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色彩夸张的工作室,原来办公还能这么有情怀第1张图片

Studio11为Minsk工作室添加别具一格的色彩和纹理
Studio11 uses colour and texture to inject personality into its own Minsk workspace

由专筑网王帅,李韧编译

Studio11将工业装饰、豪华家具和五颜六色的艺术品结合起来,在明斯克(Minsk)创建了自己的工作室。

Studio11 has combined industrial finishes with plush furnishings and colourful art to create the interior of its own workspace in Minsk.

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这个年轻的白俄罗斯工作室由建筑师Maksim Vavinski、Tatiana Kashuro、Alexandr Zhmakin为主要负责人,他们希望自己的设计能够超越许多工业美学的建筑和办公空间。

虽然他们保留了许多原始的装修韵味,同时也增加了许多色彩和纹理,以彰显他们团队的品味和历史底蕴。

The young Belarusian studio – led by architects Maksim Vavinski, Tatiana Kashuro, Alexandr Zhmakin – wanted to go beyond the simple industrial aesthetic that characterises many architecture and design offices.
While they chose to keep many of the space's raw finishes, they also added flashes of colour and texture, as well as objects that reflect the tastes and history of the team.

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设计师说:“可以肯定地说,这个空间聚集了我们的专业偏好,是我们个人设计哲学的外在表达。”

他们继续说:“在这里可以找到一些我们在项目中使用的技术和物品。这对于我们来说弥足珍贵。我们将自己的个人经历和内在的一些东西添加到工作室的装饰之中。”

"It is safe to say that this space gathers up our professional preferences and is a physical expression of personal philosophy in design," said the trio.
"Here, one can find a number of techniques and objects that were used in our projects," they continued. "Things like this are very dear to us. They fill the workspace with personal history and additional internal meaning."

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这个92平方米的工作室分为两部分,大空间是工作区、小休息区和材料库,小空间是另一个工作区,还有整洁的厨房和餐厅。

整个工作室的墙壁使用粗糙的石膏封面,墙的下半部分被涂成蓝色,从天花板到地板之间的窗帘与墙面色彩相契合。

The 92-square-metre studio is divided up into two sections. The largest side contains a workspace, a small lounge area and a materials library. The other side contains a second workspace, and a generous kitchen and social area.
Walls throughout the studio have a rough plaster finish, but the lowest section has been painted into a rich blue tone. A matching effect can be seen on curtains that stretch floor-to-ceiling.

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蓝色色调与空间中的其他元素形成鲜明的对比,从厨房的鲑鱼粉柜台到休息区的红色椅子和凳子,他们为这些艺术品创造了引人注目的背景,即白俄罗斯艺术家Zakhar Kudin的一个大型绘画作品。

This blue tone contrasts with other elements in the space, from the salmon-pink counter in the kitchen to a red chair and stool in the lounge area. It also creates a striking backdrop to the various artworks, particularly a large painting by Belarusian artist Zakhar Kudin.

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画作位于铺着蓝色软垫床的上方,创造出设计师所描述的丰满形象,设计师通过将密斯范德罗的作品与马蒂斯的故事形成对比,为巴塞罗那沙发床赋予了全新的阐述。

设计师说:“这幅画的内在精神与上世纪初的野兽派作品相类似,这种表达可以有效地减轻空间的约束性。”

This painting is positioned directly above an upholstered blue daybed, creating what the architects describe as "a rather fin de siècle image, a modern interpretation of the Barcelona daybed by Mies van der Rohe set against a Matisse story".
"The bodacious spirit of the painting reminds of the Fauvists' works at the beginning of the previous century," they said. "Such expression organically smooths the restrained character of the space."

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设计师使用粗糙的混凝土板铺设地面,并将其涂成浅灰色。

这个空间还有一些其他有趣的地方,比如一个小型玻璃块隔板,它将私人书房内的桌子和一个抽屉箱隔开,另外,这里还放置了各种各样的盆栽。

The floor surface is provided by a rough concrete screed, painted in a very light shade of grey.
Other interesting additions to the space include a small glass-block partition, which separates a private study desk from a tall chest of drawers, and an assortment of large plants.

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Studio11是建筑设计工作室,但他们更常从事室内设计。过去做过的项目有为游戏公司Vizor设计了苏联风格的内饰。

设计师说:“在未来将有六七名设计师在这个新办公室里工作,人数有时候多,有时候少,因为我们不断地探索新项目,所以人数不定。”

Studio11 describes itself as an architecture and design studio, but specialises in interior design. Past projects include a Soviet-inspired interior for gaming company Vizor.
The studio's new office is usually occupied by six or seven designers, although the number often varies, say the designers. "Sometimes there are fewer of us, sometimes more, since we are in constant motion and exploring new opportunities for our projects," they concluded.

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出处:本文译自www.dezeen.com/,转载请注明出处。

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