巴西利亚20号空间
Espace 20 one / Debaixo do Bloco Arquitetura

由专筑网王沛儒，李韧编译

来自建筑事务所的描述。建筑师Clay Rodrigues选择用10x10米的空间设计了一个功能齐全的多功能概念空间，表达了客户对这个办公空间的技术要求和愿景。这个空间必须满足公司在不同时间的不同用途，例如接待来宾、空间转换、幻灯片演示等。

Text description provided by the architects. A versatile, functional place that expressed the technology and the vision ahead of the company that contracted the office were the requisites requested to the architect Clay Rodrigues to create in 10x10 m a conceptual space. This environment would have to represent the company in uses and times differents, such as reception, conversions, presentations.



出于对客户指定的未来主义空间概念，建筑师师研究了科幻电影中反复出现的元素，这些元素来自电影《孤岛》（the Island）、《少数派报告》（Minority Report）和《电子世界争霸战》（Tron）中出现的未来主义城市的形态。考虑到这一点，建筑师找到了在这些电影中经常出现的元素，即光、对称性、纯粹的几何、极简主义等等，这些元素都会通过设计出现在项目中。

From the desire for a customer-appointed futuristic space, the office began a study of recurring elements in science fiction films that represent the morphology of futuristic cities seen in movies such as The Island, Minority Report and Tron. With that in mind the project turned on some items that appear in a common way in the movies: Light, Assepsia and Symmetry, Pure Geometry, Minimalism and Design that were placed in the project through the following items.





白色的空间氛围

空间对白色的大量使用使其看起来很统一，让人感觉很干净，为客户带来极简主义环境，它纯粹得似乎没有传递任何信息。

White Environment
The excessive use of this color brings uniformity and monotony, leads to the sensation of asepsis and associates to the visitor a minimalist environment with little or no information.









木屋顶

木屋顶以面板的形式出现，在不破坏极简主义理念的前提下创造了运动元素，它们有一定深度，创造出重复和有节奏的空间韵律。其中还隐藏了一些东西，比如在不同场合需要使用的家具和电子设备的门和橱柜。

Wood shingles
They appear in panels and create movement without harming the idea of ​​minimalism because of their game of depth and repetitive rhythm. They also hide elements such as doors and cabinets that hold furniture and electronics used on different occasions.



几何图案

它们在墙壁上很突出，明亮的横截面和较深区域石膏墙上切口中的灰色阴影形成对比，这些切口将空间分割开来，遵循了节奏和重复的设计理念。

Geometry
They are prominent on the walls with an illuminated cross section and the shade of gray in the deeper area, also appear in cuts in the plaster that fractionate the lining to follow the idea of ​​rhythm and repetition.



冷光照明

冷光照明是项目的统一元素，多束光线将环境连接起来，创造具有技术感的氛围，强调了纯净的空间理念。

Cold light Lighting
Is the unifying element of the project. Extensive lines of light travel and interconnect the environment, create the feel of a technological setting and reinforce the idea of ​​aseptic environment.



设计

家具的选择对营造氛围十分重要，并且以表达创新的材料为基础，它们的应用并不影响光滑的线条和流线型空间要素。

Design
The choice of furniture was important to create the atmosphere and was based on materials that express innovation, that do not have amendment and value smooth lines and drawing fluids.



透明可见的Kartell亚克力作品和Jader almeida玻璃圆顶。

Transparency seen in Kartell acrylic pieces or Jader almeida glass domes.



Studio Bola设计的 Sergio Faher扶手椅和边桌都是银色，这种色彩表达了铝材的质感。

The Sergio Faher armchairs and the side tables of Studio Bola appear in silver, a color that refers to aluminum.



最有机的形式体现在Besame Mucho Jaqueline Terpinz边桌和沙滩椅上，木制的家具可以为空间带来基本的温暖，同时这也参考了电影中自然的表达方式，因为自然常常能给人类带来希望，也因为自然所具有的独特复杂性。

The most organic forms on the table Side table Besame Mucho Jaqueline Terpinz and the low chair bench sea, the furniture in wood appears punctually to bring a minimum of warmth and are the reference of nature normally expressed in the films as a rescue of the human being or as an item of sophistication because of its scarcity.

























建筑设计：Debaixo do Bloco Arquitetura
项目位置：巴西，巴西利亚
类别：办公空间
首席建筑师：Clay Rodrigues Coauthors Rodrigo Cibeiros, Luciana Godin, Plinio Barros
项目面积：1076.39平方英尺（约100平方米）
项目年份：2018年
照片摄影：Joana França

Architects: Debaixo do Bloco Arquitetura
Location: Brasilia - Distrito Federal, Brazil
Category: Offices
Lead Architect: Clay Rodrigues Coauthors Rodrigo Cibeiros, Luciana Godin, Plinio Barros
Area: 1076.39 ft2
Project Year: 2018
Photographs: Joana França