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遨游山水之间的蓝色禅宗花园第1张图片


能够观望里约面包山的Daniel Arsham 的蓝色日本禅宗花园
Daniel Arsham sets blue Japanese zen garden overlooking Rio's sugar loaf mountain

由专筑网黎旭辰,朱王倩编译

在里约热内卢,Daniel Arsham 布置了一个巨大的日本禅宗花园,花园能够观望城市的自然景观及其著名的糖面包山。“蓝色花园”使用了包括沙,石,木,混凝土,植物等材质。现代化的石制品取代了传统的石头作为装饰的元素。“因为文化疏离,Daniel Arsham 采用了日本禅宗花园的枯山水,”策展人Marcello Dantas说。“他建议将项目以知识文化重叠的不同层方式,整合为未来关于现代时光的考古遗址。”

In Rio de Janeiro, Daniel Arsham has assembled an enormous Japanese zen garden that overlooks the natural landscape of the city, and its famous sugar loaf mountain. ‘Blue garden’ comprises a mix of media, including sand, stone, wood, concrete, plants. Modern petrified artifacts replace the traditional stones as an element of decoration.‘With cultural distancing, Daniel Arsham observes the karesansui, the buddhist art of the Japanese zen gardens,’describes curator Marcello Dantas. ‘He proposes to project into the future an archaeological site about our present time, in which different layers of knowledge and contamination overlap.’

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all images by joana frança

此次项目由致力于文化,教育和可持续发展的研究所——oi futuro赞助,Arsham的“蓝色花园”重新解释了在日本文化中作为冥想和沉思且很重要古老的环境。在这里,艺术家在沙滩风景中用当代饰品装饰,从他的项目中看到的“石质”的文物,暗示了古代与现代之间的对比。“石头是我们的日常很容易看到的物品”,Dantas继续说道,“石化作为一种地质表现,与面包山在地质学上表现出的特征产生对话,花园庄严肃静,创造了一种奇特的平衡。

Presented by Oi Futuro — an institute dedicated to culture, education, and sustainability — Arsham’s ‘blue garden’ re-interprets an ancient environment, important in Japanese culture as a refuge for meditation and contemplation.Here, the artist ornaments the sand landscape with contemporary ‘petrified’ artifacts from his practice, suggesting a contrast between the ancient and the modern. ‘Where the stones should be, we find everyday objects,’ Dantas continues, ‘petrified, functioning as a kind of geological expression, in dialogue with the monumentality of the geological expression of pão de açúcar — solemn, straight ahead, creating the strange equilibrium of this garden.’

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装置延续Arsham作品里常用的色彩,是其色盲职业生涯中一次相对较新的发展。今年,Arsham开始戴一副高科技眼镜,能够人造地分离光谱上的波长,使他能够看到他从来没有的颜色,而这样的颜色能够平衡艺术,表演和建筑之间的界限,Arsham重建环境与元素的混合,突破了我们对空间,时间和形式的期望。 艺术家解释说:“我试图创造一个建筑似乎在移动的空间,仿佛它们正在形成或者改变。”

The installation continues Arsham’s work in color — a relatively new development in the colorblind artist’s career.last year, Arsham began wearing and working with a pair of high-tech eyewear that artificially separates the wavelengths on the spectrum, making him able see colors he never had before. Balancing on the line between art, performance and architecture, Arsham reconstructs environments with elements that confuse and blend our expectations of space, time and form. ‘I try to create a space where the architecture seems to be in motion, as if in the process of forming or deforming,’ explains the artist.

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出处:本文译自www.designboom.com/,转载请注明出处。

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