建筑师： 扎哈哈迪德建筑师
地点：密歇根大学，东兰辛，美国
设计：扎哈哈迪德和帕特里克舒马赫
项目总监：克雷格基纳
项目建筑师：阿尔贝托巴尔巴
项目组：Michael Hargens, Edgar Payan Pacheco, Sophia Razzaque, Arturo Revilla, Charles Walker
竞赛项目主任：彼得菲舍尔
竞赛项目建筑师：布丽塔克诺贝尔，Fulvio Wirz
参赛队伍：Melike Altinisik, Rojia Forouhar, Mariagrazia Lanza, Daniel Widrig
面积：4,274㎡
年份：2012
摄影：Paul Warchol
顾问：
结构：亚当斯卡拉泰勒（英国伦敦），空间数据基础设施（密歇根州，美国）
M＆E /环境：最大福德姆和合作伙伴（英国伦敦）， 彼得巴索（密歇根州，美国）
当地建筑师：集成设计解决方案（密歇根州，美国）
基地面积：6,039㎡

扎哈哈迪德事务所赢得了密歇根大学当代艺术博物馆的竞赛。

博物馆的立面的折叠铝板，显示着建筑的动态与力量。博物馆旁边是美丽的雕塑公园，并与临近校园的社区融合在一起。

建筑共有3层，包括地下室。博物馆将有1700㎡的展览空间，其他功能还有教育中心，纪念品店，咖啡厅和管理办公室等，总建筑面积4,274㎡。

它的机构是由钢筋混凝土构成，外立面材料是铝板和玻璃。

Eli and Edythe Broad当代艺术博物馆，坐落于密歇根州立大学北部边缘，被一系列的穿行流线和周围运动流线界定。

格兰德河大道北侧大街的活力和南侧大学的历史氛围形成了一个视觉网络和路线网络；一部分路线是现存的布局，一部分是新建立的从学校通往城市路线系统。

在格兰德河大道上的东西方向的流线，同时也是进入校园的主要通道，给这个地块赋予了新的含义。

从这些流线和视线关系中，我们设计出了平面，通过折叠这些平面，我们得到了最终的空间。

这种几何空间的联通和断开给展览提供了多种可能性，空间的多样性，流线的多样性。管理者可以利用这种多样性，从不同角度，不同视点来给参观者介绍艺术品和它们之间的联系。

通过细致的对场地、流线、类型学的调查和研究，我们对于控制线的把握很有信心。正是这些控制线使博物馆真正的融入到当地的特性环境中，与周围环境有着密切的联系。

它外部的表面和这些不同的方向产生着共鸣，给这个建筑一个千变万化的外貌，唤醒了人们的好奇心，同时还揭示了它的内涵。这种开放的特性强调了这个博物馆作为一个社区文化中心的功能。

这个艺术博物馆以一个尖锐直接的形体，包含着方向性的褶状，反应了它周围风景的地形和流通特点。

它外部的表面和这些不同的方向产生着共鸣，给这个建筑一个千变万化的外貌，唤醒了人们的好奇心，同时还揭示了它的内涵。这种开放的特性强调了这个博物馆作为一个社区文化中心的功能。

特别鸣谢翻译一组13号 刘扬慧 提供的翻译，译稿版权归译者所有，转载请注明出处。

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Architects: Zaha Hadid Architects
Location: Michigan State University, East Lansing, USA
Architects In Charge: Zaha Hadid with Patrik Schumacher
Project Director: Craig Kiner
Project Architect: Alberto Barba
Project Team: Michael Hargens, Edgar Payan Pacheco, Sophia Razzaque, Arturo Revilla, Charles Walker
Competition Project Director: Nils-Peter Fischer
Competition Project Architects: Britta Knobel, Fulvio Wirz
Competition Team: Melike Altinisik, Rojia Forouhar, Mariagrazia Lanza, Daniel Widrig
Area: 46,000 sqm
Year: 2012
Photographs: Paul Warchol
Structural Engineering: Adams Kara Taylor [London, UK]; SDI [Michigan, USA]
Environmental / M&E: Max Fordham [London, UK]; Peter Basso [Michigan, USA]
Local Architects: Integrated Design Solutions [Michigan, USA]
Site Area: 65,000 sqm

Zaha Hadid has won a competition to design the new Eli and Edythe Broad Art Museum at Michigan State University. The museum will exhibit modern and contemporary art, and will be adjoined to a sculpture park. The building will be on three levels, including a basement, and will have 18, 000 square feet of exhibition space. There will also be an education centre, museum shop, visitor café and staff offices. It will be constructed from steel and concrete with an aluminium and glass exterior.

The Eli and Edythe Broad Art Museum, located at the northern edge of the Michigan State University campus, is influenced by a set of movement paths that traverse and border the site. The vitality of street life on the northern side of Grand River Avenue and the historic heart of the university campus at the south side generate a network of paths and visual connections; some are part of the existing footpath layout, others create shortcuts between the city and the campus side of Grand River Avenue.

The circulation travelling in an east-west- direction on Grand River Avenue, along the main road of East Lansing and also on the main approach street to the campus produce an additional layer of connections that are applied to this highly frequented interface between city and campus.

Generating two dimensional planes from these lines of circulation and visual connections, the formal composition of the museum is achieved by folding these planes in three-dimensional space to define an interior landscape which brings together and negotiates the different pathways on which people move through and around the site. This dialogue of interconnecting geometries describes a series of spaces that offer a variety of adjacencies; allowing many different interpretations when designing exhibitions. Through this complexity, curators can interpret different leads and connections, different perspectives and relationships.

These detailed investigations and research into the landscape, topography and circulation of the site, enable us to ascertain and understand these critical lines of connection. By using these lines to inform the design, the museum is truly embedded within its unique context of Michigan State University, maintaining the strongest relationship with its surroundings.

The Broad Art Museum presents as a sharp, directed body, comprising directional pleats which reflect the topographic and circulatory characteristics of its surrounding landscape. Its outer skin echoes these different directions and orientations – giving the building an ever-changing appearance that arouses curiosity yet never quite reveals its content. This open character underlines the museum’s function as a cultural hub for the community.