范曾先生作为中国书画大师，著名国学家、诗人，提出 “回归古典、回归自然、身体力行、以诗为魂、以书为骨” 的美学原则。

As a master of Chinese painting and calligraphy, famous Sinologist and poet, Fan Zeng puts forward the aesthetic principle of "returning to the classical, returning to nature, practicing, taking poetry as the soul and books as the bone".

范曾先生简介▼


范曾先生作品▼


我们根植于范曾先生的绘画理念以及国学思想，建筑采用天圆地方以及范曾先生山石笔触为设计灵感，以石为基，托起宇宙万物无极而太极，以至万物化生的过程。

We are rooted in Mr. Fan Zeng's painting concept and traditional Chinese studies. The building adopts the round sky and the round place and the brush strokes of Mr. Fan Zeng's mountains and stones as the design inspirations and takes the stone as the base to hold up the universe and everything, and finally everything evolves.

概念演变▼








外部形式注重国风建筑语言，内部环境服务于作品本身，保证了观众对作品的欣赏与体验。美术馆的参观体验不仅针对展览本身，也包含对建筑和空间的领悟。观展体验可以通过设计让人们暂时脱离生活现实，进入一个精神性场域，这是我们一直在思考的问题。希望凭借自身的独特性，建立起传播的枢纽，挖掘跨文化的多元价值。

The external form emphasizes the architectural language form of national style, and the internal environment serves the works itself, ensuring the audience's appreciation and experience of the work. The museum experience is not only about the exhibition itself, but also about architecture and space. The exhibition experience can make people temporarily separated from the reality of life and also make them enter into a spiritual field through design. This is the problem we have been thinking about: how to build up the communication hub by virtue of its own uniqueness and excavate the multi-cultural value.

建筑空间▼








美术馆所设计的“圆”顶，水波纹一样景观形态，点缀了建筑空间“天圆”的主体概念，水景与露台重迭交织。同时山石形态外立面也形成了"地方"的核心建筑形态，更丰富了建筑外立面序列的变化效果。这样的设计也充分体现了范曾先生绘画特性，以此营造出具有自然性的生态建筑。

The "round" roof design of the art museum, with a landscape shape like ripples of water, adopts the main concept of "round sky" in the architectural space, with water features overlapping with terraces. At the same time, the rock facade also forms the core architectural form of the place, which enriches the changing effect of the facade sequence. This design also fully embodies the painting characteristics of Mr. Fan Zeng, thus creating a natural ecological architecture.

“天圆地方”▼






美术馆场地内的景观留白，可为周边人们提供休憩观景空间，增加了框景取景的效果，几何化的景观形态为自然环境符号的提取，增加了建筑亮点，景观设计以廊道休息观景平台为主，与“圆”建筑相呼应，同时，当建筑倒映于水面，它便是建筑别具特色的底座。

The landscape design of the surrounding pedestrian path and bridge provides recreational space for people, framing views with geometric forms by extracting natural environment symbols, increasing architectural experiences, the landscape is given priority with corridor rest viewing platform, and echoes the "circular" architectural geometry of the museum itself. At the same time, the building base is even more distinctive when the building reflects in the water.

自然景观▼










外立面材质▼




项目名称：范曾 · 美术馆
项目类型：建筑 / 景观
项目地点：中国 · 江苏
设计单位：WVA architects / 法维建筑设计事务所
事务所网站：www.wva-arch.com
主创建筑师：Jean-Hubert CHOW（周厚陶）
设计团队名单：朴炫枚，王瑜，王兴文，鄂雅倩，梁爽，董萧，于晨阳，崔扬
业主：陶然天艺术空间
建成状态：方案
设计时间（起迄年月）：2020-07
用地面积（平方米）：11300㎡
建筑面积（平方米）：8470㎡


来源：本文由法维建筑设计事务所提供稿件，所有著作权归属法维建筑设计事务所所有。