新颖的设计特点成为了公司展览最独特的具有戏剧性的广告。

“我们是一个年轻的工作室，我们认为自己的设计应该带有滑稽元素，”Ondrej Chybik告诉Dezeen记者，“但同时也应该在这样的智能方式下共享有关建筑物的功能信息。”

The former showroom was in need of an update, with the building's exterior lacking any visual connection to the company or its products.
The furniture company MY DVA Group jokingly requesting Ondrej Chybik and Michal Kristof "do it cheap, ideally for free." Their solution was to create a sculptural facade requiring minimal interference with the original building.
Chybik and Kristof used the seats from 900 generic black plastic seats – costing around 80 CZK (￡2.50) each – to create the cladding.
The novel design feature acts as an advertisement for the office and school furniture company, with an added element of comedy.
"We are a young studio and we think all our designs should be a bit funny," Ondrej Chybik told Dezeen. "But in a smart way of sharing information about the building's programatic function."

椅子覆盖了550平方米的空间，一个黑盒子入口从外墙表面延伸而出。

建筑坐落于Vinohrady郊区，由一个房地产商于上世纪80年代所建造，而汽车展厅的原有结构则建于上世纪90年代，是坐落于商业区内的“非建筑”。

The chairs cover three sides of the 550-metre-square space, with an angular, black-boxed entrance protruding from the irregular surface of the exterior wall.
The thematic building is situated on the outskirts of Vinohrady, a housing estate built in Brno in the early 1980s. The original structure of the car showroom was built in the 1990s, in line with the "non-architectural" commercial buildings that populate the local area.

“周围建筑是建于80年代的住宅区，多是一些形体重复的公寓。”Michal Kristof说，“我们的设计是一个非常具体的策略，专注于展览与建筑相互连接的框架。”

“当地的居民十分好奇。”Chybik说，“人们开始谈论建筑，这正是我们所需要的，我们想要激发关于建筑的对话，并自然而然地谈论表达与设计。”

"The surrounding [neighbourhood] is a residential area built in the 80s – a repetitive concept of the block of flats," said Michal Kristof. "Our design is a very specific approach focused on the client's production and its connection with the architecture."
"There was a huge curiosity of local residents," Chybik added. "People started to talk about the building – we love to open a dialogue about architecture and thanks to the expressive design, it's now happening naturally."

该公司使用的维琴察椅子由供应商定期交付。每个座椅都可以从这么一个大型钢结构上拆卸下来。尤其当建筑物被清洗时，这些椅子每年都将被拆除一次到两次。”

原有建筑的内部被完全重新创造，向周边写字楼和员工区所开放。

The firm used a standard Vicenza chair which the supplier delivers on a regular basis. The individual seats are removable from a large steel structure that is attached onto the original facade. Each piece is removed once or twice a year when the building is high-pressure cleaned.
The interior of the original building was completely gutted to create an open-plan room with surrounding offices and a concealed staff area.

展厅是一个开放的大空间，有着裸露的混凝土天花板和白色楼板。聚碳酸酯隔墙所围合而成的工作人员办公室环绕在中央画廊周边。

三个圆形空间由白色幕墙划定，形成学校家具，办公家具和设计作品的单独展区。地板到天花板的窗帘可以随时打开或关闭，以满足办公室或学校的光照要求。

室内空间作为展览区域，对于光照要求相对较低，因此建筑师更多考虑的则是外观设计。

The showroom floor is an open central space with an exposed concrete ceiling and a white screed floor. Polycarbonate partitions form the walls to the staff offices, which are situated along the perimeter of the gallery space.
Three circular spaces are delineated by white curtains to form separate galleries for school furniture, office furniture and design pieces. The floor-to-ceiling curtains can be left open or closed to correspond to the light conditions in an office or school.
With the interior area functioning as an exhibition space, only low light levels are required and so the architects were able to make more use of the exterior design.

陈列室布局的灵活性意味着空间可以自由地随着各种活动和展览进行调整。

Chybik + Kristof事务所以往的项目包括为KOMA模块化制作工厂设计的咖啡馆，该公司后来被委托设计了许多模块化项目，2015年米兰世博会捷克馆也由他们设计。

摄影：Lukas Pelech

The flexibility of the showroom's layout means the space can be easily adjusted to various events and exhibitions.
Previous industrial design projects from Chybik + Kristof include a cafe made from prefabricated blocks for KOMA Modular's construction factory. The firm was later commissioned to use the same modular components to create the Czech pavilion at the ongoing World Expo in Milan in 2015.
Photography is by Lukas Pelech.

项目信息：
客户：MY DVA Group
建筑团队：Ondrej Chybik, Michal Kristof, Victor Cojocaru, Martin Holy, Vojtech Kouril, Sarka Kubinova, Ondrej Mundl, Matej Strba

Project credits:
Client: MY DVA Group
Architectural team: Ondrej Chybik, Michal Kristof, Victor Cojocaru, Martin Holy, Vojtech Kouril, Sarka Kubinova, Ondrej Mundl, Matej Strba

      
出处：本文译自www.dezeen.com/，转载请注明出处。