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变形术:跨界建筑师,艺术家芭芭拉·卡斯滕(Barbara Kasten)的全新作品
Shape shifter: artist Barbara Kasten dons an architect’s cap in a new body of work


虽然快接近80岁,但是芭芭拉·卡斯滕(Barbara Kasten)仍然身体矍铄,创作不息。本周五这位美国艺术家在纽约的博尔托拉米美术馆举办了一次展览。这次展览展示了三件大尺度的雕塑+摄影混合体作品。最近的这些作品沿袭了她独立雕塑以及上世纪七十年代名为“复合词”的作品风格。

She might be entering her eighth decade, but Barbara Kasten is still going strong. On Friday the American artist opens an exhibition at New York’s Bortolami gallery, showcasing three new bodies of large-scale sculpture-photo hybrids she’s been working on of late, that relate to her freestanding sculptures and Amalgams of the 1970s.



As ever, architecture is at the heart of Kasten’s thinking as an artist. The show’s title, ‘Parti Pris’, refers to the common term for the big idea behind an architect’s design, usually presented as a diagram. Kasten’s parti pris here might have been ‘bridging dimensions’, but this being art, not architecture, it’s all left open to interpretation.



What you will see at Bortolami is plenty of dimensional play: in Collisions, a series of grand, colour-rich Fujiflex photographs of acrylic fragments started in 2016, with new additions presented at ‘Parti Pris’, 3D structures are perceived but flattened – an ambiguous space in between. Kasten’s works are a constant guessing game – what is surface, and what is image? What was really there, and what wasn’t? Her artworks have a dimension of their own.




Meanwhile, in Progressions, 2D arrangements protrude out and enter space. Reversing her Amalgams of the late 1970s, (photograms of transparent objects translated into a two dimensional suffusion of photograms, drawing and photograph) she turns the flat representations back into abstract shapes that cast shadows over the gallery. Kasten calls them ‘temporary photograms’. This is geometry as its most mesmerising.
The show-stopper, though, is Parallels, a vast sculpture of cantilevered components, in Kasten’s favoured translucent fluorescent palette. It’s really in these transitional seasons that Kasten’s work comes into its own, shifting in sync with the light as it starts to change outside – and with it, our perception of space and where we are within it.





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