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寒冬中的你周末想去耍?小编给你介绍个展览第1张图片

深圳设计互联展
Design Society Shenzhen / MVRDV

由专筑网缕夕,李韧编译

来自建筑事务所的描述。“设计”已经逐渐成为我们当今和未来的关键词。这个词将成为社会全新的思维载体。它存在于着手前,是关于制作之前的思考。拥有设计感的产品改变了我们的世界,生产新产品的机器也如此。一个以设计为主导的社会,正在不断建设之中,在这不断智能化的世界里,一个数字化的新世界即将出现。

Text description provided by the architects. Design has become and will be more and more the keyword of our world and our next worlds. The word will be the carrier of the thinking processes towards new societies. It is about the phase before production. It is about the thinking before the making. Design products change our world and so do the machines that produce new products. A society led by design is under endless construction and in an expanding smartening universe, there is an emergence of a new world of digitized making.

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如何传达设计理念?如何感受设计的目的?小事物能够改变世界,而大事务能够改变小事务,我们可以想象到怎样的变化?它们之间又存在着怎样的关联?

How to convey that thought? How to experience that? That small thing are able to change the world..... and that big things can change small ones sequentially. What changes can we imagine? How do they interrelate?

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MVRDV设计互联展,位于深圳蛇口海上世界文化艺术中心的主展馆,本次展览呼应了双年展的主题“Minding the Digital”,数字创意形式让中国从历史悠久的制造业中心转变为现在的创新型中心。展览围绕着这样一个问题:如何识别由数字思维产生的多个设计方向?为了回答这个问题,MVRDV设计了一个贯穿两层的迷宫,为设计和使用人员提供个性化和独特的展示环境,同时在两个楼层之间创造出一种协同效应,从展厅内或展厅上面观看,都能够具有不同的感受和体验。

MVRDV’s design for the main exhibition hall of the Sea World Culture and Art Center located in Shekou, Shenzhen responds to the biennial theme; ‘Minding the Digital’ and considers the myriad forms of digital creativities that are critical to China’s shift from a historic manufacturing centre to its current reinvention as an innovative hub. The design draws on and also reflects upon the central question of how to identify multiple design directions generated by digital thinking? To answer this, MVRDV has developed a labyrinth located over two floors that individualise and differentiates the display environments for designs and designers, whilst at the same time creates a synergy between both floors which gives different perspectives and experience from either within the exhibition hall or viewing from above.

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展厅包括两个层次:

第一个层次:作品

在第一层,最初的想法是“迷宫”。这层空间被设计成迷宫形式,每个设计师和其作品都在为新世界做出贡献。他们都有不同的关注点,所以需要独立的展示空间,令人得到思考。然而,参观者可以从一个房间进入到另一个房间,进一步熟悉他们的作品并加强理解,所有的房间都运用了黑色的内饰,使参观者将注意力集中于作品之上。

The exhibition hall comprises of two levels:

LEVEL 1: THE PRODUCTS
On level one, a labyrinth of ideas is made. This floor is designed as a maze of rooms that each show of designers and designers are contributing the making of a new world. They all have individualised foucs so need individual rooms to reflect on this. Visitors however can go from room to room to get further acquainted with their works and understand them. All of the rooms have black interiors to give central focus products on display.

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第二个层次:创造者

在二层及以上的个性化展示空间之中,设计师运用了透明楼板,参观者透过玻璃可以看到创作者、作品和设计师。它的形式类似于“舞池”,参观者可以体验所经历的历史片段,并与下层空间进行互动,也可以进入展示未来作品的区域,这个美丽的空间则运用了下部采光。

LEVEL 2: THE MAKERS
On the second floor and above the individualized display spaces below, stairs lead to an upper level with a glass floor showing off the makers, products and designers below. It becomes akin to a ‘dance floor’ where visitors can experience walking over (hi)stories. Here the visitor can interact with what goes on below as well as encountering a space for future products. It is a beautiful space illuminated from below.

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THE GENERATOR

过去的发明往往相互关联,这被称为推动展示的互联社会。这让人们能够了解到别人的所作所为。Generator是一个既连接过去与现在、同时展望未来的空间场所。

THE GENERATOR
The inventions of the past somehow interrelate and this is somehow described as an open source society that promotes showing. and an awareness of what others are doing and thinking. The generator is a place for encountering the interrelatedness of the past and present whilst looking to the future.

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寒冬中的你周末想去耍?小编给你介绍个展览第9张图片

特洛伊,进化的城市

社会不断演变这个设计概念类似于施里曼对特洛伊城的发掘,展现历史的发展和城市的建设。未来由能够导致城市进化的创造性思想而创造。

TROY, THE EVOLUTIONARY CITY
Layer after layer new societies are being built and the proposal here for Design Museum might be likened to Schliemann’s excavations in Troy, that showed the evolutions of history and the making of the city. The future is made by inventive ideas that can lead to the emergence of the evolutionary city.

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这些空间、想法、作品和制造商表达了当前的产品文化,同时也展示了设计师们如何构建这个充满野心的新世界。

All these rooms, ideas, products and makers might be seen as offering a panoramic view on the current making culture and how design/designers help construct a brave new world.

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建筑事务所:MVRDV
项目位置:中国,广东深圳,南沙蛇口
MVRDV主创人员:Winy Maas, Jacob van Rijs, Nathalie de Vries
设计团队:Winy Maas, Wenchian Shi, Marta Pozo, with Bart Milon, Gustavo van Staveren, Cai Zheli, Matiss Groskaufmanis, Guang Ruey Tan, Sen Yang, Jan Szymankiewicz, Jose Sanmartin, Wenzhao Jia
项目协调员:Jammy Zhu
项目年份:2017年
摄影:Zhang Chao
艺术指导:Ole Bouman
展览负责人:Rong Zhao
策展人:Carrie Chan
展场经理:Xiaonan Li
策展助理:Siyun Tang, Xiaoyu Zhang
展场助理:Yunjing Huang, Chenchen Zhou
教学及活动策划经理:Haibing Shen
活动策划助理:Qiuyi Ye
教学助理:Xuan Pan
外交负责人:Ling Gu
会员经理:Shu Zhang
设计师:Sheng Cheng
形象代表:Sichao Wu
展览布置:Kastone
合作建筑事务所:Design Republic engineering
平面设计:Thonik

Architects: MVRDV
Location: Shekou, Nanshan, Shenzhen, Guangdong, China
Design MVRDV: Winy Maas, Jacob van Rijs, Nathalie de Vries
Design Team: Winy Maas, Wenchian Shi, Marta Pozo, with Bart Milon, Gustavo van Staveren, Cai Zheli, Matiss Groskaufmanis, Guang Ruey Tan, Sen Yang, Jan Szymankiewicz, Jose Sanmartin, Wenzhao Jia
Project Coordinator: Jammy Zhu
Project Year: 2017
Photographs: Zhang Chao
Director: Ole Bouman
Programme Director: Rong Zhao
Exhibition Curator: Carrie Chan
Exhibition Manager: Xiaonan Li
Assistant Curator: Siyun Tang, Xiaoyu Zhang
Exhibition Assistant: Yunjing Huang, Chenchen Zhou
Learning and Event Manager: Haibing Shen
Event Assistant: Qiuyi Ye
Learning Assistant: Xuan Pan
Head of Communication: Ling Gu
Membership Manager: Shu Zhang
Designer: Sheng Cheng
Branding Officer: Sichao Wu
Exhibition Construction: Kastone
Co-architect: Design Republic engineering
Graphic Design: Thonik


出处:本文译自www.archdaily.com/,转载请注明出处。

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