Curved openings and salmon-pink furnishings appear throughout Night Tales Bohemia Place, a new east London bar designed by Sella Concept.
Occupying two arches beneath Hackney Central train station, it is the latest in a series of Night Tales venues that have opened in the UK capital in the past five years.
Design studio Sella Concept was charged with developing an aesthetic for the space, which plays host to a nightclub, a pizza parlour and a 370 square-metre garden.
The designers were asked to "connect the disparate parts of [the bar] into a coherent, impactful whole", while subtly drawing on the identity of the Japanese bar and grill that forms part of the venue.
该设计工作室的联合创始人Tatjana von Stein在一份声明中谈到:“设计的关键是有计划地通过颜色、材料和功能将所有区域联系起来。”
“我们不想照搬伦敦东部酒吧的工业时尚美学和传统的日本主题风格,所以将两者结合起来。”
"The key was to create a scheme to link all the areas through colour, materials and behaviour," Tatjana von Stein, co-founder of the studio, explained in a statement.
"We wanted to stay away from the usual east London bar aesthetic of industrial chic and the traditional Japanese theme, so we pushed the parameters of both."
在Halo建筑公司的协作下,该设计工作室参照了铁路隧道的形式,在空间中增加了一系列弯曲的门道。
这种形态还出现在花园、框架和休息区中。
With the help of construction company Halo Group, the studio added a series of curved doorways throughout the space, in reference to the form of the railway tunnels.
This shape also crops up again in the garden, in the vaulted frames that shelter daybeds.
A pink colour scheme features throughout – an attempt to brighten the arches, which had previously accommodated an auto repair shop. Salmon-coloured resin forms a series of booth seats, while rose-hued circular mirrors provide decoration.
Fuchsia strip lights are also integrated into the roof of one of the bar stations, to direct attention to the trains passing.
Pale concrete fronts the counter of the main bar, while columns and canopies are made from thin slats of cherry timber.
Sella Concept设计工作室由Tatjana von Stein和Gayle Noonan领导。
Sella Concept is led by Tatjana von Stein with Gayle Noonan.
Earlier this year, the studio used peachy tones for the surfaces of Omar's Place restaurant in London's Victoria, complemented by brass and sage-green furnishings intended to evoke the warmth of the Mediterranean.
Photography is by Nicholas Worley.